Prampli transistors with optical compressor 2 channels (Stereo), type rack (19 inches).

It is my opinion all the features one would expect a device like this:
- Section prampli: fantme switchable power supply, excellent converters 24 bit 196 kHz, max gain of 60 dB, phase reverse, attnuateur.
- Compressor Section: rglage threshold, slope, time of attack and of resolutions.
- In addition, a low cut and a qualiseur frquence adjustable band.
(Admittedly, it lacks a real qualiseur for a string of record complte, but we can not have everything in a format as compact, less sr dtriment whether at the quality.)

Connectors: XLR symtriques, output jack symtriques, dpart and effects return jack asymtrique format.

UTILIZATION

Easy enough to use for a person accustomed to this type of hardware (amateur or professional clear sound).

I see no difficulty reporting configuration compared to other Facilities in this range.

The interface is clearly organized, but some buttons are a bit small.
Moreover, there are so many buttons on a same faade it took me several days to get used to distinguish those that I need priori whose use is less necessary. Gnant is a bit to catch his live.
However I like the multiple tmoins diodes, which light up on most of them when they are engaged.

The record is clear to a person that English does not reject.

SOUND QUALITY

Section prampli: 5 / 5. Excellent I think if you search a neutral and transparent its relatively affordable. Wide range of gain useful, its both warm and clean. Quality significantly suprieure Presonus Blue Tube that of example (but not the same price).

Compressor section: 4 / 5. Its not clear if rgler the threshold too low. Del at a certain point, the pumping effect is quite clear, even with an attack time low. This is a default to me parat fawn all fairly trivial for an optical compressor. All dpend therefore the intended use of this device.

OVERALL OPINION

I use the Focusrite Twintrack Pro for a year and a half.
Acqurir before I tried other compressors and pramplis onreux least, of Samson, ART, Presonus (Blue Tube, Blue Max) and TF-Pro (P3) and The models of the batteries (of excellent quality but trs compact and therefore more expensive) brand AETA.
The TwinTrack prampli Pro is the best compressor I've ever used. I have EVER had the opportunity to compare it with other models like, but I think the quality-price ratio is excellent, and the prestigious Anglo-Saxon Focusrite us bnficier affordability of its technical matrise shown through other devices it conus.

I particulirement its quality sound, but also finish trs cares, its refined design. I just under the optical compressor.

With exprience, and a same price, probably I would do this choice, less that technological sr does make me discovering a new MODEL.