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fabrice.fargues
Published on 04/01/09 at 17:31
Static small brass east ....
OVERALL OPINION
How to transplant a sousaphone (a big hlicon for those who do not know)?? Beta 98H / C. Microphone that clips to the copper roof and the case is played ... It goes down well, and has an acute ar Retailer without being aggressive, in short, finally a microphone that meets the "big brass". I tried all kinds of dynamics, some transplant ingnieurs s'vertuant me with microphones type E602, I took the fifth, I bought this one, even when test APRS , and no longer have the leg over, I branch on a system-HF SLX1 SLX4, and happiness ... Now, on a trumpet, I blame him a tip to agressivit 2-4kHz, which must be corrected lgrement, like many of the rest shure, but it is a register or the instrument is particularly rately "pchu" ... On sax, live, there's probably better, but much more expensive, it's top and well respected trs the timbre of the instrument, the tnor in particular, gives a serious or sitting wide at its ... The accordion also suits him perfectly, or in a register Bandonon, it will capture much of its heat.
Trs really a good sensor for the brass, he respects the players and especially their sounds ... It sounds more and more rel wide ar an sm57, trs good mic "pass" when it costs a copper in the SM and even in the beta, a magical feeling overwhelms us, SOUND is finally ...
To live, when one is copper, it is the choice, price all in all, quite reasonable in terms of performance.
2 default, however, the cable end, who seems fragile, so handle with prcautions, and accessories, all optional, even the small pramp adapter mini-XLR-XLR to be able to connect to the console. Options, a dirty habit "shuresque "....
But even when there is a "great" mic in sound ....
OVERALL OPINION
How to transplant a sousaphone (a big hlicon for those who do not know)?? Beta 98H / C. Microphone that clips to the copper roof and the case is played ... It goes down well, and has an acute ar Retailer without being aggressive, in short, finally a microphone that meets the "big brass". I tried all kinds of dynamics, some transplant ingnieurs s'vertuant me with microphones type E602, I took the fifth, I bought this one, even when test APRS , and no longer have the leg over, I branch on a system-HF SLX1 SLX4, and happiness ... Now, on a trumpet, I blame him a tip to agressivit 2-4kHz, which must be corrected lgrement, like many of the rest shure, but it is a register or the instrument is particularly rately "pchu" ... On sax, live, there's probably better, but much more expensive, it's top and well respected trs the timbre of the instrument, the tnor in particular, gives a serious or sitting wide at its ... The accordion also suits him perfectly, or in a register Bandonon, it will capture much of its heat.
Trs really a good sensor for the brass, he respects the players and especially their sounds ... It sounds more and more rel wide ar an sm57, trs good mic "pass" when it costs a copper in the SM and even in the beta, a magical feeling overwhelms us, SOUND is finally ...
To live, when one is copper, it is the choice, price all in all, quite reasonable in terms of performance.
2 default, however, the cable end, who seems fragile, so handle with prcautions, and accessories, all optional, even the small pramp adapter mini-XLR-XLR to be able to connect to the console. Options, a dirty habit "shuresque "....
But even when there is a "great" mic in sound ....