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DIMA2B
Published on 03/14/09 at 13:26
I installed the DP103 PAF 36th Anniversary weeks ago on a guitar type Lespaul.
Ds the first test, I found it much better than the original microphone, which n'tait not bad, but lacked safe, and that SEYMOUR DUNCAN JAZZ MODEL SH2n I install it two months ago. The SH2 silent trs well, with the dynamics and grain. But the DP103 is more subtle, softer when you attack that one sentence or decrease the volume, with a large dynamic ds that attack, but not with the "spike" in attacks that beginners 'was systmatiquement with SH2. Clearly, playing with volume and channel mdiator a well saturated (LANEY lamp and ToneLab LE in my case), moving from one's just a natural distortion crunch trs gn reuse, smooth and flte.
The bass is strong but not absolutely drool. The highs are smooth and consistent. The solos with sharp bends in the show a well "tube" totally enjoyable. I can almost make my rhythm on the treble and go solo on this serious.
This week I installed a split. This gives a rich sound simple, equilibrated trs exploitable clean rhythm and solo saturated. In combination with the microphone too acute Splitt (a DP223, the 36th Anniversary bridge), we obtain a well Tees nickel to make casseroles. This does not apply to simple strat. Srement, but it has its micro crdible simple gadget that is not.
The sustain of the guitar is better with the DP103 and DP223 with the microphones or the original duo and SH2n SH2B.
I bought it on the net to OCCAZ version states "worn nickel" (wholesale antique nickel cover) for 70USD. So I think the report is qualitprix trs good.
I would do without this choice hsitation. This microphone is perfect for little prs my opinion, and great for blues and stuff on a fawn SANTANA scratches in mahogany. Coupled to DP223 in acute, we obtain a perfect balance.
Ds the first test, I found it much better than the original microphone, which n'tait not bad, but lacked safe, and that SEYMOUR DUNCAN JAZZ MODEL SH2n I install it two months ago. The SH2 silent trs well, with the dynamics and grain. But the DP103 is more subtle, softer when you attack that one sentence or decrease the volume, with a large dynamic ds that attack, but not with the "spike" in attacks that beginners 'was systmatiquement with SH2. Clearly, playing with volume and channel mdiator a well saturated (LANEY lamp and ToneLab LE in my case), moving from one's just a natural distortion crunch trs gn reuse, smooth and flte.
The bass is strong but not absolutely drool. The highs are smooth and consistent. The solos with sharp bends in the show a well "tube" totally enjoyable. I can almost make my rhythm on the treble and go solo on this serious.
This week I installed a split. This gives a rich sound simple, equilibrated trs exploitable clean rhythm and solo saturated. In combination with the microphone too acute Splitt (a DP223, the 36th Anniversary bridge), we obtain a well Tees nickel to make casseroles. This does not apply to simple strat. Srement, but it has its micro crdible simple gadget that is not.
The sustain of the guitar is better with the DP103 and DP223 with the microphones or the original duo and SH2n SH2B.
I bought it on the net to OCCAZ version states "worn nickel" (wholesale antique nickel cover) for 70USD. So I think the report is qualitprix trs good.
I would do without this choice hsitation. This microphone is perfect for little prs my opinion, and great for blues and stuff on a fawn SANTANA scratches in mahogany. Coupled to DP223 in acute, we obtain a perfect balance.