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pujol813 « Perfect Studio »
Published on 06/30/13 at 04:50
Value For Money :
Excellent
This is a head tube with two channels, a clear and crunch with two separate entrances. He has little control and an effects loop. Outputs of 4, 8 and 16 ohms. The power is 6 watts and there is a attenuator.
UTILIZATION
Very easy to use, there is little rule and it is essential. We did not buy the bourrinage but for clear sound quality. Can act on the deep bass and a bit of treble. Point bar. You have a good guitar, it will be beautiful. You shit, you shit. This is not democratic, but was never asked to take an amp to the Enlightenment.
SOUNDS
I turn on a branch 12 inch Peavey speaker to play and a home speaker provided a Jensen ceramic Register. I send compressor, distortion, fuzz, tremolo, vibrato and chorus front and delay and reverb in the effects loop. Absolute silence despite a string of 11 effects. I never heard such a silence and it is the interest of the beast: it is perfect in the studio. No need to stick noise reduction behind before hitting the soundcard.
The sound is clear and when you spend half the race in the light, we have a delicious crunch and handle more aggressive pickup microphone.
I've never flown on stage so I will not comment on its use, but in the studio, this is an exceptional machine.
OVERALL OPINION
I've had three months. Every time I connect, I am impressed by the smoothness of the rendering, since I really like the typical Fender clean tones.
I had all kinds of amps: very bad and very good in terms of which there is a particular AC 30 60s, a transatlantic Mesa Boogie, a Laney Lionheart (a more than perfect amp) but the VHT, despite its low cost and low power the machine best suited to use in my current home studio.
This is made in China. It can interfere.
I probably will change the lights one day. There is no rush.
UTILIZATION
Very easy to use, there is little rule and it is essential. We did not buy the bourrinage but for clear sound quality. Can act on the deep bass and a bit of treble. Point bar. You have a good guitar, it will be beautiful. You shit, you shit. This is not democratic, but was never asked to take an amp to the Enlightenment.
SOUNDS
I turn on a branch 12 inch Peavey speaker to play and a home speaker provided a Jensen ceramic Register. I send compressor, distortion, fuzz, tremolo, vibrato and chorus front and delay and reverb in the effects loop. Absolute silence despite a string of 11 effects. I never heard such a silence and it is the interest of the beast: it is perfect in the studio. No need to stick noise reduction behind before hitting the soundcard.
The sound is clear and when you spend half the race in the light, we have a delicious crunch and handle more aggressive pickup microphone.
I've never flown on stage so I will not comment on its use, but in the studio, this is an exceptional machine.
OVERALL OPINION
I've had three months. Every time I connect, I am impressed by the smoothness of the rendering, since I really like the typical Fender clean tones.
I had all kinds of amps: very bad and very good in terms of which there is a particular AC 30 60s, a transatlantic Mesa Boogie, a Laney Lionheart (a more than perfect amp) but the VHT, despite its low cost and low power the machine best suited to use in my current home studio.
This is made in China. It can interfere.
I probably will change the lights one day. There is no rush.