View other reviews for this product:
ril31 « Microphones charmers ... »
Published on 12/02/11 at 06:01What to say.
I go out with a set of humbuckers Bare Knuckle The Mule on my Les Paul, and these models pro microphones Slash me life-changing. (See my comparative slash pickups in the notice on the "mule" on this site).
While these pickups are far from being perfect, but it hurts the bottom that: they have the quality of their default.
Let me explain, if it was not said with a.
These microphones provide a feeling, appearance, vinyl, unlike other microphones with ct "iron / steel" spring more. This aspect of vinyl, it must be understood as giving a more "plastic" that "mtallique". The consquence of this aspect is that these pickups do not "break" no ears and they offer a sumptuous velvet. One gets the impression when you attack the strings there is this ripple sound like when you Listen to vinyl. The deuxime impression, especially for micro serious is that each note plays, and plays with a minimum of attack, it has the feel of a crystal which is the limit to break. In all these cases, the feeling is that would be the limit of microphones, their peak ... which can be Dranga in heavy saturation, but not crunch.
These sensations have their counterpart. For example, the microphone is serious trs "bassy" and can fail sometimes acute, in another sense when the microphone is quite dry with acute low, low, I think there a noise level less than its confrre the handle. The ct of micro serious bassy to taste can be s'avrer Gnant. It is not for me. This sound can be very useful ct Jazzy Blues. And it achieves this sustain "bullous" The Gary Moore and Slash still the sr.
For the micro acute dry enough (but not shrill at all), one could find him a lack of attack and lack of mtallique ct and low bass. But for me it's the opposite. I come get double notes that sound trs prcisment without having the feeling of a razor blade. The riffs are harmonically united trs unlike, for example "Bare Knuckles Mules home to silent so they lost Defines the heat to a certain coldness and lack of ct vintage.
Ultimately these pickups are charmers, vinyl, imperfect but warm and alive, but not organic and specially ncessairement prcis, bullous without being vague, not strong without being weak.
In short you have to try and make an opinion. I found them 160 euros on ebay direct from ze states. It is the cops. And they are worth the dtour.
However people looking microphones can be versatile should not turn to the pros Slash models. Indeed, I find they are not versatile and as such the mules in the Bare Knuckles taient much more. For example, to play the AC / DC, Slash's not really appropriate (enough rights) and the Mules were doing much better. Like to play tricks of style trust, metallica, zztop, etc ... then the sound is not quite "right".
By playing against the style of Tesla Psycotic Supper (for the fans who know) is nickel, especially for ballads with arpges only slightly saturated, it is hot, hot .. trs . it sounds.
With the exprience, I remake that choice. In fact they are still mountains on my Gibson ...
The evidence. I did some covers with these microphones that you can see by:
: / / Youtu.be/5hW0Fiq9lL4
: / / Youtu.be/ie8lA_-E1uY
: / / Youtu.be / zkdVJnelMjQ
at each address to http ...
and other ending for ...
I go out with a set of humbuckers Bare Knuckle The Mule on my Les Paul, and these models pro microphones Slash me life-changing. (See my comparative slash pickups in the notice on the "mule" on this site).
While these pickups are far from being perfect, but it hurts the bottom that: they have the quality of their default.
Let me explain, if it was not said with a.
These microphones provide a feeling, appearance, vinyl, unlike other microphones with ct "iron / steel" spring more. This aspect of vinyl, it must be understood as giving a more "plastic" that "mtallique". The consquence of this aspect is that these pickups do not "break" no ears and they offer a sumptuous velvet. One gets the impression when you attack the strings there is this ripple sound like when you Listen to vinyl. The deuxime impression, especially for micro serious is that each note plays, and plays with a minimum of attack, it has the feel of a crystal which is the limit to break. In all these cases, the feeling is that would be the limit of microphones, their peak ... which can be Dranga in heavy saturation, but not crunch.
These sensations have their counterpart. For example, the microphone is serious trs "bassy" and can fail sometimes acute, in another sense when the microphone is quite dry with acute low, low, I think there a noise level less than its confrre the handle. The ct of micro serious bassy to taste can be s'avrer Gnant. It is not for me. This sound can be very useful ct Jazzy Blues. And it achieves this sustain "bullous" The Gary Moore and Slash still the sr.
For the micro acute dry enough (but not shrill at all), one could find him a lack of attack and lack of mtallique ct and low bass. But for me it's the opposite. I come get double notes that sound trs prcisment without having the feeling of a razor blade. The riffs are harmonically united trs unlike, for example "Bare Knuckles Mules home to silent so they lost Defines the heat to a certain coldness and lack of ct vintage.
Ultimately these pickups are charmers, vinyl, imperfect but warm and alive, but not organic and specially ncessairement prcis, bullous without being vague, not strong without being weak.
In short you have to try and make an opinion. I found them 160 euros on ebay direct from ze states. It is the cops. And they are worth the dtour.
However people looking microphones can be versatile should not turn to the pros Slash models. Indeed, I find they are not versatile and as such the mules in the Bare Knuckles taient much more. For example, to play the AC / DC, Slash's not really appropriate (enough rights) and the Mules were doing much better. Like to play tricks of style trust, metallica, zztop, etc ... then the sound is not quite "right".
By playing against the style of Tesla Psycotic Supper (for the fans who know) is nickel, especially for ballads with arpges only slightly saturated, it is hot, hot .. trs . it sounds.
With the exprience, I remake that choice. In fact they are still mountains on my Gibson ...
The evidence. I did some covers with these microphones that you can see by:
: / / Youtu.be/5hW0Fiq9lL4
: / / Youtu.be/ie8lA_-E1uY
: / / Youtu.be / zkdVJnelMjQ
at each address to http ...
and other ending for ...