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blackle « A huge reservoir of creativity but a design could be improved. »
Published on 07/17/11 at 04:45Brand renowned multi-effects can be chained to individual desires and needs a large number of effects (maximum five) from the six simultaneously up the MPX 1. Transposition tone, chorus, EQ, modulation, delay and reverb, finally. Lexicon in its wisdom provides an interactive front (they call it that). It is true that all the buttons that light up to indicate all available functions is a useful thing, unfortunately in practice this device it becomes a trap when it is handled. The implementation noon (vital for me) is very comprehensive and allows all the internal sources of control are re-issued as a message of control system continues. A built-in arpeggiator driver of sound generators noon and generates sound effects synchronized on this point it is a wonder!
UTILIZATION
A (very) long period of adaptation and understanding is needed to make the best use of its possibilities. The first days I used it and despite the manual which was on my lap I found myself as a real idiot in front of the screen, eyes wide and tongue hanging out and my brain boil (a big thank you to the Efferalgan passage). I could not see where I was made so the combinations of actions are huge and decked unfortunately ergonomics at least partially confusing and logic. Now and after having swallowed the whole flaquons "Cogitum" (plus I'm blonde) I feel better, but what a headache and I felt nunuche early! In fact I would say two words to those who have laid this woe interface that looks more like a torture for execice neurons as a real interface for normal users, ie humans. That day they had to have a grudge against the musicians is not possible otherwise!
In short, once the drugs have Cogitum acts on the metabolism of my brain, I became a real caver editing because in fact this unit we discover always a lot of editable parameters, whether temporal or frequency, and within and outside options more or less easy to associate with the already large library of parameters related to an effect in particular.
SOUND QUALITY
Side the sound quality is really good job against the MPX 1 in spite of all my efforts I never managed to get reflections approaching a little bit of another model that I like many, LXP 15. The reverberations are much drier, less oily, I do not know how to say. The fact is that multi-mode program there is a good camera, the effects of transpositions in height and corrections are really good, and delays are all great.
OVERALL OPINION
A multi-effect that is great! But why Lexicon's use flanged ergonomics so perfectible? I bought some on a whim, thinking back, and better, all the qualities that made all the fame of the LXP series with musicians. So much for the quality of its effects I'm not disappointed, as I remain in use on my hunger. This is clearly not a device designed for live, but I like it anyway, it is a huge reservoir of creativity because I found it no limit combination and programming. Finally I read in previous opinions that it was more or less compared to the M Tc electronic 2000 home, with this model also has its use is certainly simpler, but artistically the Lexicon is much more interesting, cons for s 'accountable do not give up and go through with its logic.
Sarah, a musician who has not hurt his head and not so silly it after all. Thank you to "Cogitum")
UTILIZATION
A (very) long period of adaptation and understanding is needed to make the best use of its possibilities. The first days I used it and despite the manual which was on my lap I found myself as a real idiot in front of the screen, eyes wide and tongue hanging out and my brain boil (a big thank you to the Efferalgan passage). I could not see where I was made so the combinations of actions are huge and decked unfortunately ergonomics at least partially confusing and logic. Now and after having swallowed the whole flaquons "Cogitum" (plus I'm blonde) I feel better, but what a headache and I felt nunuche early! In fact I would say two words to those who have laid this woe interface that looks more like a torture for execice neurons as a real interface for normal users, ie humans. That day they had to have a grudge against the musicians is not possible otherwise!
In short, once the drugs have Cogitum acts on the metabolism of my brain, I became a real caver editing because in fact this unit we discover always a lot of editable parameters, whether temporal or frequency, and within and outside options more or less easy to associate with the already large library of parameters related to an effect in particular.
SOUND QUALITY
Side the sound quality is really good job against the MPX 1 in spite of all my efforts I never managed to get reflections approaching a little bit of another model that I like many, LXP 15. The reverberations are much drier, less oily, I do not know how to say. The fact is that multi-mode program there is a good camera, the effects of transpositions in height and corrections are really good, and delays are all great.
OVERALL OPINION
A multi-effect that is great! But why Lexicon's use flanged ergonomics so perfectible? I bought some on a whim, thinking back, and better, all the qualities that made all the fame of the LXP series with musicians. So much for the quality of its effects I'm not disappointed, as I remain in use on my hunger. This is clearly not a device designed for live, but I like it anyway, it is a huge reservoir of creativity because I found it no limit combination and programming. Finally I read in previous opinions that it was more or less compared to the M Tc electronic 2000 home, with this model also has its use is certainly simpler, but artistically the Lexicon is much more interesting, cons for s 'accountable do not give up and go through with its logic.
Sarah, a musician who has not hurt his head and not so silly it after all. Thank you to "Cogitum")