Meuhrian ze Karibou
Published on 02/03/06 at 14:05
Then the wood comes from Canada, is carved in California and sent to the core assembly before being expdi r (Wow, everything?!) O it Verify comes to use.
a technical point of view:
-Neck-Rabl (so it passes through the body from side to side)
24-rosewood boxes decorated with a tree of life pearl (? Verify) really beautiful
-2 Spices mahogany glue around the handle forms the body, all with a Saddle ond table as a tablecloth ... trs nice table by the way (warf warf warf)
- Seymour Duncan SH4 and SH2, controlled by a 5 positions, 1 volume 1 tonalitbr /> tailpiece-crossing, genre y'avait not sustain enough ...
basically, it's a. ..
UTILIZATION
The neck is a joy, Access in acute than in the absence of simple heel ... good, it is a bit heavy, but nothing mchant, and what a sound!! I dveloppe ....
SOUNDS
L I cracked ... not only is it beautiful, but most is the sound I was looking for my group (influences A Perfect Circle, Deftones, Nostromo, Muse, Erik Truffaz ...) Tested in dsordre: Marshall JCM 2000 head Orangecrunch (a limit SERIES) Peavey Classic 30 and bandit 112, mesa v twin rack peavey classic 50/50 ENGL cabinet, engl fireball, thunder, powerball ... and I think that's all (that dj a lot tell me) and the well is we realize that the amp is a long way to do it all ... since y 'is not one that sounded wrong with this scratch! even the bandit 112 ... level sound, but prcis sh4 is fat, I like: D, sh2 is warm, round and velvety I LOVE, and splits are super INTERESTED play, especially in the sh2 clean. I use the scratch for almost everything, especially knowing that I need a clean sound than clean, smooth and warm and a noooooooooorme crunch actually a big distortion in the volume but with little gain trs. ..
I do not use effects, and then the tendon ducts con tripper for (my last P'ti pleasure hach tremolo with lots of short delay rptition, distortion and boosts on bottle neck .. . well, must have the strong stomach and the only sound that I like a little less, it would split the sh4, but the Motes I ....
OVERALL OPINION
I'm in love ... dj owner of an ibanez 7 strings Di Marzio high-end and a gibson sg standard, I compltement crack .... when I see the finish of the gibson sg and every problem I've had in conjunction with, well seriousness, the "made in us" thing, I think so ... o mag I provided (baba quimper rock! baba powa!) reu of jackson us, not over the nut silent, the MCA is my sg nazes after 6 months, gibson les paul standard with a friend that oxidizes more than my bike in the rain all winter, the prs 2000 that the sound of ibanez 500, ben long live the core. I come drool less than before on the custom shop esp ... what was seen for less than 1000 to baba, ben made in the us, it's over, I m'achterai another schecter plutt one who Rican coterai triple. scratch that, I love it. and yet, I have tried many ...
a technical point of view:
-Neck-Rabl (so it passes through the body from side to side)
24-rosewood boxes decorated with a tree of life pearl (? Verify) really beautiful
-2 Spices mahogany glue around the handle forms the body, all with a Saddle ond table as a tablecloth ... trs nice table by the way (warf warf warf)
- Seymour Duncan SH4 and SH2, controlled by a 5 positions, 1 volume 1 tonalitbr /> tailpiece-crossing, genre y'avait not sustain enough ...
basically, it's a. ..
UTILIZATION
The neck is a joy, Access in acute than in the absence of simple heel ... good, it is a bit heavy, but nothing mchant, and what a sound!! I dveloppe ....
SOUNDS
L I cracked ... not only is it beautiful, but most is the sound I was looking for my group (influences A Perfect Circle, Deftones, Nostromo, Muse, Erik Truffaz ...) Tested in dsordre: Marshall JCM 2000 head Orangecrunch (a limit SERIES) Peavey Classic 30 and bandit 112, mesa v twin rack peavey classic 50/50 ENGL cabinet, engl fireball, thunder, powerball ... and I think that's all (that dj a lot tell me) and the well is we realize that the amp is a long way to do it all ... since y 'is not one that sounded wrong with this scratch! even the bandit 112 ... level sound, but prcis sh4 is fat, I like: D, sh2 is warm, round and velvety I LOVE, and splits are super INTERESTED play, especially in the sh2 clean. I use the scratch for almost everything, especially knowing that I need a clean sound than clean, smooth and warm and a noooooooooorme crunch actually a big distortion in the volume but with little gain trs. ..
I do not use effects, and then the tendon ducts con tripper for (my last P'ti pleasure hach tremolo with lots of short delay rptition, distortion and boosts on bottle neck .. . well, must have the strong stomach and the only sound that I like a little less, it would split the sh4, but the Motes I ....
OVERALL OPINION
I'm in love ... dj owner of an ibanez 7 strings Di Marzio high-end and a gibson sg standard, I compltement crack .... when I see the finish of the gibson sg and every problem I've had in conjunction with, well seriousness, the "made in us" thing, I think so ... o mag I provided (baba quimper rock! baba powa!) reu of jackson us, not over the nut silent, the MCA is my sg nazes after 6 months, gibson les paul standard with a friend that oxidizes more than my bike in the rain all winter, the prs 2000 that the sound of ibanez 500, ben long live the core. I come drool less than before on the custom shop esp ... what was seen for less than 1000 to baba, ben made in the us, it's over, I m'achterai another schecter plutt one who Rican coterai triple. scratch that, I love it. and yet, I have tried many ...