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U-FLYstudio
Published on 04/25/09 at 16:48
Stereo Reverb with 2 IN / OUT 24/96 and 2 in analog IN / OUT AES EBU up to 192 kHz,
I / O series for tlcommande M10 M7 can grate 4. and MIDI In / Out
UTILIZATION
Machine dedicates to rverbration 1U
trs simple to use,
- 12 paramtres common: size pice, ReverbTime, select Early, early rolloff, early / reveb mix, prdly, RT x Low, low cross freq, RT x hi, hi freq cross, low cut sub, Hicut, modulation, density, distribution, ...
- Trs algorytms of "old lexicon" chamber, room, hall, flat, room, spaces
- TAP? trs currently not useful!
- 4 snapshot reminders for favorite programs that can be in-house programs or users rdits Store directly and this site
trs pure architectural style influenced by the PCM70, catch calculator 70's and dials rather close
with regard to return the program name, it returns a little stone age, but hey!!
Hand built in the United States, with relatively unstable currents weaklings, prvoir during a voltage stabilizer, but it heats internally ventilated, predict all the same a little space, it is trs silent, see photo
- Ente card and conversion in / out left
- DSP card in the center
- Card power supply breaks down right
SOUND QUALITY
Quite opposed to the current machines, the Bricasti THE FIRST ton costs, both it is far from the current standarts (PCM Lexion and TC M6000)
it is immediately trs resembling the Lexicon 200 or 224X (1983) in the short program, the Halls are also close enough but less dense than the AKG ADR68K which for me is one of the best (1985) and the rooms done everything in the level of 480L (1986 to V.1.0) in darker.
if you like sparkling treble in reverbs, it is better to spend its way and turn to a PCM 70 or 480L that will be a trs well here is made more acute the right, the machine offers a sound pretty rough, just the opposite of his silky the PCM70,
Bricasti the machine is a more raw, more natural, both more and more classic rock than modern lexicons appear immediately sugar and reserved young singers produced by Italian fortune!
* Say it is better to love the sound of the Berlin Philharmonic or radiohead than or Laura Pausini Lara Fabian (a plutt falls well in my case!)
I am a bit of the changes associated with size SETTING THE pice, which is a bit too subtle my taste, less ffective than the lexicon 200 for example. (In retrospect, it's just thinner and prcis!)
The argument against dffacement by the severe (VLF cut) is formidable, and effective music rev. mixing internal Premire rflexions (one 19) and diffuse sound is also simple and effective.
OVERALL OPINION
I have now for over 1 year
super super super! , Even more desire to redeem myself a 200 or a lexicon 224XL
Listen to "London flat" superb EMT plate, "Silver plate", "Music Room", "Worchester Hall" or "A & M chamber" which, among other real success stories
trs beautiful machine, not flattering, and trs type is rare today .... a standart! it's on!
I think these I will keep for a while!
I / O series for tlcommande M10 M7 can grate 4. and MIDI In / Out
UTILIZATION
Machine dedicates to rverbration 1U
trs simple to use,
- 12 paramtres common: size pice, ReverbTime, select Early, early rolloff, early / reveb mix, prdly, RT x Low, low cross freq, RT x hi, hi freq cross, low cut sub, Hicut, modulation, density, distribution, ...
- Trs algorytms of "old lexicon" chamber, room, hall, flat, room, spaces
- TAP? trs currently not useful!
- 4 snapshot reminders for favorite programs that can be in-house programs or users rdits Store directly and this site
trs pure architectural style influenced by the PCM70, catch calculator 70's and dials rather close
with regard to return the program name, it returns a little stone age, but hey!!
Hand built in the United States, with relatively unstable currents weaklings, prvoir during a voltage stabilizer, but it heats internally ventilated, predict all the same a little space, it is trs silent, see photo
- Ente card and conversion in / out left
- DSP card in the center
- Card power supply breaks down right
SOUND QUALITY
Quite opposed to the current machines, the Bricasti THE FIRST ton costs, both it is far from the current standarts (PCM Lexion and TC M6000)
it is immediately trs resembling the Lexicon 200 or 224X (1983) in the short program, the Halls are also close enough but less dense than the AKG ADR68K which for me is one of the best (1985) and the rooms done everything in the level of 480L (1986 to V.1.0) in darker.
if you like sparkling treble in reverbs, it is better to spend its way and turn to a PCM 70 or 480L that will be a trs well here is made more acute the right, the machine offers a sound pretty rough, just the opposite of his silky the PCM70,
Bricasti the machine is a more raw, more natural, both more and more classic rock than modern lexicons appear immediately sugar and reserved young singers produced by Italian fortune!
* Say it is better to love the sound of the Berlin Philharmonic or radiohead than or Laura Pausini Lara Fabian (a plutt falls well in my case!)
I am a bit of the changes associated with size SETTING THE pice, which is a bit too subtle my taste, less ffective than the lexicon 200 for example. (In retrospect, it's just thinner and prcis!)
The argument against dffacement by the severe (VLF cut) is formidable, and effective music rev. mixing internal Premire rflexions (one 19) and diffuse sound is also simple and effective.
OVERALL OPINION
I have now for over 1 year
super super super! , Even more desire to redeem myself a 200 or a lexicon 224XL
Listen to "London flat" superb EMT plate, "Silver plate", "Music Room", "Worchester Hall" or "A & M chamber" which, among other real success stories
trs beautiful machine, not flattering, and trs type is rare today .... a standart! it's on!
I think these I will keep for a while!