What kind of amplification (lamp, transistor ,...)?

All-tube amplifier, two 12AX7 and two EL84 in prampli for the Tagus power.

What is the power dlivre?

15 watts RMS switchable to 7 watts, all in Class A.

What connection?

One input on the front and 3 speaker output jack guitar format in front rear (two 8-ohm and 16-ohms).

What rglages the effects? ...

A master volume, one tone knob and a knob for gain.



UTILIZATION

The configuration is it simple?

Could not be more simple. Plug in, turn on, tune in and you're ready to go.

Do you get a good sound easy?

Just rgler the tone and the gain according to the desires.

The manual is clear and sufficient? ...

I have no manual or guide reu with the amplifier and even if a is not really it would ncessaire INTERESTED t from Orange to give us more pr Decisions on bte.



SOUNDS

Is it your style of music?

I play mostly rock that is progressive, alternative or more conventional times. I must say that I am not seeking the versatility but also a sound that I like and the grain of the Tiny Terror sduit me. It offers a beautiful play area while having a good personality quenching. I have never seen in difficulty since I have acquired.

With what (s) guitar (s) / low (s) or effect (s) do you play?

I play an Ibanez RG 2570 Z Whereas I like a guitar trs good quality and more versatile than it seems. I did use a multi-disciplinary and do not like Whereas a machine to gain forge metal. Even if it is true that the output level of DiMarzio is awesome, she knows how to rev subtle and groovy when I asked. We feel the cot while the guitar except for the ease with which it changes and you register as a stratum below would.

Here's CHARACTERISTICS: (for more information, visit the official website of Ibanez)

<table border="0" width="400">

<tbody>

<tr>

<td> neck type </td>

<td> 5pc Wizard Maple / Walnut neck </td>

</tr>

<tr>

<td> body </td>

<td> Basswood body </td>

</tr>

<tr>

<td> freight </td>

<td> Jumbo frets </td>

</tr>

<tr>

<td> bridge </td>

<td> Edge-Zero bridge w/ZPS3 </td>

</tr>

<tr>

<td> neck could </td>

<td> DiMarzio IBZ-N (H) neck could </td>

</tr>

<tr>

<td> middle could </td>

<td> DiMarzio IBZ-S (S) mid could </td>

</tr>

<tr>

<td> bridge could </td>

<td> DiMarzio IBZ-B (H) bridge could </td>

</tr>

<tr>

<td> hardware color </td>

<td> Cosmo Black </td>

</tr>

</tbody>

</table>
I connect the head a 1x12 cabinet partially open the rear and a quip Seventy80 Celestion 50 watt (8 ohms).

Cot effect I use:
A BOSS TU-2 (Chromatic Tuner), Bad Horsie Morley VAI a 1 (Wah), a Digitech Whammy WH-4, a Boss PH-2 (Phaser), a Boss DD-3 (Digital Delay) and a Boss GE- 7 (7 Band Graphic Equalizer).

What kind of sound you get and with what rglages ("crystalline", "bold ",....)?

With the tone below the half of the race:
The clean is warm, round and only itself. Ds that turns the gain over 4 and up 5-6, began to saturate. This gives a crunch vintage trs very dynamic and enjoyable trs. If you push the gain further you end up with a nice distortion, singing clear and trs. The grain is rsolument british reserve of gain and allows aggressive riffs.

With the tone at the top half of the race:
The clean is warm but law and prcis. It provides a nice twang but fast enough crunch with double coils. Ds you push a little gain, crunch takes on a vintage trs with clarity and dynamics Defines difficult. Going further we find ourselves with a sound prcis trs, incisive and rsolument lead. Harmonics and steal riffs are sharp trs.

What are the sounds you prfrez, you dtest?

I love the british grain that makes one nostalgic with single coil and gain 4 or 5 but also very modern s&#39;avre when we send the sauce around 7 or 8 with a humbucker: A real DLIC . The clean is nice for a setup like this, I find many Intgr the rest. He is not to look pretty. The only catch is the TOC a bit messy when saturated sound effects added such as a phaser or flange. It is the only problem the lack of li effects loop but the sound remains completely usable and enjoyable.



OVERALL OPINION

How long have you use it?

Two weeks ago I have been a dj and I RPET and a live (non-transplanted. I play it quite often because I apprcie much compared to the Randall RG 50 TC I had before and I do not regret at all. The power of the Tiny Terror must not be under estimated, 15 watt all-tube: It dmnage!

What is the particular feature you like best and least?

I like the fact that it dpouill without being simplistic. You can easily spend a crunch with the gain 4 or 5 a Clean lowering the volume a little bit of scratching or distortion muscle with a boost of 10 15 db.

What I regret most is the abscence of effects loop and manufacturing Coren. Damage to an amplifier as convincing.

Have you tried many other models before acqurir?

I tried a Hiwatt Hi-Gain 50 has rvel be what I want but too expensive for now, a Marshall JVM 205 H in color tone did not please me at all and a Randall RG 50 TC I possde. I tried other amps in my life but this guitar are the main I tried during the two months since the purchase of prcd Tiny Terror.

How do you report qualitprix?

I bought nine dan 470 a music store in my region (Charleroi, Belgium) which I find to be a good price for a head of the invoice.

Exprience with, you will do again this choice? ...

I think the Tiny Terror is an amplifier that has gnial to make a little way with a head of quality without breaking the bank. Ultimately, a head provided better and higher fly should come to replace it in RPET and / or live sre but one thing is: he will not blush.