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Published on 05/18/08 at 01:45
Like "Vintage British" without being the Neve.
Mine has the party Master, Bus, Vu meters, back machines in common with the picture because it is a 24 channel 24/4/2. It has 20 modules with 2105 semi paramtriques EQ 4 (the middle two as a slippery frquence) and 4 modules 2109 with only two frequencies. 80Hz and 12 KHz. Pad-20, -30 Pad cut down and select between fixed line (which can be used in the coup Inline 24).
It is controlled by 4 TO 2 pr 2 post on mine. 4 Bus. Insert on each slice, and phantom power also. It has 24 channels in addition to the 8 inputs and return machine panoramica Assayable volume.
Food is big trs without reaching the size of that of the Yamaha PM4500 SERIES or even that of the PM5D. It inspires confidence srieusement.
The console is Fully dmontable spices spices as she walks by (which I deprecated), as said before it is super modular. (I even slices in collection outdoor spare).
UTILIZATION
I use it in return ds Converto Apogee or taking as inputs pramp combination with high-flying on the tracks sound. So give a sound Cohr, some other time irreproductible
She serves mlangeur / adder to re-pass the tracks in various pramp or channel strip (with return to insert a zapper deuxime pramplification and enjoy the exellent EQ and its just as good fader) . She also serves insrer large compressors. The faders are super enjoyable, class, and is of 100mm. My synths (Virus, Moog, mfb & Co) or my hardware effects can be rout all the time (thank you to the patch bay) in it.
SOUNDS
The sound is trs cool, not breathing anyway. is the pramp gnial very much with 75dB gain and EQ super music as the saying goes! You can remove or add it is always nice. It's not as brutal an XL3 or even a Midas Venice, but rather the stuff you can gain frquences t'intressent that you can gain the same stuff and pramp a ring in a mdium screaming like all the good sounds british. Trs harsh. Big big sound output, the meters can be seen trs hot
OVERALL OPINION
I have a grace rounting console hyper flexible. I love his sound and the people who go here as well. I use the same way as all my other Outboards more upscale and I spend my rear sound in without thinking. It colors only when asked and amne a real plus in a project studio.
I must admit that I had worked very little on this console and it had rained normment. In the era I was doing a lot of rooms with groups rather rock nerv. She never gave up, even with the worst heat of perspiration, Chow cigarettes, and other close oublon ... With some good compressors happen to you its always a disproportionate instead HUGE ...... love ...... I tried a 200B (not easy to find these critters and the j 'I finally found one 3 years ago in the super 15 years State APRS Premire have my touch. What happiness.
I'll come to a Eventuellemnt Edit ....
Mine has the party Master, Bus, Vu meters, back machines in common with the picture because it is a 24 channel 24/4/2. It has 20 modules with 2105 semi paramtriques EQ 4 (the middle two as a slippery frquence) and 4 modules 2109 with only two frequencies. 80Hz and 12 KHz. Pad-20, -30 Pad cut down and select between fixed line (which can be used in the coup Inline 24).
It is controlled by 4 TO 2 pr 2 post on mine. 4 Bus. Insert on each slice, and phantom power also. It has 24 channels in addition to the 8 inputs and return machine panoramica Assayable volume.
Food is big trs without reaching the size of that of the Yamaha PM4500 SERIES or even that of the PM5D. It inspires confidence srieusement.
The console is Fully dmontable spices spices as she walks by (which I deprecated), as said before it is super modular. (I even slices in collection outdoor spare).
UTILIZATION
I use it in return ds Converto Apogee or taking as inputs pramp combination with high-flying on the tracks sound. So give a sound Cohr, some other time irreproductible
She serves mlangeur / adder to re-pass the tracks in various pramp or channel strip (with return to insert a zapper deuxime pramplification and enjoy the exellent EQ and its just as good fader) . She also serves insrer large compressors. The faders are super enjoyable, class, and is of 100mm. My synths (Virus, Moog, mfb & Co) or my hardware effects can be rout all the time (thank you to the patch bay) in it.
SOUNDS
The sound is trs cool, not breathing anyway. is the pramp gnial very much with 75dB gain and EQ super music as the saying goes! You can remove or add it is always nice. It's not as brutal an XL3 or even a Midas Venice, but rather the stuff you can gain frquences t'intressent that you can gain the same stuff and pramp a ring in a mdium screaming like all the good sounds british. Trs harsh. Big big sound output, the meters can be seen trs hot
OVERALL OPINION
I have a grace rounting console hyper flexible. I love his sound and the people who go here as well. I use the same way as all my other Outboards more upscale and I spend my rear sound in without thinking. It colors only when asked and amne a real plus in a project studio.
I must admit that I had worked very little on this console and it had rained normment. In the era I was doing a lot of rooms with groups rather rock nerv. She never gave up, even with the worst heat of perspiration, Chow cigarettes, and other close oublon ... With some good compressors happen to you its always a disproportionate instead HUGE ...... love ...... I tried a 200B (not easy to find these critters and the j 'I finally found one 3 years ago in the super 15 years State APRS Premire have my touch. What happiness.
I'll come to a Eventuellemnt Edit ....