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zebzik
Published on 05/11/08 at 05:24
Best value:
Excellent
Capsule: back-electret type.
Directivity: cardioid, can pass hypercardiode by adding an adapter.
[possibility also to add an adapter to shine]
Caution forms of rponse cardiod hypercardiodes and this microphone is not idalie: few rjection rear globally.
Power: 48V phantom or 9V battery.
Body of the microphone: original look, plutt basically ncessite particulire pliers.
Switch on / off (for prserver battery)
In other words, because of its versatile micro CHARACTERISTICS
Possible uses: choir or solo singing, voice speaks, recovery tools (all), taking environments or proximity.
Aging: with age and many use, this microphone may lose some precision, and have a lightweight sail, a lightweight supplmentaire blur.
OVERALL OPINION
It was my first micro t staff, there are about ten years. I've seen a lot or used in various configurations.
It's really versatile, has great qualities, which are also its default.
It is not "neutral" but plutt soft, it's acoustic CHARACTERISTICS what! Can be found that he has no deep bass trs, he did not crystalline highs, it has soft mdiums. In other words it is discreet. It can be used in all configurations (voice, intruders, singing, etc.), it will always discrtement but effectively.
For voice and singing:
It has the advantage of not suffering too much from the effect of proximity.
Its velvety with good all the votes to pass without difficulty voice work or not. on the other hand, there is lectret rjection latrale and low, so relatively sensitive to feedback ds that would really push the higher the level of returns.
By consquent, for voice, it is more suited to first registration. Or the live, the second voice (the choruses), or solo if you can go back.
For chorus (chorus - making room):
It has the advantage of not capture the many serious distance. It does not loop too serious but in plutt in the high mids. He excelled in choir back in the open air (bluffing), because quite Fidler, full of PCHE and not running too.
For choral recording room, we prfrera cardio version without an adapter of brilliance, but not the microphone is best suited for this type of recording.
In continuance of instruments:
Really going anywhere, but watch his velvety always hiding a lack of precision (this is not a its box, plutt soft). Forcment therefore not recommended for registration unless it is necessary to add a little sweetness source (impec on some folk). If the instrument is not solo, it goes well and live recording. In overhead, lack of transitional too untoward. In snare, a little Soft. For piano, complter with something else to take to the grave. Flte for singing but lack of grain. For everything else, good Swiss Army knife to keep a backup.
It really is INTERESTED, even if it's not a star. Trs good memories on some votes. I think this microphone is not used prs as is (it is not Galise TRS) for cases where it is selected (above) or useful (too aggressive guitar, vocals too mocks, etc). It is not too difficult to place.
Trs quality good value for money.
One should always have one in his pocket!
Directivity: cardioid, can pass hypercardiode by adding an adapter.
[possibility also to add an adapter to shine]
Caution forms of rponse cardiod hypercardiodes and this microphone is not idalie: few rjection rear globally.
Power: 48V phantom or 9V battery.
Body of the microphone: original look, plutt basically ncessite particulire pliers.
Switch on / off (for prserver battery)
In other words, because of its versatile micro CHARACTERISTICS
Possible uses: choir or solo singing, voice speaks, recovery tools (all), taking environments or proximity.
Aging: with age and many use, this microphone may lose some precision, and have a lightweight sail, a lightweight supplmentaire blur.
OVERALL OPINION
It was my first micro t staff, there are about ten years. I've seen a lot or used in various configurations.
It's really versatile, has great qualities, which are also its default.
It is not "neutral" but plutt soft, it's acoustic CHARACTERISTICS what! Can be found that he has no deep bass trs, he did not crystalline highs, it has soft mdiums. In other words it is discreet. It can be used in all configurations (voice, intruders, singing, etc.), it will always discrtement but effectively.
For voice and singing:
It has the advantage of not suffering too much from the effect of proximity.
Its velvety with good all the votes to pass without difficulty voice work or not. on the other hand, there is lectret rjection latrale and low, so relatively sensitive to feedback ds that would really push the higher the level of returns.
By consquent, for voice, it is more suited to first registration. Or the live, the second voice (the choruses), or solo if you can go back.
For chorus (chorus - making room):
It has the advantage of not capture the many serious distance. It does not loop too serious but in plutt in the high mids. He excelled in choir back in the open air (bluffing), because quite Fidler, full of PCHE and not running too.
For choral recording room, we prfrera cardio version without an adapter of brilliance, but not the microphone is best suited for this type of recording.
In continuance of instruments:
Really going anywhere, but watch his velvety always hiding a lack of precision (this is not a its box, plutt soft). Forcment therefore not recommended for registration unless it is necessary to add a little sweetness source (impec on some folk). If the instrument is not solo, it goes well and live recording. In overhead, lack of transitional too untoward. In snare, a little Soft. For piano, complter with something else to take to the grave. Flte for singing but lack of grain. For everything else, good Swiss Army knife to keep a backup.
It really is INTERESTED, even if it's not a star. Trs good memories on some votes. I think this microphone is not used prs as is (it is not Galise TRS) for cases where it is selected (above) or useful (too aggressive guitar, vocals too mocks, etc). It is not too difficult to place.
Trs quality good value for money.
One should always have one in his pocket!