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« A good basic, basic »
Published on 02/08/13 at 00:40Cardioid microphone electrodynamics.
OVERALL OPINION
For almost 20 years I use SM57. With its companion SM58 is probably the most common micro world. This hegemony is not misused because these two microphones are reliable and make a sound less correct in all circumstances. However, I do not know a single application where the SM57 is my best choice. For me, the SM57 is a spare.
The SM57 has something slimy in the upper midrange. On hand percussion (congas), I feel that the finger sticks to the skin. It does not return the presence with high fidelity, it is diluted in a little time, making it last longer, so you can hear better but it is less clear. On dense sounds in this register (saturated guitar), it becomes quite fast aggressive.
On a saxophone in concert to choose between SM57 and SM58, SM58, which I take is thinner in the midrange. A snare I rather to the M201 or M88 Beyerdynamic home.
Despite these criticisms, the SM57 is a basic tool that always gave me a usable result.
OVERALL OPINION
For almost 20 years I use SM57. With its companion SM58 is probably the most common micro world. This hegemony is not misused because these two microphones are reliable and make a sound less correct in all circumstances. However, I do not know a single application where the SM57 is my best choice. For me, the SM57 is a spare.
The SM57 has something slimy in the upper midrange. On hand percussion (congas), I feel that the finger sticks to the skin. It does not return the presence with high fidelity, it is diluted in a little time, making it last longer, so you can hear better but it is less clear. On dense sounds in this register (saturated guitar), it becomes quite fast aggressive.
On a saxophone in concert to choose between SM57 and SM58, SM58, which I take is thinner in the midrange. A snare I rather to the M201 or M88 Beyerdynamic home.
Despite these criticisms, the SM57 is a basic tool that always gave me a usable result.