View other reviews for this product:
Bluesforum
Published on 02/20/10 at 09:35
It's the same as the previous opinion ...
UTILIZATION
All the same as before, really, for now, I'm really going to go for a big faigniasse!
SOUNDS
Okay, so I play with: Duesenberg D-Caster (a single and a double bridge) and a Duesenberg Double Cat (P 90 and a double in bridge). But then, he plays on Duesenberg or what? Good move, if you want to know why I have adopted these guitars, send me an email and I will answer you on 452 pages to explain how these guitars are huge.
Well, the racing results after 3 years of over-use of this sound phenomenal, and therefore after the break-V30:
- Clean channel, it has become much more "flexible", and now it sounds really cool way and it certainly crunch quickly, you can not use it donf clean sound. There crunch from 10 hours, but before it sounds very beautiful. Me, anyway, I spotted the place or ask my Sennheiser E609 microphone relative to HP, and I routinely transplanted in the sound, so I need not turn up the volume when there 's a battery. So the clean sound is excellent and with a little reverb, delay, or a small set very short, you will enjoy ...
- Lead channel: so there you go the more you enjoy, you'll HALLUCINATE: slightly crunchy sound you may have on this amp is AMAZING! I have long thought of asking an amp (it was fabulous) to Jean Michel Herdhuin (the manufacturer) style "Deluxe Reverb" to have a clear / Crunchy style "Riviera Paradise" or "Little Wing" (for those who are went to school and know so SRV or Hendrix), but now frankly I really do not need, so I can get out of this little thing is amazing! I have two ways to use this amp: when I push the volume (ie when there is not no queer one who said "this is too much" - in fact it is not often .. .-), I ride the gain to 15 hours, I put between the guitar and amp a little boost (TOC lovepedal 50), and there I have with the volume of the guitar slight crunch to a big overdrive beautiful. On stage it's really a treat ... When I can not push the volume, I put the gain at 10 hours, the volume at 12 o'clock, and I put an overdrive (my tone texas radial bone bone) after the scratch and there, even at low volumes I sound unheard !
This amp, so can I use for use in flat to the stage, with possibilities of sound and clear up what it takes to send heavy (not trash) with its vintage "(beautiful natural saturation of lamps) extraordinary. So I say, who can do better than that ... And more with a production made a few terminals at home ....
I put 10 because there's no 11 or 12.
OVERALL OPINION
Jean-Miche Herdhuin is a wizard. No, I did not say he was the head of Carabosse, I say that you built things not possible with his own hands from A to Z. At home he has things that sound better than the Deluxe Reverb, Marshall or AC 30, with more, and that's what I liked, a personal component that makes the amp it sounds like you like but with a twist "JMH custom".
Prices are very reasonable and you have an amp that you can customize from the inside to the outside. I have a rockwood (head plus cab) that I did too, and both are as good as the other one but the little rock is énormissime on sounds very slightly crunchy. On stage, I put an A / B box and send the cool on the little rock and saturated the rockwood: I am far from being the best guitar player in the corner, but in any case in his, y ' are not many who take me!
UTILIZATION
All the same as before, really, for now, I'm really going to go for a big faigniasse!
SOUNDS
Okay, so I play with: Duesenberg D-Caster (a single and a double bridge) and a Duesenberg Double Cat (P 90 and a double in bridge). But then, he plays on Duesenberg or what? Good move, if you want to know why I have adopted these guitars, send me an email and I will answer you on 452 pages to explain how these guitars are huge.
Well, the racing results after 3 years of over-use of this sound phenomenal, and therefore after the break-V30:
- Clean channel, it has become much more "flexible", and now it sounds really cool way and it certainly crunch quickly, you can not use it donf clean sound. There crunch from 10 hours, but before it sounds very beautiful. Me, anyway, I spotted the place or ask my Sennheiser E609 microphone relative to HP, and I routinely transplanted in the sound, so I need not turn up the volume when there 's a battery. So the clean sound is excellent and with a little reverb, delay, or a small set very short, you will enjoy ...
- Lead channel: so there you go the more you enjoy, you'll HALLUCINATE: slightly crunchy sound you may have on this amp is AMAZING! I have long thought of asking an amp (it was fabulous) to Jean Michel Herdhuin (the manufacturer) style "Deluxe Reverb" to have a clear / Crunchy style "Riviera Paradise" or "Little Wing" (for those who are went to school and know so SRV or Hendrix), but now frankly I really do not need, so I can get out of this little thing is amazing! I have two ways to use this amp: when I push the volume (ie when there is not no queer one who said "this is too much" - in fact it is not often .. .-), I ride the gain to 15 hours, I put between the guitar and amp a little boost (TOC lovepedal 50), and there I have with the volume of the guitar slight crunch to a big overdrive beautiful. On stage it's really a treat ... When I can not push the volume, I put the gain at 10 hours, the volume at 12 o'clock, and I put an overdrive (my tone texas radial bone bone) after the scratch and there, even at low volumes I sound unheard !
This amp, so can I use for use in flat to the stage, with possibilities of sound and clear up what it takes to send heavy (not trash) with its vintage "(beautiful natural saturation of lamps) extraordinary. So I say, who can do better than that ... And more with a production made a few terminals at home ....
I put 10 because there's no 11 or 12.
OVERALL OPINION
Jean-Miche Herdhuin is a wizard. No, I did not say he was the head of Carabosse, I say that you built things not possible with his own hands from A to Z. At home he has things that sound better than the Deluxe Reverb, Marshall or AC 30, with more, and that's what I liked, a personal component that makes the amp it sounds like you like but with a twist "JMH custom".
Prices are very reasonable and you have an amp that you can customize from the inside to the outside. I have a rockwood (head plus cab) that I did too, and both are as good as the other one but the little rock is énormissime on sounds very slightly crunchy. On stage, I put an A / B box and send the cool on the little rock and saturated the rockwood: I am far from being the best guitar player in the corner, but in any case in his, y ' are not many who take me!