i have been composing, recording and mixing for a long time relatively.
you can check my sounds at my site below.
here is what i do:
1- export the backing track from any sequencer application after mixing it.
2- record lead guitar in one shot in sound forge for example.
3- mix both tracks then export.
what i'd like to know if anyone gets better mixes uses different procedures.
it will be really appreciated if you can share with me.
I use a few different programs for such. my favorite as of this moment tho is Acid studio 6.0. Its a simple and easy to use program. I also like to use Cubase, again a simple and easy program. pretty much how i record lead guitar is by first laying down the basic track for the song, bass and rhythm guitar, mixing both of them with an alesis usb multimix 8. I record 2 tracks for them. so i can mix each one sep and adjust all the levels. Then once ive got those finished i will play it back threw a set of studio speakers while running the guitar back into the mixer and recording a new track for lead, Works rather well. that way i can mix each track and fine tune it. Then just export it as a Stereo wav file.
Like Raffi said, the easiest method is to just record a lead track in the same sequencer you recorded the basic track. You're still able to mix each track separately. Unless your sequencer doesn't allow you to record audio, but reason is the only one I can think of that doesn't.
Straight into your DAW via your audio interface is a common way as mentioned, but, if you have a nice sounding amp and a good mic try putting the mic on your amp and recording the amp via your s-card if it has xlr inputs and, depending on your mic, phantom pwr. This way yields better tone and a much better performance.
For rhythm and lead guitar, I've got 2 line 6 pods (a V2 and X3). I take the left and right output and plug it into input 1 and input 2 on my interface. Select the sound I want and record through logic. I usually put a limiter on my guitars in Logic and EQ. With the EQ I usually cut about 80hz which is approximately where a guitar amp usually cuts out and then I add some top end they sound great.
I think recording with a microfone is always the best way in my opinion. If you record Line-In make sure you also get the 'raw' signal so you have a chance to re-amp later (run the signal through the amp and record with a microfone after the takes are done). PODs can give a decent sound and not everyone has the chance to record at high volumes.
If you do though it's just better sounding - especially if the playback itself is already generated by a sequencer.
Also recording over a mixdown usually just makes your life harder. Most sequencing softwares these days also let you record directly within the application.
Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet
with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients,
and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website
as well as improve your user experience on our pages and show you personalised ads (learn more). To configure your cookie preferences, click here.
We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.
Configure my preferences
Accept all
Our cookies
Cookies not subject to consent
These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies. Example: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).
Google Analytics
We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it.
Advertising
This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest. We are likely to display advertisements from our own platform, from Google Advertising Products or from Adform.
We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.
Select all
Our cookies
Cookies not subject to consent
These are cookies that guarantee the proper functioning of Audiofanzine. The website cannot function properly without these cookies. Examples: cookies that help you stay logged in from page to page or that help customizing your usage of the website (dark mode or filters).
Google Analytics
We are using Google Analytics in order to better understand the use that our visitors make of our website in an attempt to improve it. When this parameter is activated, no personal information is sent to Google and the IP addresses are anonymized.
Advertising
This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :) We are using Google Ad Manager to display part of our ads, or tools integrated to our own CMS for the rest. We are likely to display advertisements from our own platform, from Google Advertising Products or from Adform.
Confirm my preferences
You can find more details on data protection in our privacy policy. You can also find information about how Google uses personal data by following this link.