PatjacK
Published on 03/28/07 at 09:27
Just read the previous posts
UTILIZATION
Complex configuration? Hmm not
At first, obviously, it can be destabilizing. But with a bit of practice, we get easily what you seek.
SOUNDS
Amp oriented Blues - Rock Hard Rock-assuredly.
I play Black Metal and rock to the softer Anathema. This head has never disappointed.
My guitar is a Gibson Nighthawk Standard 3. I have a Rocktron Multivalve in the effects loop. Otherwise, the front, I use the following scheme: guitar - noise gate - Rocktron gainiac (I use a clean sound, it's easy to slam the bridge pickup in my Gibson which I find too hot when plugged directly ) - Compressor - back to the noise gate.
Very nice clear sound. For Marshall, it was There's a lot of change in the share of the firm. But hey, when you're a rock-oriented amp, the distortion is important, is not it?
The crunch is very effective. It quickly gets a good sound bluesy at will, pushing some of the gain knob, the blues solos to cry out easily in a warm tone through the lamps.
Now its Lead: Excellent. A bold grain and warm! A distortion in the way we like it short. A slight overdrive to neutral slam power chords and take out the harmonic easier is welcome, but that's true for a lot of amps, even in Mesa Boogie! And for a really low price that they, not you hesitate!
OVERALL OPINION
I use it for some months now. I particularly appreciate its versatility, the beast was nothing to be ashamed, whatever the style practiced.
I also use qq Mesa Boogie before. But they are too expensive and not necessarily always superior to others. Anyway, stay on the head. The value for money is fairly good.
I would do without hesitation that choice!
UTILIZATION
Complex configuration? Hmm not
At first, obviously, it can be destabilizing. But with a bit of practice, we get easily what you seek.
SOUNDS
Amp oriented Blues - Rock Hard Rock-assuredly.
I play Black Metal and rock to the softer Anathema. This head has never disappointed.
My guitar is a Gibson Nighthawk Standard 3. I have a Rocktron Multivalve in the effects loop. Otherwise, the front, I use the following scheme: guitar - noise gate - Rocktron gainiac (I use a clean sound, it's easy to slam the bridge pickup in my Gibson which I find too hot when plugged directly ) - Compressor - back to the noise gate.
Very nice clear sound. For Marshall, it was There's a lot of change in the share of the firm. But hey, when you're a rock-oriented amp, the distortion is important, is not it?
The crunch is very effective. It quickly gets a good sound bluesy at will, pushing some of the gain knob, the blues solos to cry out easily in a warm tone through the lamps.
Now its Lead: Excellent. A bold grain and warm! A distortion in the way we like it short. A slight overdrive to neutral slam power chords and take out the harmonic easier is welcome, but that's true for a lot of amps, even in Mesa Boogie! And for a really low price that they, not you hesitate!
OVERALL OPINION
I use it for some months now. I particularly appreciate its versatility, the beast was nothing to be ashamed, whatever the style practiced.
I also use qq Mesa Boogie before. But they are too expensive and not necessarily always superior to others. Anyway, stay on the head. The value for money is fairly good.
I would do without hesitation that choice!