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SlapKid
Published on 02/16/08 at 14:17
Hi all, your
Amp transistors, 60watts sturdy, digital amp modeling, parallel effects loop, line out / phones compensated switch to mute the speaker.
Two identical channels, remote controls and reverb.
Ultra-simple, full, great for everything.
Big enough, like a peavey bandit, but not heavy (about 17 kgs).
UTILIZATION
First, choose the correct input (LO Microphone powerful microphones to low HI).
Then very easy, four types of grain (2 colors each), volume gain LoMid HiMid highs presence reverb. For the bottom line the same thing ...
Impossible to get lost, intelligent design.
However, it appears that the departure of the effects loop depends on the master volume, not the most logical but it works good as I say nothing.
on the other hand I rattle against the fact that headphones the sound is raw, the effects loop is not taken into account. It said the onboard reverb is awesome so ...
SOUNDS
The sound, I tell you. Very detailed, very rich in harmonics, hot, it's amazing.
This amp is the choice of Kotzen, Bullock and co, and I understand why. Note that sounds very convincing are less saturated (too much compression, so unclear), but everything else is falling steeply.
Big 60 watts, this contraption makes a noise. Nothing like a behringer GMX212 yet credited with the double power / speaker, behringer to the niche (tail between its legs and more).
I compare peavey bandit Transtube usa, randall rx120d 412, fender bassman, roland bluescube 310, 412 and marshall. I much prefer the yamaha but I numetal not play, why the randall is cool. The bassman (2005) is steep and rough in saturation, not great. The roland is too wily, too brute. The marshall is nice, airy and intelligible, but know almost nothing else to do, and you have to play hard or no sound.
I would say the yamaha stops to van halen / iron maiden matter saturation can be used, and rather large as soloist bestial rhythm.
The expression is its strong point, all the nuances emerge great, a treat for musicians say more sophisticated.
Very easy to adjust, two mediums more presence is very useful to get what you want.
OVERALL OPINION
I'm looking for a second, says it all.
It is my perfect amp, but holds the road.
The wealth of sounds is hard to describe, play another amp just after outlines their blandness / lack of sharpness / etc.
Curiously, the only amp I s'aapproche that this kind of sound is a Vox DA15 with a greenback in it. Yamaha Korg have produced it (which has Vox)?
A brand any good amp, must-have.
I press the point home, I had mine for okaz, new, for 110 euros (or less than the celestion greenback that I put in the Vox DA15 ...).
Buy if you find!
Amp transistors, 60watts sturdy, digital amp modeling, parallel effects loop, line out / phones compensated switch to mute the speaker.
Two identical channels, remote controls and reverb.
Ultra-simple, full, great for everything.
Big enough, like a peavey bandit, but not heavy (about 17 kgs).
UTILIZATION
First, choose the correct input (LO Microphone powerful microphones to low HI).
Then very easy, four types of grain (2 colors each), volume gain LoMid HiMid highs presence reverb. For the bottom line the same thing ...
Impossible to get lost, intelligent design.
However, it appears that the departure of the effects loop depends on the master volume, not the most logical but it works good as I say nothing.
on the other hand I rattle against the fact that headphones the sound is raw, the effects loop is not taken into account. It said the onboard reverb is awesome so ...
SOUNDS
The sound, I tell you. Very detailed, very rich in harmonics, hot, it's amazing.
This amp is the choice of Kotzen, Bullock and co, and I understand why. Note that sounds very convincing are less saturated (too much compression, so unclear), but everything else is falling steeply.
Big 60 watts, this contraption makes a noise. Nothing like a behringer GMX212 yet credited with the double power / speaker, behringer to the niche (tail between its legs and more).
I compare peavey bandit Transtube usa, randall rx120d 412, fender bassman, roland bluescube 310, 412 and marshall. I much prefer the yamaha but I numetal not play, why the randall is cool. The bassman (2005) is steep and rough in saturation, not great. The roland is too wily, too brute. The marshall is nice, airy and intelligible, but know almost nothing else to do, and you have to play hard or no sound.
I would say the yamaha stops to van halen / iron maiden matter saturation can be used, and rather large as soloist bestial rhythm.
The expression is its strong point, all the nuances emerge great, a treat for musicians say more sophisticated.
Very easy to adjust, two mediums more presence is very useful to get what you want.
OVERALL OPINION
I'm looking for a second, says it all.
It is my perfect amp, but holds the road.
The wealth of sounds is hard to describe, play another amp just after outlines their blandness / lack of sharpness / etc.
Curiously, the only amp I s'aapproche that this kind of sound is a Vox DA15 with a greenback in it. Yamaha Korg have produced it (which has Vox)?
A brand any good amp, must-have.
I press the point home, I had mine for okaz, new, for 110 euros (or less than the celestion greenback that I put in the Vox DA15 ...).
Buy if you find!