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natanael.solo
Published on 11/22/06 at 09:17
Made in japan
24 frets
micro ibanez hsh: s1-v7-v8
floyd
1volume, a tone
5-way switch
sleeve type end ibanez
UTILIZATION
The neck is thin enough so fast but faster clenching quantity we have big hands
each access to acute is good enough
the guitar is an appropriate weight
but its leaves to be desired badly because the combination of microphone is very bad
bridge pickup is difficult to saturate and a little more precise it is very sharp so unplayable in clean, micro station is non-existent against the other (c and little to say), it is far too low noise level and very flat the neck pickup can only be used for clean hot and severe reducing the saturated palette.
SOUNDS
Luckily with a good amp you get a little something at her but she turns to a dirty metal sound.
I did run on a Marshall JCM2000 TSL
then j (y've added after the preamp JMP1 MARSHALL
Finally g obt a BOSS GT6 pedalboard in place of JMP1
and necessarily face whatever I had a flat sound dirty even playing on a laney.
OVERALL OPINION
I use it for 6 years
The big problem of this quitar is itself
Let me explain
The wood is very fragile,
lechevalet dor in hardware is extremely sensitive to rust (already two years and two easel g abandoned because it rust again and I live in a cave pa)
the handle is
any changes to the body causes problems
= change in bridge games at the ankles that takes up
change = change of any micro electronics (too fragile and full of buzz)
Adjust microphone = fouarage the retaining screw into the wood.
frankly that emerde.
for guitar 4000 francs at the time either with ogmentation prices and the changeover to the euro roughly 750 euro today, I am better now because of a cut arm and buy a prosthetic with sub .
24 frets
micro ibanez hsh: s1-v7-v8
floyd
1volume, a tone
5-way switch
sleeve type end ibanez
UTILIZATION
The neck is thin enough so fast but faster clenching quantity we have big hands
each access to acute is good enough
the guitar is an appropriate weight
but its leaves to be desired badly because the combination of microphone is very bad
bridge pickup is difficult to saturate and a little more precise it is very sharp so unplayable in clean, micro station is non-existent against the other (c and little to say), it is far too low noise level and very flat the neck pickup can only be used for clean hot and severe reducing the saturated palette.
SOUNDS
Luckily with a good amp you get a little something at her but she turns to a dirty metal sound.
I did run on a Marshall JCM2000 TSL
then j (y've added after the preamp JMP1 MARSHALL
Finally g obt a BOSS GT6 pedalboard in place of JMP1
and necessarily face whatever I had a flat sound dirty even playing on a laney.
OVERALL OPINION
I use it for 6 years
The big problem of this quitar is itself
Let me explain
The wood is very fragile,
lechevalet dor in hardware is extremely sensitive to rust (already two years and two easel g abandoned because it rust again and I live in a cave pa)
the handle is
any changes to the body causes problems
= change in bridge games at the ankles that takes up
change = change of any micro electronics (too fragile and full of buzz)
Adjust microphone = fouarage the retaining screw into the wood.
frankly that emerde.
for guitar 4000 francs at the time either with ogmentation prices and the changeover to the euro roughly 750 euro today, I am better now because of a cut arm and buy a prosthetic with sub .