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Mumbli
Published on 02/20/09 at 03:25
For technical details, appointment of gibson.com, everything is there!
I remember just a handle type 50's thick enough (but less than a telecaster baja anyway), and two classic microphones 57 and 57 + (it is primarily why I chose this model)
setting nickel out of flight case, a good extra point.
for finishing ... bah this is good!
UTILIZATION
The neck is super comfortable for those who love handles thick enough. very nice polish.
the frets are quite unusual for me, fairly thin, but deep. ca suggests good accuracy and effective hammer and pull off: o)
for access to acute bah is a les paul ... I move on.
it's still heavy, even if the body is pierced way Emmentaler, but with a good strap, it's going.
for sound, following entry: o)
SOUNDS
I just receive it, not yet tried with all my pedals and ptites cie ...
has already empty, I am very impressed: nice resonance, sustain promising balanced sound ...
plugged into a Peavey Classic 30, AC is confirmed: nothing to do with my Epiphone lp56GT (thankfully!). in the clean sound is warm but not rough. the knobs can be exploited very titillate the jazz happily. It responds well to the nuances of attacks.
in crunch ... yiiiiiihaaaaa! I drool as much as my son who made his first tooth: o) it's hot, bold, dynamic and balanced.
I have one small typed Xavier PRS with Seymour Pearly Gates. the violin is perfect, but ultimately too microphones medium / high for my taste. the, coat tails sound I want. thank you mr gibson, good pick!
OVERALL OPINION
Received yesterday, I will return my comments after the last excitation (if it passes).
but I am very happy with my choice, especially since the price is very reasonable compared to the standard there is 1 or 2 years.
before choosing this model, I tested the PRS (se), a standard 2008 (bof: microphones more aggressive and less thick plate of transparent electronics, yes, yes), a classic old (his great - even microphones - firebirst but color, like the wonder woman shorts ...)
and then I came across the one in goldtop moreover ...
I strongly pushed in rehearsal and in concert!
I remember just a handle type 50's thick enough (but less than a telecaster baja anyway), and two classic microphones 57 and 57 + (it is primarily why I chose this model)
setting nickel out of flight case, a good extra point.
for finishing ... bah this is good!
UTILIZATION
The neck is super comfortable for those who love handles thick enough. very nice polish.
the frets are quite unusual for me, fairly thin, but deep. ca suggests good accuracy and effective hammer and pull off: o)
for access to acute bah is a les paul ... I move on.
it's still heavy, even if the body is pierced way Emmentaler, but with a good strap, it's going.
for sound, following entry: o)
SOUNDS
I just receive it, not yet tried with all my pedals and ptites cie ...
has already empty, I am very impressed: nice resonance, sustain promising balanced sound ...
plugged into a Peavey Classic 30, AC is confirmed: nothing to do with my Epiphone lp56GT (thankfully!). in the clean sound is warm but not rough. the knobs can be exploited very titillate the jazz happily. It responds well to the nuances of attacks.
in crunch ... yiiiiiihaaaaa! I drool as much as my son who made his first tooth: o) it's hot, bold, dynamic and balanced.
I have one small typed Xavier PRS with Seymour Pearly Gates. the violin is perfect, but ultimately too microphones medium / high for my taste. the, coat tails sound I want. thank you mr gibson, good pick!
OVERALL OPINION
Received yesterday, I will return my comments after the last excitation (if it passes).
but I am very happy with my choice, especially since the price is very reasonable compared to the standard there is 1 or 2 years.
before choosing this model, I tested the PRS (se), a standard 2008 (bof: microphones more aggressive and less thick plate of transparent electronics, yes, yes), a classic old (his great - even microphones - firebirst but color, like the wonder woman shorts ...)
and then I came across the one in goldtop moreover ...
I strongly pushed in rehearsal and in concert!