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NicolasD « is all »
Published on 12/20/10 at 21:14Dsol I do not know but I invite you to see the reviews are very comprehensive Previous.
I just want to point out two Masters, one can use the 2nd as a boost that can really rgler as we want, which is an excellent idea.
Super Self-Employed and also the rugged footswitch (it connects by a jack classic like this is dsolidaris the footswitch, it will not tear or s'abmer over time and allows store it more easily).
Note the small LED that is easy to see in the dark if it is lost between the effects loop, Masters and canals.
The top and implementations noon is much easier life.
I agree with a user who says that the plastic knobs, made really cheap and has not inspire confidence.
UTILIZATION
Not really need the manual, despite all the buttons is very simple to understand.
Really designed for the professional touch everything.
You get more or less easily after a good sound modes.
SOUNDS
For sound, adpend gots.
- For the CLEAN channel, do not EXAGRES, not a twin but it is bluffing when you know the history "rock" of the brand. The best clean Marshall of all time (o so I can be a series but the rat frankly, I see it).
- For channel CRUNCH, I'm not as enthusiastic as others. I find it a little too round, basses are too fat, the equalizer will not allow me to give him a punch is not quite "fit in". And how red should look like JCM800, I see too the report. For me it is a small dception because I have some idea of the Marshall crunch, but for blues fans will velvety very good question of taste, as usual ' .
- The OD1 channel, I like it. Especially orange mode, did a bit hard the Van Halen. Mode red as there is still more gain (almost too). It's not very late but holds the road well even low volume.
- The OD2 channel, bin is the same size but in V for extreme music. Very good, say nothing but the first two modes are not used much since it is the channel that says Metal and Metal said saturated fat line. So, these first two modes will fit anyone, nor hairy nor those who have lost their hair. Finally, I am ready to read contrary opinions.
I have a dozen guitars, guitar cheap (around 350 euros) a custom shop (about 5000 euros), Start, Les Paul, Tele, Gretsch, active pickups and passive humbuckers and single coils ... I've tried everything on the amp, my decision is fairly objective.
OVERALL OPINION
Well, there's something that fills me is the anti-snobbery Marshall.
The guys that criticize the brand new amps are often the same who feel a big diffrence between two of its brands of 12AX7 DIFFERENT but at the same place factories and industries of the m Manir me.
The same ones who do not understand that his true "lights" just above the Tagus power.
The same ones who spend their time to question the sound of the amp to avoid having to question their game
Anyway, it's a fad. And how many times, and according to gnrations, we heard that Marshall c'tait well only time the Bluesbreakers, no, actually JTM45, no, actually plexi ... no, actually JCM800 of ... no, actually JCM900, JCM2000 of, LSD ... I even read some people regret the TSL then that for once c'tait not really terrible!
In the U.S., everyone wants to play at Marshall. In Europe, everybody wants to play at Mesa ...
What I know is that I have lots of DIFFERENT amps, a mesa with its TriAxis 2:90 a Egnater Rebel 20, a Bogner Alchemist frquemment and I play on other amps which the mesa F50 (and I confirm what the user said in the first notice is a live dung inaudible). I had a Fender Twin amp I assassin in an opinion because he always fell down.
And the JVM bin it not crash. There is no problem of rverb or lamps that burn out too quickly. It is versatile, far from being excellent everywhere (for blues, metal, country etc ... there will always be better, obviously) but it does the job without hesitation and this is asked. Honntement, I see not what it lacks for an amp in this price range and I see what I can not ask for more. I recall that the Engl e670 and Mesa Road King are more than twice as expensive, they do not play in the same court.
Soon, I finally know people who go down remember the mark today with motion of the era of bnie JVM ... Good and bad
I just want to point out two Masters, one can use the 2nd as a boost that can really rgler as we want, which is an excellent idea.
Super Self-Employed and also the rugged footswitch (it connects by a jack classic like this is dsolidaris the footswitch, it will not tear or s'abmer over time and allows store it more easily).
Note the small LED that is easy to see in the dark if it is lost between the effects loop, Masters and canals.
The top and implementations noon is much easier life.
I agree with a user who says that the plastic knobs, made really cheap and has not inspire confidence.
UTILIZATION
Not really need the manual, despite all the buttons is very simple to understand.
Really designed for the professional touch everything.
You get more or less easily after a good sound modes.
SOUNDS
For sound, adpend gots.
- For the CLEAN channel, do not EXAGRES, not a twin but it is bluffing when you know the history "rock" of the brand. The best clean Marshall of all time (o so I can be a series but the rat frankly, I see it).
- For channel CRUNCH, I'm not as enthusiastic as others. I find it a little too round, basses are too fat, the equalizer will not allow me to give him a punch is not quite "fit in". And how red should look like JCM800, I see too the report. For me it is a small dception because I have some idea of the Marshall crunch, but for blues fans will velvety very good question of taste, as usual ' .
- The OD1 channel, I like it. Especially orange mode, did a bit hard the Van Halen. Mode red as there is still more gain (almost too). It's not very late but holds the road well even low volume.
- The OD2 channel, bin is the same size but in V for extreme music. Very good, say nothing but the first two modes are not used much since it is the channel that says Metal and Metal said saturated fat line. So, these first two modes will fit anyone, nor hairy nor those who have lost their hair. Finally, I am ready to read contrary opinions.
I have a dozen guitars, guitar cheap (around 350 euros) a custom shop (about 5000 euros), Start, Les Paul, Tele, Gretsch, active pickups and passive humbuckers and single coils ... I've tried everything on the amp, my decision is fairly objective.
OVERALL OPINION
Well, there's something that fills me is the anti-snobbery Marshall.
The guys that criticize the brand new amps are often the same who feel a big diffrence between two of its brands of 12AX7 DIFFERENT but at the same place factories and industries of the m Manir me.
The same ones who do not understand that his true "lights" just above the Tagus power.
The same ones who spend their time to question the sound of the amp to avoid having to question their game
Anyway, it's a fad. And how many times, and according to gnrations, we heard that Marshall c'tait well only time the Bluesbreakers, no, actually JTM45, no, actually plexi ... no, actually JCM800 of ... no, actually JCM900, JCM2000 of, LSD ... I even read some people regret the TSL then that for once c'tait not really terrible!
In the U.S., everyone wants to play at Marshall. In Europe, everybody wants to play at Mesa ...
What I know is that I have lots of DIFFERENT amps, a mesa with its TriAxis 2:90 a Egnater Rebel 20, a Bogner Alchemist frquemment and I play on other amps which the mesa F50 (and I confirm what the user said in the first notice is a live dung inaudible). I had a Fender Twin amp I assassin in an opinion because he always fell down.
And the JVM bin it not crash. There is no problem of rverb or lamps that burn out too quickly. It is versatile, far from being excellent everywhere (for blues, metal, country etc ... there will always be better, obviously) but it does the job without hesitation and this is asked. Honntement, I see not what it lacks for an amp in this price range and I see what I can not ask for more. I recall that the Engl e670 and Mesa Road King are more than twice as expensive, they do not play in the same court.
Soon, I finally know people who go down remember the mark today with motion of the era of bnie JVM ... Good and bad