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archtop
Published on 06/16/09 at 14:27
I go back 18 months later with the group experience.
The Rvelvet has a touch of acidity that brings out the group. He slams more than the V FRP, and leaves a great disto grunge / hard rock.
Notice January 27, 2008
I used it for two years in middle position with PAF humbuckers virtual.
It sounds very similar to the virtual PAF neck, but strangely less bright. That's about the only flaw, it is rather the virtual PAF neck is exceptional.
The output level is roughly equivalent to the humbuckers, a chouila least, that is high for a single.
It is a very good microphone as clear and distortion that remains in a register pop/rock/hard70 's a real simple even boosted as red velvet is not made for playing metal.
Coupled with the phase-out humbuckers it sounds wah, especially with the virtual Hot PAF bridge.
To me this is the ultimate micro middle position for anyone looking for a guitar on his Fender equipped with humbuckers.
The Rvelvet has a touch of acidity that brings out the group. He slams more than the V FRP, and leaves a great disto grunge / hard rock.
Notice January 27, 2008
I used it for two years in middle position with PAF humbuckers virtual.
It sounds very similar to the virtual PAF neck, but strangely less bright. That's about the only flaw, it is rather the virtual PAF neck is exceptional.
The output level is roughly equivalent to the humbuckers, a chouila least, that is high for a single.
It is a very good microphone as clear and distortion that remains in a register pop/rock/hard70 's a real simple even boosted as red velvet is not made for playing metal.
Coupled with the phase-out humbuckers it sounds wah, especially with the virtual Hot PAF bridge.
To me this is the ultimate micro middle position for anyone looking for a guitar on his Fender equipped with humbuckers.