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augustinou
Published on 11/02/07 at 06:59
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UTILIZATION
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SOUND QUALITY
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OVERALL OPINION
Okay so I bought this "trick" APRS have used with headphones and c ca here must clearly serious, in other words that this object allows a diversity of sounds pretty impressive, then distos jarrivais have a well mtal the I can not complain ... Then comes on the amp, ARGH! trs ca is wrong, nothing ... your amp as a guitar are ignored by the pod, he sen fout it makes its sound, can not hear the sound of your guitar argh, for lovers of crunch with a real grain you can go your way as the POD you off. C then clear that the pre chorus, delay, and other synthetic effects you will be served, but blueseux, jazz, metal and rockers (mostly) it's going to do it, the sound is cold, I had never heard that, Even with the equalizer can not do anything, the sound is not natural, grain-free, just something synthetic, it seems that there really is a problem with amplification, ca does not come and a high volume c vritable butcher you will scare everyone ... Good for the scene and broadcast via c Lampl really shitty, for against, it is true that this type of pedals is geared for recording, by far better against c, we can get to do something good ( me and my headphones mdr)
For résumé I sold my POD xt Live APRS have cost the disto dun Marshall 100DFX !!!!!!! Can you imagine? nan PDAL serious this is a gadget, you want to hear the sound of a guitar go your way hahahahah!
g now Randall RH150 G3 and I can tell you that we are not in the same CATEGORY, c of its true burden of gain with a grain very dirty stroke gain a background ^ ^
But I trs t surprised to see the versatility of this amp for its sounds: p
it goes from ZZ top til the pantera via AC CD and metallica!!
Monstrous, well I'm not going to continue to be housed in my amp but to return to the pod I deprecated this purchase except for Steve Vai and Satriani others.
I put 2 for the quality of synthetic sounds + 1 for the recording quality, this type of device in sounds for recording against the scene, c not worth it, even if the total score should be much more high, the transmission through the amplifier at high volume for me is much more important, incourtournable, and c foutage of mouth, no power, no momentum, a belief that the amp is a throw, though I used a peavey classic 30 tube, and for once the pod DELETED grain lamps.
Strongly deprecated I do not understand the notes of the Internet, to believe that they have never heard an amp sound of their lives!! argh!
For a device designed for the scene, c a real scandal, like all Line 6 for my taste. Line 6 is designed for recording! and rvle be pretty good at it, period!
UTILIZATION
...
SOUND QUALITY
...
OVERALL OPINION
Okay so I bought this "trick" APRS have used with headphones and c ca here must clearly serious, in other words that this object allows a diversity of sounds pretty impressive, then distos jarrivais have a well mtal the I can not complain ... Then comes on the amp, ARGH! trs ca is wrong, nothing ... your amp as a guitar are ignored by the pod, he sen fout it makes its sound, can not hear the sound of your guitar argh, for lovers of crunch with a real grain you can go your way as the POD you off. C then clear that the pre chorus, delay, and other synthetic effects you will be served, but blueseux, jazz, metal and rockers (mostly) it's going to do it, the sound is cold, I had never heard that, Even with the equalizer can not do anything, the sound is not natural, grain-free, just something synthetic, it seems that there really is a problem with amplification, ca does not come and a high volume c vritable butcher you will scare everyone ... Good for the scene and broadcast via c Lampl really shitty, for against, it is true that this type of pedals is geared for recording, by far better against c, we can get to do something good ( me and my headphones mdr)
For résumé I sold my POD xt Live APRS have cost the disto dun Marshall 100DFX !!!!!!! Can you imagine? nan PDAL serious this is a gadget, you want to hear the sound of a guitar go your way hahahahah!
g now Randall RH150 G3 and I can tell you that we are not in the same CATEGORY, c of its true burden of gain with a grain very dirty stroke gain a background ^ ^
But I trs t surprised to see the versatility of this amp for its sounds: p
it goes from ZZ top til the pantera via AC CD and metallica!!
Monstrous, well I'm not going to continue to be housed in my amp but to return to the pod I deprecated this purchase except for Steve Vai and Satriani others.
I put 2 for the quality of synthetic sounds + 1 for the recording quality, this type of device in sounds for recording against the scene, c not worth it, even if the total score should be much more high, the transmission through the amplifier at high volume for me is much more important, incourtournable, and c foutage of mouth, no power, no momentum, a belief that the amp is a throw, though I used a peavey classic 30 tube, and for once the pod DELETED grain lamps.
Strongly deprecated I do not understand the notes of the Internet, to believe that they have never heard an amp sound of their lives!! argh!
For a device designed for the scene, c a real scandal, like all Line 6 for my taste. Line 6 is designed for recording! and rvle be pretty good at it, period!