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HarkBones
Published on 02/01/08 at 09:12
As dj cit,
a set of several CHARACTERISTICS somewhat difficult to understand without trying to be. Large variety of things possible, but any particulire enough, are not used in most styles of music.
UTILIZATION
Simple, once you understand the principle of an absorption effect pedals, the remaining hours costs the possible effects (even leaving a little practicality of the pedals) is a PDAL intrt which for me is to express, you can get some pretty weird: full of ground motion (each filter is "rveille" according DIFFERENT Schma rhythm) accoups or more or less clear, as if the note ran in all directions. In short, we can vary the attack and decay of the filters, the fast rhythm Schma, there is a position of the pedals that can sculpt the sound like Equilizer, then you can really feel the place each filter in the sound spectrum. (From the lowest to highest). There remains the possibility of grate the amount of drive, until reaching an analog distortion typ trs trs and enjoyable (I sometimes use a couple with big muff and r results is really hot and loaded with harmonic)
résumé for some uses of the pedals:
A-cho trs espce of rhythm, a little analog synth typ, so each one uses cho prcise band sound spectrum.
The ground-a little torture.
-A distortion with legalization
Weird-stuff with a little research.
SOUND QUALITY
Nothing wrong, the highlight for me is the quality of the distortion, but the Moog is cre from any instrument.
OVERALL OPINION
Plus: a quality and design ingniosit pleased to see that
minimum: for the price, both what you will, to toy? CRER sonic textures indict? the only problem is that it sounds cre tellements SPECIFICATIONS (despite the variation on quickly that one wonders if this is not just a place for CHRE finally in the secondary set. Unless Obviously that is bitten by express sound quality ...
a set of several CHARACTERISTICS somewhat difficult to understand without trying to be. Large variety of things possible, but any particulire enough, are not used in most styles of music.
UTILIZATION
Simple, once you understand the principle of an absorption effect pedals, the remaining hours costs the possible effects (even leaving a little practicality of the pedals) is a PDAL intrt which for me is to express, you can get some pretty weird: full of ground motion (each filter is "rveille" according DIFFERENT Schma rhythm) accoups or more or less clear, as if the note ran in all directions. In short, we can vary the attack and decay of the filters, the fast rhythm Schma, there is a position of the pedals that can sculpt the sound like Equilizer, then you can really feel the place each filter in the sound spectrum. (From the lowest to highest). There remains the possibility of grate the amount of drive, until reaching an analog distortion typ trs trs and enjoyable (I sometimes use a couple with big muff and r results is really hot and loaded with harmonic)
résumé for some uses of the pedals:
A-cho trs espce of rhythm, a little analog synth typ, so each one uses cho prcise band sound spectrum.
The ground-a little torture.
-A distortion with legalization
Weird-stuff with a little research.
SOUND QUALITY
Nothing wrong, the highlight for me is the quality of the distortion, but the Moog is cre from any instrument.
OVERALL OPINION
Plus: a quality and design ingniosit pleased to see that
minimum: for the price, both what you will, to toy? CRER sonic textures indict? the only problem is that it sounds cre tellements SPECIFICATIONS (despite the variation on quickly that one wonders if this is not just a place for CHRE finally in the secondary set. Unless Obviously that is bitten by express sound quality ...