Log in
Log in

or
Create an account

or
< All DiMarzio DP192 Air Zone reviews
Add this product to
  • My former gear
  • My current gear
  • My wishlist
DiMarzio DP192 Air Zone
Images
1/67
DiMarzio DP192 Air Zone
ericsoho ericsoho
Published on 07/15/08 at 07:59
APRs have long had this mic in the bridge position, here now in the neck position (I install a tone zone in bridge).
J'tais quite skeptical before trying but my Reserved fell in a few minutes of various tests.
As thundering as it may stepfather, clean sounds s'avrent trs versatile with great prdisposition for jazz. Crunches trs out well and the same saturation trs sound really shoots, both in rhythm or solo. This gives an easily ct "fuzz" thundering use because it keeps the CONTRL thanks the precision of the microphone. The fact of playing with the attack on the strings (position and force) or with the volume and tonality of the guitar changes the whole grain at all and we obtain several DIFFERENT tones without changing anything on the amp, very practical to shade his game lower price, while in the hands.
Sound much better than a test of text here.
Hardware used: Ibanez RG570, only the air zone, an amp simulator (GNX4).
Rglages: the same receiver simultaneously with a Fender Bassman legalization so it disables the raw sound produced by the microphone on the guitar. Only the gain of the channel is changed from light crunch sounds, distortion-type Boss DS1 (legalization neutral gain in three quarters) is used (without noise gate) for large saturations.
Example 1: clear sound, fingers to the rhythm, mdiator for the little guitar solo with the Tone down (less acute), prs hand position of the handle.
http://yve.olivier.free.fr/sounds/sonclair1.wma
Example 2: the same clear sound, mdiator, arpges hand at the central microphone.
http://yve.olivier.free.fr/sounds/sonclair2.wma
Example 3: the same but its clear agreements.
http://yve.olivier.free.fr/sounds/sonclair3.wma
Example 4: crunch, fingers, the hand dplace between neck and bridge, attack stronger over the air the end zone.
http://yve.olivier.free.fr/sounds/soncrch1.wma
Example 5: the same crunch, the mdiator, chords and riffs, and two notes funny the end;).
http://yve.olivier.free.fr/sounds/soncrch2.wma
Example 6: the same sound with distortion DS1, power chords, a plan that I am the only one in the world go MDR!
http://yve.olivier.free.fr/sounds/sonsat1.wma
Example 7: Previous sound the same but arpge.
http://yve.olivier.free.fr/sounds/sonsat2.wma
Example 8: two small shuffled from everything, with legalization, some effects and indulgence from you, pardon all the real musicians ....
http://yve.olivier.free.fr/sounds/demo2.wma
http://yve.olivier.free.fr/sounds/mix.wma

To conclude: this gives me full and micro Entire satisfaction in association with the tone zone, I have my disposal all the varieties of sounds I need.