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frankiki « 65 twin reverb reissue, real pro gear »
Published on 10/01/13 at 17:33after 8 years, it is also new at the beginning, very powerful, very reliable, a classic ... no need to describe it, or see fender.com in previous reviews. covered the spectrum is impressive, the overdrivées to open in very low octave violin viola with multiple delay infrabasses, it denies you nothing, and the more it makes him laugh.
UTILIZATION
one branch, the standby is removed, we play.
SOUNDS
the top of the clear, gorgeous reverb, vibrato like kill bill, with my strat or my art in all styles with a few effects pedals can be everything from legends of rock to modern metal, the VARIETTE to radiohead, bossa jazz, funk, 8 years of happiness to him and me. the few times I've played up to 3/10 of the volume, I covered the whole world that I scratched more than one string at a time, but it was just bitching to their friends, anyway it is impossible to do from distortion in a ts, rat or other drive shop on one of the channels is a must have. its always a very defined and true to the instrument.
OVERALL OPINION
of my first idols, led zepp, the police, etc.., to acoustic sets taka en10 on one channel and voice over another with tc harmony gxt, the sound of legend was there, as I had dreamed.
great, but it takes a guy to lug it around (-1), or have roadies. On the other hand, it is less heavy and bulky than a full stack Marshmall or otherwise, while certainly powerful in terms of sound projection (db / w / m) and more versatile.
I have known and had many others before combos, as the worst stews MG100DFX, means blah kind Valvestate, of quite a peavey at Studio15 and Marshall, but also good as the Vox AC30 or Laney VC100 .
if it again? can be supersonic or Prosonic would make me hesitate, but I did not try enough to be on. in any case, I do not regret buying my Twin, it was my best amp, I was able to pay at age 32, ze big reward with cachetons saved.
I would recommend this amp to that of ambition in terms of musical panel, a need for power and a strong back, for whom this will be a reliable basis for years, and lose some (not see) if he resells. or those who need a reliable and attractive backline to get performers on stage or in the studio that will simply take their pedalboard to find their sound.
UTILIZATION
one branch, the standby is removed, we play.
SOUNDS
the top of the clear, gorgeous reverb, vibrato like kill bill, with my strat or my art in all styles with a few effects pedals can be everything from legends of rock to modern metal, the VARIETTE to radiohead, bossa jazz, funk, 8 years of happiness to him and me. the few times I've played up to 3/10 of the volume, I covered the whole world that I scratched more than one string at a time, but it was just bitching to their friends, anyway it is impossible to do from distortion in a ts, rat or other drive shop on one of the channels is a must have. its always a very defined and true to the instrument.
OVERALL OPINION
of my first idols, led zepp, the police, etc.., to acoustic sets taka en10 on one channel and voice over another with tc harmony gxt, the sound of legend was there, as I had dreamed.
great, but it takes a guy to lug it around (-1), or have roadies. On the other hand, it is less heavy and bulky than a full stack Marshmall or otherwise, while certainly powerful in terms of sound projection (db / w / m) and more versatile.
I have known and had many others before combos, as the worst stews MG100DFX, means blah kind Valvestate, of quite a peavey at Studio15 and Marshall, but also good as the Vox AC30 or Laney VC100 .
if it again? can be supersonic or Prosonic would make me hesitate, but I did not try enough to be on. in any case, I do not regret buying my Twin, it was my best amp, I was able to pay at age 32, ze big reward with cachetons saved.
I would recommend this amp to that of ambition in terms of musical panel, a need for power and a strong back, for whom this will be a reliable basis for years, and lose some (not see) if he resells. or those who need a reliable and attractive backline to get performers on stage or in the studio that will simply take their pedalboard to find their sound.