All adj t say, no need to return it.
BMOL simple, no output line / XLR ... However, this is not rdhibitoire I can not see myself having an amp lights and sound to choose me out of scne a line out (I'm not looking polmiquer This n ' that is my opinion).

UTILIZATION

The configuration is relatively simple.
I say "relatively" because the pdalier of CONTRL is not a stunning sense:
- A first switch toggles between two channels (disto / clear)
- A second switch can trigger the High-Gain distortion
- Troisime a switch to activate the Boost clean channel
- Quatrime a switch to activate the reverb and effects loop.

I prfr solution 5 buttons (High Gain / Vintage Gain / Boost / Clean / Effect).
My rating is therefore this criticism.

SOUNDS

I play in a ska / rock / metal. The combination sounds perfect for me.
Frquemment I play this amp with an Ibanez IC400 (original pickups), which dlivre good sound that is saturated equilibrated immediately place in the mix (and yet we are in the 9 group). The clean sound is a little too "slamming", for me who plays ska, it's good, but for those looking for clear, light sound, it will look better with SETTING THE amp.
Me, it suits me perfectly. I was nervous that this amp does not have enough dlivre mdiums, but in this case, it's perfect.

OVERALL OPINION

I use it for a week. A week? It's just you say. Certainly.
But I moved forward by four years with a Marshall VS2000 AVT 100, then 2 years with the Vox Tonelab SE. So I had a small (very small) ide of what I was looking for. I would not say I've achieved perfection in sound 5 minutes, the sound has to seek all the time ... But I must say that I was not the RG50TC.
I will not 10/10, because I have not toured in so little time (which is a good sign).
I remember as a quality: price, its saturated (not "dgueu" nor too low load, or in rotting AIGS the mix), power, size reasonable.
I remember as a default: the clean sound too slamming the pdalier not very convenient.