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DigiTech RP70
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  • SlapKidSlapKid

    digitech does wonders, but not that!

    DigiTech RP70Published on 05/10/12 at 13:40
    (This content has been automatically translated from French)
    First of all the stuff has a good signal to noise ratio, and the bypass function works very well.
    The separate output jacks are top and push the little amp / mixer. The output phones separate mini format is great, the machine is very versatile thanks to this panel.
    Large processor power, it sounds crystal.

    Short latency between presets, you can go live with. The tuner is precise and silent, and color. I'm even used for adjusting the harmonics of a skyscraper, is tell you!

    The concept of the machine differs quelquepeu fire my RP150 and other zooms of this century, and is close to my DOD FX7 furiously, explanations:

    digitech we offer several types of delay that we would not with …
    Read more
    First of all the stuff has a good signal to noise ratio, and the bypass function works very well.
    The separate output jacks are top and push the little amp / mixer. The output phones separate mini format is great, the machine is very versatile thanks to this panel.
    Large processor power, it sounds crystal.

    Short latency between presets, you can go live with. The tuner is precise and silent, and color. I'm even used for adjusting the harmonics of a skyscraper, is tell you!

    The concept of the machine differs quelquepeu fire my RP150 and other zooms of this century, and is close to my DOD FX7 furiously, explanations:

    digitech we offer several types of delay that we would not with the usual trimmings (mix-feedback-time), as the multitap (for floyd the wall for example) or attenuated feedback first then come back. It is very well seen on the other hand to the mix that is shared with the reverb unit, not obvious at first.
    For basic sounds well we may well have no model but to benefit from the equalizer, which is impossible on the korg AX3G.
    The proposed models are rather in line with old school, rather qu'amplis distortion pedals. And it's good if you play amp!

    Considering the price and quality of the signal box is full.

    UTILIZATION

    Not obvious for two reasons, the mix of common effects on the one hand and large equalizing differences for some models. Eg ds1 has too much treble, so we must put to zero and inflate those of the preset so that it remains clean uniform. And many sounds do not fit well together at EQ.

    Against by the models are much more credible than the amp RP150 that are too faded / skinny.

    So in the end a mixed use depending on setup, a lot easier by doing the former.

    SOUND QUALITY

    Very good! Apart from the compressor which is very exaggerated even at least all the sounds are usable.
    Honours for saturation, mediums rather well with a grain sufficiently relaxed, loose in Rican! Not much gain in general and it's great for the realism of the result. Of course there are also models for turbulent cap, not sectarian digitech.
    I really love the various delays, damage to the tap tempo missing, and spring reverb that mimics the same random plops!

    The downside is to navigate in the abbreviations of the models, keep the manual handy.

    OVERALL OPINION

    A year, mainly on kustom defender amp 5am and not strong, and it's good!
    On holiday with good headphones (hd662 Superlux, cheap and more!) Is the total addiction to pingpong delay raah lovely, and clarity of the overall signal adds to the pleasure of playing.

    I just regret that equalization differences between models too complicated pairing of presets for the rest it's just a matter of habit.
    The transformer comes with, amazing at this price, this peculiarity there is an additional output separate delivering about 3 volts, I see not what it could serve ...

    In short if I compare to other critters out of my park it in mind that RP70 in terms of sound quality. In fact it has everything.

    Considering the price it's full house, hop
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  • CROPUSCROPUS

    GOOD PEDAL TO START!

    DigiTech RP70Published on 03/30/12 at 23:36
    (This content has been automatically translated from French)
    Characteristics have already been mentioned before and see reviews

    UTILIZATION

    ditto-

    SOUND QUALITY

    ditto-

    OVERALL OPINION

    I did not keep long, but overall it's a good pedal to start, but if you want a pedal or you can really find your sound then go your way because for me it lacks a lot of adjustment possibilities , whether on the reverb or modulation, the problem is that we change the preset increments and adjustments through lack opportunities I have had very good pedals in the past and, apart from the saturation that is great for the rest of the effects it lacks many settings!
    Read more
    Characteristics have already been mentioned before and see reviews

    UTILIZATION

    ditto-

    SOUND QUALITY

    ditto-

    OVERALL OPINION

    I did not keep long, but overall it's a good pedal to start, but if you want a pedal or you can really find your sound then go your way because for me it lacks a lot of adjustment possibilities , whether on the reverb or modulation, the problem is that we change the preset increments and adjustments through lack opportunities I have had very good pedals in the past and, apart from the saturation that is great for the rest of the effects it lacks many settings!
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  • blackhorseblackhorse

    DigiTech RP70Published on 11/26/08 at 04:49
    (This content has been automatically translated from French)


    Preset Volume

    Pickup / Wah
    - Simulation of a Single Coil Humbucker
    - Simulation of a single coil with a humbucker
    - Dunlop Cry Baby Wah Modlisation
    - Vox Clyde McCoy Wah Modlisation

    Compressor

    Modlisation Amps and Distortion

    Amplifiers:
    - 1957 Fender Tweed Deluxe Fender Tweed Deluxe + 1x12 speaker cabinet
    - Fender Blackface Twin Reverb 1965 + 2x12 cabinet Fender Twin Reverb
    - Marshall Super Lead (Plexi) 1968 + pregnant Johnson Straight Celestion Vintage 30 4x12 cabinet
    - Marshall Master Volume Marshall Straight pregnant 1977 + Celestion G12-T70 4x12 Cabinet
    - Marshall JCM800 1983 + pregnant Johnson Straight Celestion Vintage 30 4x12 cabinet
    - Vox AC30 Top …
    Read more


