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julien.georges1 « enjoyment of the game »
Published on 06/16/14 at 04:31• 32 Pots
• 3 chicken head rotary switches (7 positions)
• 1 rotary encoder with push function
• 2 x 16 digits backlit LCD
• High Quality Pitch and Mod Wheel
• up to 999 Sounds
• fast and efficient sound selection via numeric keypad
• 2 fast LFOs per voice contents, each with adjustable Speed and Depth
• 1 extra modulation routing for Mod Wheel, with adjustable Speed and Depth
- Shape: Sawtooth, Rectangular, Triangle, Sine, Sample & Hold, Ramp
- Destination: Osc 1, Osc2, OCS3, PWM / Wave / FM, Volume, Filter Cutoff
• 16 Voices polyphony
• Monophonic Mode with single or multiple trigger
• 3 Oscillators per voice
- Range from 64 'to 1' Each
- Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)
- Oscillator 1 with 66 Original PPG Wavetables
• Frequency Modulation of sine and triangle
• Oscillator Hardsync (Osc 2 to Osc 3)
• Noise Generator with selectable white and pink noise
• Mixer with Volume and On / Off switch the for each Oscillator and Noise
• 1 Multi Mode Filter per voice
- 24 / 12dB
- Lowpass
- Highpass
- Bandpass
- Resonance up to Self-Oscillation and beyond
- Adjustable Keytrack and Drive
• 2 fast Envelopes per voice (filter / amplifier)
• Powerful Arpeggiator
- Latch mode
- Syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves
• 2 Effects simultaneuous
- Effect 1: Chorus / Phaser / Flanger
- Effect 2: Reverb / Delay
• sturdy, lightweight enclosure (less than 10 KG)
• high quality, 5 octaves Fatar TP 9 keyboard
• Master Volume Control • Power Switch
• Stereo line output
• Headphone output
• Expression pedal input
• MIDI in and out
• USB connector for MIDI in / out
- Uses standard USB MIDI driver provided by host computer OS
- Windows ME minimum, Windows XP or newer recommended
- Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended
UTILIZATION
Childish, everything facade. We take the beast in hand in less than ten minutes (if we know a little synthetic bases its course).
SOUNDS
Waldorf is the engine, the sounds are very nice, even if sometimes we lack a bit of power (as many VA).
I like the delay and chorus, a little less reverb (matter of taste).
It is up to you to do the job, the preset is pretty lame, but the principle here is from zero to compose his little sound itself.
What is missing from this machine is multi timbralité
OVERALL OPINION
I for 5 months and I do not stop using it, surotu for compound slicks or lead sounds and some good space.
I had an Alesis Ion, and his little brother (Micron) before investing in this sledge I've tried a lot. Micro Korg, a bolfeld, Roland Gaia, Novation Ultranova, maudio Venom. There's no picture here was a real instrument, this is what decided me, the knob is beefy, the keyboard has a super hit, there is not the toy What effect its competitors. everything is facade, it is a pleasure to find sounds and play with live. The only thing missing is the multitimbral.
Over time I would do this choice without hesitation.
• 3 chicken head rotary switches (7 positions)
• 1 rotary encoder with push function
• 2 x 16 digits backlit LCD
• High Quality Pitch and Mod Wheel
• up to 999 Sounds
• fast and efficient sound selection via numeric keypad
• 2 fast LFOs per voice contents, each with adjustable Speed and Depth
• 1 extra modulation routing for Mod Wheel, with adjustable Speed and Depth
- Shape: Sawtooth, Rectangular, Triangle, Sine, Sample & Hold, Ramp
- Destination: Osc 1, Osc2, OCS3, PWM / Wave / FM, Volume, Filter Cutoff
• 16 Voices polyphony
• Monophonic Mode with single or multiple trigger
• 3 Oscillators per voice
- Range from 64 'to 1' Each
- Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)
- Oscillator 1 with 66 Original PPG Wavetables
• Frequency Modulation of sine and triangle
• Oscillator Hardsync (Osc 2 to Osc 3)
• Noise Generator with selectable white and pink noise
• Mixer with Volume and On / Off switch the for each Oscillator and Noise
• 1 Multi Mode Filter per voice
- 24 / 12dB
- Lowpass
- Highpass
- Bandpass
- Resonance up to Self-Oscillation and beyond
- Adjustable Keytrack and Drive
• 2 fast Envelopes per voice (filter / amplifier)
• Powerful Arpeggiator
- Latch mode
- Syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves
• 2 Effects simultaneuous
- Effect 1: Chorus / Phaser / Flanger
- Effect 2: Reverb / Delay
• sturdy, lightweight enclosure (less than 10 KG)
• high quality, 5 octaves Fatar TP 9 keyboard
• Master Volume Control • Power Switch
• Stereo line output
• Headphone output
• Expression pedal input
• MIDI in and out
• USB connector for MIDI in / out
- Uses standard USB MIDI driver provided by host computer OS
- Windows ME minimum, Windows XP or newer recommended
- Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended
UTILIZATION
Childish, everything facade. We take the beast in hand in less than ten minutes (if we know a little synthetic bases its course).
SOUNDS
Waldorf is the engine, the sounds are very nice, even if sometimes we lack a bit of power (as many VA).
I like the delay and chorus, a little less reverb (matter of taste).
It is up to you to do the job, the preset is pretty lame, but the principle here is from zero to compose his little sound itself.
What is missing from this machine is multi timbralité
OVERALL OPINION
I for 5 months and I do not stop using it, surotu for compound slicks or lead sounds and some good space.
I had an Alesis Ion, and his little brother (Micron) before investing in this sledge I've tried a lot. Micro Korg, a bolfeld, Roland Gaia, Novation Ultranova, maudio Venom. There's no picture here was a real instrument, this is what decided me, the knob is beefy, the keyboard has a super hit, there is not the toy What effect its competitors. everything is facade, it is a pleasure to find sounds and play with live. The only thing missing is the multitimbral.
Over time I would do this choice without hesitation.