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eldana
Published on 02/26/10 at 01:29
Modeling amplifier (transistor).
Power: 75 watts
The settings are fairly numerous:
(According to the Line 6 website)
Clean Red
Inspired by the sound of a Marshall ® JCM-900, the Clean Red is hollowed and very sensitive to touch guitarist. Clean Red model offers superb brightness in the upper spectrum. This is one of the most beautiful clean sounds that we have created so far.
Clean Green
* Inspired by certain aspects of the amp Hiwatt ® Custom 100, the model simulates the Green Clean clear sound classic late 60s and early 70s. This model offers an extended response with creamy midrange and bass specific desire.
Twang Red
Twang Red model is inspired by * the sound of a Fender Blackface Twin Reverb ® ® 60 years to produce his classic productions in Nashville. Mount the Drive button and enjoy the saturation!
Twang Green
More aggressive than its Twang Red, Green Twang model is very percussive, with lots of punch and a character inspired by * Blackface Deluxe Reverb ® Fender ® 60s.
NEW! Class A Red
Sounds singing and brilliant sound with a medium stake made famous by many generations of British rock bands, the model based on the Class A Red * Vox ® AC30 Top Boost.
NEW! Class A Green
Incredibly dynamic, model Class A Green gives you the feeling of custom amps. * Inspired by some of our favorite amps, Divided by 13 with 9 / 15. Mount the Drive button to access a saturation very grainy.
Red Blues
The charm of Vintage Blues * Red is inspired sound of a classic Fender ® Deluxe Reverb ® '50s.
NEW! Green blues
Here's a sound with more character than the Red Blues: Blues Green offers a more focused in the midrange with a classic color inspired by * Rockabilly amp Gretsch ® 6156.
Crunch Red
Celebration of his early metal bands, the model is based on Red Crunch * Crunch famous sounds of a 50 watt Plexi Marshall ® 1968.
NEW! Green Crunch
The model Crunch Green offers a characteristic distortion sounds British round with superb mids very cool and impressive energy. * Inspired by his sound engineering Crunch ® Orange AD30 amp.
Red Hi Gain
The Red Hi Gain model offers its famous brown sound inspired by * a Marshall ® Plexi 100 watt with Variac and the 1968 cross-entries.
NEW! Hi Gain Green
Modern metal sound scooped: Green Hi Gain model offers a refined sound distortion * creations inspired by high saturation of a Diezel Herbert ®.
Red Metal
One-way ticket to a powerful and accurate high saturation, the model is inspired by Red Metal * distorted sounds of a Mesa / Boogie ® Dual Rectifier ®.
Metal Green
The model offers a Green Metal saturation aggressive while remaining versatile. Change the position of the Mid button to verify the distortion! (Set the minimum to get a sound Fuzz pedal, set in an intermediate position to obtain modern creamy overdrive, set up to get the sound of famous amps in Class A).
Insane Red
Created for extreme saturation, the Insane Red resumed its intensity and impact of Metal Red channel of the amp, but with more midrange for an even more devastating. * Inspired by the sound of a Mesa / Boogie ® Dual Rectifier ® (red channel).
Insane Green
Any distortion possible before the destruction of the amp! The Insane's Green offers a level of almost obscene distortion while maintaining the tone and character of your instrument. "
After it's worth what it's worth (that's marketing right?), But from what I've seen exactly that. A chie of settings, and if you love tweaking your amp for a good custom sound, this is for you.
Grip level is far from simple (a lot of adjustable parameters), but we made it fast, very fast.
UTILIZATION
Level Panel, I knew better, especially if you want to adjust. That said, nothing overwhelming, you just have to make adjustments, and hop on the track. If you prefer to take one of 250 presets +(!!!), it will make life easier, and get a good sound in the space of two minutes (the time to find actually).
We can easily get a good sound, if you want to dip into the manual settings, it is not insurmountable, and its output will always be as good (or better)
The manual is minimal, very minimal, nothing really transcendent. But on another amp configurations are substantially the same.
SOUNDS
I play metal, classical, jazz, blue, and he happened to follow me wherever I go.
I play a Dean Razorback Explosion LH, the sound output is really powerful.
I have not had time to test the presets 1950s, 1960s and 1970s "but they are in line with others, they must be good.
OVERALL OPINION
I bought it the day before yesterday (so I'm pretty new to this model). I am the possessor of a Line 6 Spider III 30 and a Fender FM212 R. Suffice to say that the fender and line 6 are two different amps, so absolutely not comparable. The Fender produced a good clear sound, perfect for putting one or more pedals behind, but soon limited to the level of saturation. Line 6 is the reverse, very good distortion, but good clear channel, but nothing really exceptional (compared to a fender is to put the bar a little high
)
Power: 75 watts
The settings are fairly numerous:
(According to the Line 6 website)
Clean Red
Inspired by the sound of a Marshall ® JCM-900, the Clean Red is hollowed and very sensitive to touch guitarist. Clean Red model offers superb brightness in the upper spectrum. This is one of the most beautiful clean sounds that we have created so far.
