Parallel Compression - A guide to mixing music - Part 36
LearningIn this week's chapter, we'll tackle a specific use of compression you have surely heard about before, not least in our series of articles dedicated to mastering. I'm talking about parallel compressi…
Classic Gear Spotlight: The Les Paul - Part 2 - And the Guitar Was Born!
LearningThe telephone rings. Pegg's back suddenly stiffens, she adjusts her glasses before picking up the phone. She can tell by the timbre of the voice that asks for Ted McCarty that it's bad news for her b…
Formant and Linear Arithmetic Synthesis - Sound synthesis, sound design and audio processing - Part 26
LearningThis time around, I invite you to discover two unusual forms of sound synthesis: Formant and linear arithmetic synthesis.
Take Your Pick - Alter your tone for pennies by changing to a different pick type
LearningIf you are like most guitarists, you are on a continual quest to improve your tone and/or discover additional tonal options. This can involve spending thousands of dollars on amps, guitars, pickups, …
Serial Compression - A guide to mixing music - Part 35
LearningNow that we've seen the basic usage of compression when mixing, I'll walk you through a couple of tips and tricks that I'm sure you'll find quite useful. This week we'll look into a technique that mi…
Classic Gear Spotlight: The Les Paul - Part 1 - History of the Les Paul
LearningThe tale begins in Winter 1951.
The Opposite of Punchy - A guide to mixing music - Part 34
LearningToday, I invite you to continue exploring the possibilities of dynamics processing at the microdynamic level. After having dealt with "punchy" sounds, we'll use dynamics to go for the opposite — "rou…
Make Your Mix Punchy with Compression - A guide to mixing music - Part 33
LearningAfter looking at some applications of compression at the macrodynamic level in the two previous articles, we'll deal here with microdynamics, starting with how to get a "punchy" sound.
Weighing the pros and cons of DIY mastering - So You Want to Master Your Own Album?
LearningFor a long time the mastering process was a mystery for most musicians, even those with studio skills. But thanks to all the information now available online, it's a lot easier to learn about how mas…
Pulsar and Phase Distortion Synthesis - Sound synthesis, sound design and audio processing - Part 25
LearningWe are slowly coming to the end of this series!
More than Just the Full Mix - Alternate mixes that pro engineers do for every song — and so should you
LearningProfessional engineers typically render more than just a full version when they finish mixing a song. They also run a number of variations, which are referred to as "alternate mixes." In this article…
The Right Way to Loudness - A guide to mixing music - Part 32
LearningToday we'll continue our discovery of the use of compression with an application that will surely interest all of you: An increase in loudness.
Watching the Waves - Visual clues from a DAW’s waveform display can speed up your workflow
LearningIf you are someone who’s interested in learning more about recording technology — and you probably are, since you’re reading this — you may have come across interviews with big name engineers and pro…
Add Consistency with Compression - A guide to mixing music - Part 31
LearningIn this episode, we'll concentrate on dynamics processing during mixdown, and we'll see how to use compression to give consistency to your tracks. This usage, in my opinion, is the most important one…
Applications of Physical Modeling Synthesis - Sound synthesis, sound design and audio processing - Part 24
LearningToday we'll finish reviewing the different types of physical modeling synthesis and move on to how it has been implemented.
