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« It is what I was looking for »
Published on 04/21/14 at 03:31This is a Japanese, the violin is superb.
I changed the pickups for Dimarzio dp123 and the difference is felt especially on the bridge pickup. I also changed the mechanical for Schaller, because with the original ones I raccordais both pieces.
UTILIZATION
I took only the handle. This is for me the perfect round, but each has its vision. It is extremely thin, it slides alone. The knobs are quite strange, it looks like everything is going in the last quarter.
SOUNDS
I play in a group of Funk, Soul, Motown and I think all the sounds I need (good fat, round to slap any problem).
I play a little Bastard Ashdown 550 cab + 4x12 "600w studio and a Ashdown AD-600 + track Eliiot 1518c + 4x10" outside.
OVERALL OPINION
The bass is what I wanted. It is extremely versatile reliable long as microphones and mechanical is changed. I sold all my basses and it remains unique in my possession. I do not know what value the new Geddy Lee which are manufactured in Mexico. on the other hand, for a Japanese, go for it.
I changed the pickups for Dimarzio dp123 and the difference is felt especially on the bridge pickup. I also changed the mechanical for Schaller, because with the original ones I raccordais both pieces.
UTILIZATION
I took only the handle. This is for me the perfect round, but each has its vision. It is extremely thin, it slides alone. The knobs are quite strange, it looks like everything is going in the last quarter.
SOUNDS
I play in a group of Funk, Soul, Motown and I think all the sounds I need (good fat, round to slap any problem).
I play a little Bastard Ashdown 550 cab + 4x12 "600w studio and a Ashdown AD-600 + track Eliiot 1518c + 4x10" outside.
OVERALL OPINION
The bass is what I wanted. It is extremely versatile reliable long as microphones and mechanical is changed. I sold all my basses and it remains unique in my possession. I do not know what value the new Geddy Lee which are manufactured in Mexico. on the other hand, for a Japanese, go for it.