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AceLeppard « Spaced »
Published on 09/29/11 at 13:57Recreation in the form of pedal digital analog tape delay Roland RE-201.
The pedal has a number of knobs: Spec's for the precise site of Boss is a reference ...
Presence of a very useful tap tempo and an expression pedal jack, the latter may be affiliated with several parameters.
UTILIZATION
The general configuration is not as simple as it can get on the pedals boss format, will tell you one, "standard". It is also complicated by the selector in the center of the pedal to access various programs (division of time, nature of repetitions, add reverb or not ...)
The manual is also clear, and will help you discover the features of this pedal if you are not adventurous enough
Once the general operation decrypted, it is easy to get all the sounds you want, of course, if you are a fan of warm sounds and therefore imprecise 70's-80's!
I have almost never used except in effects loop, it quickly becomes an uncontrollable overdrive sound plugged directly ...
The addition of an expression pedal can be a great way to further expand the already well diversified range of delay: I use it personally to assay the rate of the delay in my "dry".
SOUND QUALITY
I came out of a Boss DD-3 (my first delay pedal) and I wanted to have something more authentic, being a fan of the blessed 70's. At first, this pedal so I closed, between its successful imitation of an old analog echo and the side of his architectural practice integrated tap tempo and expression pedal added.
However, my ear is doing as a measure of my experience, a sharp loss in the treble is felt when the pedal is engaged, which can be annoying, especially when it is used to enhance a solo the booster, because the delay paradoxically removes power to the sound! Be careful, this can be sought, it's just not me.
Another criticism would be the impact permanent staff has the knob "output level" on the right, it probably would have been better than it intervenes only when the delay is on.
I have almost never used the reverb pedal, preferring those generated by my Boss RV-5.
This pedal can be at ease on records such as Police or U2; on sounds more typical Hard Rock or she can quickly become unclear or too intrusive ...
That said, I keep a pretty good look at this pedal despite all these reservations!
OVERALL OPINION
I use this pedal for a little over a year, and it made me great service. I did not have much culture in delays was the time and I really wanted this one! We learn of his past choices, and value for money would be much more valuable is a price a little lower in my opinion!
It remains to me a good pedal objectively.
The pedal has a number of knobs: Spec's for the precise site of Boss is a reference ...
Presence of a very useful tap tempo and an expression pedal jack, the latter may be affiliated with several parameters.
UTILIZATION
The general configuration is not as simple as it can get on the pedals boss format, will tell you one, "standard". It is also complicated by the selector in the center of the pedal to access various programs (division of time, nature of repetitions, add reverb or not ...)
The manual is also clear, and will help you discover the features of this pedal if you are not adventurous enough
Once the general operation decrypted, it is easy to get all the sounds you want, of course, if you are a fan of warm sounds and therefore imprecise 70's-80's!
I have almost never used except in effects loop, it quickly becomes an uncontrollable overdrive sound plugged directly ...
The addition of an expression pedal can be a great way to further expand the already well diversified range of delay: I use it personally to assay the rate of the delay in my "dry".
SOUND QUALITY
I came out of a Boss DD-3 (my first delay pedal) and I wanted to have something more authentic, being a fan of the blessed 70's. At first, this pedal so I closed, between its successful imitation of an old analog echo and the side of his architectural practice integrated tap tempo and expression pedal added.
However, my ear is doing as a measure of my experience, a sharp loss in the treble is felt when the pedal is engaged, which can be annoying, especially when it is used to enhance a solo the booster, because the delay paradoxically removes power to the sound! Be careful, this can be sought, it's just not me.
Another criticism would be the impact permanent staff has the knob "output level" on the right, it probably would have been better than it intervenes only when the delay is on.
I have almost never used the reverb pedal, preferring those generated by my Boss RV-5.
This pedal can be at ease on records such as Police or U2; on sounds more typical Hard Rock or she can quickly become unclear or too intrusive ...
That said, I keep a pretty good look at this pedal despite all these reservations!
OVERALL OPINION
I use this pedal for a little over a year, and it made me great service. I did not have much culture in delays was the time and I really wanted this one! We learn of his past choices, and value for money would be much more valuable is a price a little lower in my opinion!
It remains to me a good pedal objectively.