    Preset Volume

    Pickup / Wah
    - Simulation of a Single Coil Humbucker
    - Simulation of a single coil with a humbucker
    - Dunlop Cry Baby Wah Modlisation
    - Vox Clyde McCoy Wah Modlisation

    Compressor

    Modlisation Amps and Distortion

    Amplifiers:
    - 1957 Fender Tweed Deluxe Fender Tweed Deluxe + 1x12 speaker cabinet
    - Fender Blackface Twin Reverb 1965 + 2x12 cabinet Fender Twin Reverb
    - Marshall Super Lead (Plexi) 1968 + pregnant Johnson Straight Celestion Vintage 30 4x12 cabinet
    - Marshall Master Volume Marshall Straight pregnant 1977 + Celestion G12-T70 4x12 Cabinet
    - Marshall JCM800 1983 + pregnant Johnson Straight Celestion Vintage 30 4x12 cabinet
    - Vox AC30 Top Boost AC30 TB 1963 + pregnant Jensen Blue Back 2x12
    - Mesa / Boogie Dual Rectifier 2001 + pregnant Johnson Straight Celestion Vintage 30 4x12 cabinet
    - Matchless DC-30 1996 + pregnant Johnson Straight Celestion Vintage 30 4x12 cabinet
    - DigiTech Solo DigiTech Solo amp + 4x12 speaker cabinet model
    - DigiTech Metal DigiTech Metal amp + 4x12 speaker cabinet model
    - DigiTech Bright Clean DigiTech Bright amp + speaker cabinet 4x12 Clean model
    - DigiTech Clean Tube amp + speaker model based on a Fender Twin Reverb 2x12 cabinet

    Distortion:
    - TS-9 Tube Screamer
    - DOD 250 Preamp / Overdrive
    - Boss DS-1 Distortion
    - DigiTech Grunge
    - DigiTech Death Metal
    - Electro Harmonix Big Muff Pi
    - Acoustic Guitar Simulator

    EQ
    Bass / medium rather / highs

    Noise Gate
    - Silencer gate
    - Auto Swell

    Chorus / FX
    - Boss CE-2 Chorus
    - Dual Chorus
    - Flanger
    - Phaser
    - Tremolo
    - Panner
    - Vibrato
    - Rotary Speaker
    - YaYa
    - AutoYa
    - Step Filter
    - Envelope Filter
    - Detune
    - Pitch Shift
    - DigiTech Whammy

    Delay
    - Analog Delay
    - Digital Delay
    - Pong Delay
    - Tape Delay
    Reverb
    - Spring Twin Reverb
    - Room
    - Hall

    Box rhythms
    40 rhythms and mtronomes

    Connections


    - Between guitar
    - Inter Amp / Mixer (Mixer position for sound system, mixing desk and headset)
    - Spare Output Left (or Mono)
    - Exit Right Spare
    - Pedal control
    - Headphone output (mini jack 3.5)
    - Supports power supply

    Miscellaneous
    Number of simultaneous effects: 9
    50 user memory locations
    Dimensions: 16.5 x 12.7 x 5 cm
    Weight: 390 gr

    UTILIZATION

    Configuration very well accustomed to think like Digitech, sounds Publishing
    very convenient.

    Although having the 2 outputs Left / Right jacks by spars.
    Ditto for the rglage depth effects with "Effects Level"
    which allows to assay the length of Reverbs for example!

    The effects are also penss, no superfluous useless in this area!

    Each section is "dconnectable" can be removed and use the amp simulation
    only the part Chorus or Reverb for example, on the other hand in this configuration
    HP is lost because the simulation is binding on this final simulated amps.

    SOUND QUALITY

    The original presets are already very nice and usable, which is rare!

    Sounds pretty hot, distos and amp simulations are excellent,
    nothing to do with the old RP50 which I had not really packed and well
    multimdia the Zoom G1.

    Some distos Zoom G1 sound "loud" what is not with the RP70
    which owns may be less simulations but these past are now truly
    exploited it more than compensates.

    Bote and enjoyable musical rhythms changing from the old version quite basic
    the sound point of view has also sounds very good.
    The BAR-house several instruments (finally!) And certain rhythms s'agrmentent
    Kind of breaks which is rare in this kind of multi-effects.

    OVERALL OPINION

    Under this category is the best! ct of this there is no picture! s owner
    also a Zoom G1, a Korg Ampworks and former DigiTech RP50, I can
    aisment look (I confess to having a weakness for "beginners level" ...)

    Zoom G1 me frankly (I had almost the same yield) after having
    used with a DI of HP calculator was the reslut amlior! RP70 with the most
    need simulation HP external rang Live!

    This DigiTech availing oneself of a beautiful dynamic is one that most respects the guitar
    (Enough for even thundering of the digital creation)

    The sounds are pretty hot, very pleasant, musical, one is really emballbr /> as we play with no feeling of weariness, many progrsraliss by DigiTech
    with this model range from beginners who fawn over honorable.

    Report qualitprix unbeatable hence notes that deserves more leves,
    s owner a lot of multi-effects "beginner level" (not counting those sold)
    I affirm that RP70 is the best by far.

    In short an excellent product that provides the user a lot of fun.

    Its main qualities: it connects and it was the sound! it is the first time
    I see it on this kind of product!

    Price: 68 euros with included power supply!
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