In time I make some enthusiast Wurlitzers rflexions about clichés and ides reues suffered by these poor 200, 200A and 214 others. Wurlitzer electric piano is the basis for my set of keyboards is my instrument prdilection (among those that I use to live) and I had one time a chorus which I soon lass I pr eng present the pure, without effects, sound direction (if possible with a BBE DI equipped with a Sonic Maximizer - see my opinion on the BBE DI-100X), if you want an amp lamp, Vox AC-30 is perfect, even better than the Fender Twin Reverb for wurli. Even if the 200A is trsrpandu mainly in rock, and soul, I find that this instrument remains largely under used his tural possibilities are rarely used substance, the style Supertramp , has become a cliché (staccato chords), is certainly not the most INTERESTED fawn to play riffs and groovy-minimalism so effective is not its only means of expression. For the Wurlitzer (the notice must be qualified by the fact that I never touch personally Rhodes - who also is an instrument just as beautiful in its own register), unlike what one might think, is more versatile than Rhodes, to vary his sound palette and its means of expression soon need effects (wha-wha, phaser, filters, effects "crunchy", ring mods etc.) while the Wurli is just itself: the best fawn amliorer to the sound of the transformation of any purer collection outdoor (but I'm not against the express basis of effects sound, if we try something other than a classic "sound Wurli"). Ms a wha-wha trs is not useful, the pure possde dja a standard groove. The wurli, despite or perhaps because of default be a well known place of his relatively short possde a feeling both at the sound of touch, more "pianistic" a Rhodes I would say even he is able to replace the piano in a band or even play a song on the piano destiny (a Bach Invention of a wurli: unusual, but sounds!), which can ask him a Rhodes piano one game less ("the Fender Rhodes should not be played like a piano", says Patrick Muller, pianist Erik Truffaz rhodiste). Apart may be electro-jazz and some styles approaching the wurli be comfortable in different musical styles trs, from jazz to hip-hop, hard rock (I play in a progressive rock band guitars mtalliques mlant origins and aspirations prtentions-jazz on my part). Finally, I would say that is a wurli bte capricious, and sometimes I really feel that like the horse sensitive mood of the rider is sensible of his musical inspiration, it sounds less if you're not in great shape because it is an instrument, like all of the family of electro-mcaniques living, that will never be the best and accumulators best keyboard-Matra. So sometimes, I'm sick of the fragility of the touch irrgulier of the sixty-four notes only, this background noise indsirable, but it gives me makes up for in spades. (I know, I can be pompous trs)

Last updated: DSOL for this boom, which may suggest that I had my t prt dfendre Wurli chrement more than my own life ... Well, I ended up selling it! I was actually sick (too heavy, too fragile, limited irrgulier, noisy, cost me too much). A piano bte numrique ideal for most situations ... As are the vintage intresss rflchissent twice before fall for an original instrument ...