Clean Green
* Inspired by certain aspects of the amp Hiwatt ® Custom 100, the model simulates the Green Clean clear sound classic late 60s and early 70s. This model offers an extended response with creamy midrange and bass specific desire.
Twang Red
Twang Red model is inspired by * the sound of a Fender Blackface Twin Reverb ® ® 60 years to produce his classic productions in Nashville. Mount the Drive button and enjoy the saturation!
Twang Green
More aggressive than its Twang Red, Green Twang model is very percussive, with lots of punch and a character inspired by * Blackface Deluxe Reverb ® Fender ® 60s.
NEW! Class A Red
Sounds singing and brilliant sound with a medium stake made famous by many generations of British rock bands, the model based on the Class A Red * Vox ® AC30 Top Boost.
NEW! Class A Green
Incredibly dynamic, model Class A Green gives you the feeling of custom amps. * Inspired by some of our favorite amps, Divided by 13 with 9 / 15. Mount the Drive button to access a saturation very grainy.
Red Blues
The charm of Vintage Blues * Red is inspired sound of a classic Fender ® Deluxe Reverb ® '50s.
NEW! Green blues
Here's a sound with more character than the Red Blues: Blues Green offers a more focused in the midrange with a classic color inspired by * Rockabilly amp Gretsch ® 6156.
Crunch Red
Celebration of his early metal bands, the model is based on Red Crunch * Crunch famous sounds of a 50 watt Plexi Marshall ® 1968.
NEW! Green Crunch
The model Crunch Green offers a characteristic distortion sounds British round with superb mids very cool and impressive energy. * Inspired by his sound engineering Crunch ® Orange AD30 amp.
Red Hi Gain
The Red Hi Gain model offers its famous brown sound inspired by * a Marshall ® Plexi 100 watt with Variac and the 1968 cross-entries.
NEW! Hi Gain Green
Modern metal sound scooped: Green Hi Gain model offers a refined sound distortion * creations inspired by high saturation of a Diezel Herbert ®.
Red Metal
One-way ticket to a powerful and accurate high saturation, the model is inspired by Red Metal * distorted sounds of a Mesa / Boogie ® Dual Rectifier ®.
Metal Green
The model offers a Green Metal saturation aggressive while remaining versatile. Change the position of the Mid button to verify the distortion! (Set the minimum to get a sound Fuzz pedal, set in an intermediate position to obtain modern creamy overdrive, set up to get the sound of famous amps in Class A).
Insane Red
Created for extreme saturation, the Insane Red resumed its intensity and impact of Metal Red channel of the amp, but with more midrange for an even more devastating. * Inspired by the sound of a Mesa / Boogie ® Dual Rectifier ® (red channel).
Insane Green
Any distortion possible before the destruction of the amp! The Insane's Green offers a level of almost obscene distortion while maintaining the tone and character of your instrument. "
After it's worth what it's worth (that's marketing right?), But from what I've seen exactly that. A chie of settings, and if you love tweaking your amp for a good custom sound, this is for you.
Grip level is far from simple (a lot of adjustable parameters), but we made it fast, very fast.
UTILIZATION
Level Panel, I knew better, especially if you want to adjust. That said, nothing overwhelming, you just have to make adjustments, and hop on the track. If you prefer to take one of 250 presets +(!!!), it will make life easier, and get a good sound in the space of two minutes (the time to find actually).
We can easily get a good sound, if you want to dip into the manual settings, it is not insurmountable, and its output will always be as good (or better)
The manual is minimal, very minimal, nothing really transcendent. But on another amp configurations are substantially the same.
SOUNDS
I play metal, classical, jazz, blue, and he happened to follow me wherever I go.
I play a Dean Razorback Explosion LH, the sound output is really powerful.
I have not had time to test the presets 1950s, 1960s and 1970s "but they are in line with others, they must be good.
OVERALL OPINION
I bought it the day before yesterday (so I'm pretty new to this model). I am the possessor of a Line 6 Spider III 30 and a Fender FM212 R. Suffice to say that the fender and line 6 are two different amps, so absolutely not comparable. The Fender produced a good clear sound, perfect for putting one or more pedals behind, but soon limited to the level of saturation. Line 6 is the reverse, very good distortion, but good clear channel, but nothing really exceptional (compared to a fender is to put the bar a little high
)