All user reviews for the Behringer V-Amp Pro

No need to repeat!

UTILIZATION

Some functions are not very practical! As the second adjustment accessible remaining press the tap tempo!
Sounds are easily editable. The control software v amp is not bad but I do not use it. The possibilities are quite large. The manual is zero, as usual at Behr ...
I have the FCB1010 pedalboard that I use with him is against vraimen very well!

SOUND QUALITY

I plug in a lamp and Engl 2x20 2x12 cabinet with a V30. For the price, it's the best preamp, multi-effect relationship, no comparison! I play in a metal band and I sound very precise and powerful. The ENGL really gives another dimension to the v-amp, do it live!
The saturation are really good for my taste, just enough to spend some time to find the right setting.
As a group, it is nickel, the sound is very precise and does not bleed, it has its place and is doing very good job.
I do not like clean sounds ...
The effect troubleshoot, but no more: S

OVERALL OPINION

I use it for 2 years. I am doing with, no worries. My sound is very faithful to what I want and I do not see the usefulness of changing preamp.
The jack between starts crachouiller! It's a shame but for the price ...
Report qualitprix excellent. If it fails, I probably will redeem.
Zieuter or I can be of the cot ENGL preamp, but it is 5 to 6 times more expensive!

CHARACTERISTICS: trsdtaill at behringer

UTILIZATION

So it's a bit complicated because ... Take the time to read the manual, because there are two "advantages" effect and is ncessaire to press multiple buttons to be accder faith ...
But otherwise the setup is nice

SOUND QUALITY

Holala!
It's good ...
Honntement I use it for two totally opposs style and yet each time I am satisfied ...
Mtal: big sound the Mesa or Marshall, incredibly autenthique.
Rock / Blues / soul: His vintage trs warm with a gain ... Stupfiant ...

I use a Cort Tunne with Di Marzio and frankly I have good trs trs rsultat

OVERALL OPINION

I have a friend who possde line6 POD ... I chose the behringer because of my budget ...
Rsultat ... my buddy is dgout
Well, to be frank APRS, I use it directly to disk in my home studio, I know if can make a scne on both ...
At least for the record ... it's really stupfiant

on the other hand I tried to connect a low-top ... It leaves a little DSIR ... The tent ilfaudrai the BASS V AMP I guess ...

But if you scratch your, Do not hesitate ... trs trs rsultat ensured good ...

Full details are available here http://www.behringer.com/LX1-PRO/index.cfm?lang=FRE

UTILIZATION

I use with the editing software "V-Amp Editor", where everything is easily adjustable. Otherwise, use a bit more complicated, especially with the buttons to be pressed simultaneously and the multitude of settings and submenus. The manual is clear enough (in my case!) And gives frank description of emulation (no circumlocution and innuendo to describe a make and model of amp. They cite the brands and model for most).
The routing options are numerous and very practical. I use it with its digital output connected directly to my audio interface, connected itself to my studio monitors. The input loop is very convenient to connect a foot pedal for pre-treatment, such as a wah wah or an external compressor.
I put 8 because if editing is easy via software, "manual" mode is another thing: the key combinations often have to do with both hands.

SOUND QUALITY

I use it with two guitars: a Vigier Excalibur Original mounted DiMarzio HSS (HS-2 pickups in neck and middle and a PAF Pro Custom-made for Michael Lee Firkins in bridge), Ibanez SZ320 and a Gold Top mounted Seymour Duncan SH1 in '59 with a handle and a TB-4 Jeff Beck bridge. Connected to the V-Amp Pro by George L's Cable (which gives a super set). My goal was to get sound to 80's shredder: Reb Beach, Van Halen (Sammy Hagar period), Neal Schon, etc.. along with the sound AC / DC. And it does! it's awesome! Before buying it, I tried the POD (Pro, XT), which I had not at all convinced. The sound was "soft". Then reluctantly (requiring prejudice: it is a copy, it's cheaper, so should not expect miracles) I tried the V-amp 2. And yes, sometimes in life, there are miracles: the distos were really convincing (in my style). I could get my beloved sounds "California" from the golden age of shred, so really convincing (emulation Soldano SLO-100 and Design by Marshall J. Arredondo are my favorites) and get some great clean sounds , whether for casseroles funk to beautiful ballads rose water with my Ibanez And I find the tonal colors of the Young brothers. Of course, to create your own because the presets are too loaded with effects. Simulations of speakers are very successful.
Then I purchased the V-amp Pro, which offered a more professional and connection range. And it gives me all the sounds I need. I have no idea how a real Soldano sounds thoroughly, an Engl Savage Beast or a Mesa Triple Rectifier, and indeed I do not care. Because even if I had, I can certainly not put fully into my apartment to get the quintessence of saturation, without blowing my windows, shake the building and put me back to the neighborhood. In addition to the wealth of engineering it takes to deploy a perfect sound recording. What interests me is that the modeler sounds for my taste. it is only my opinion, and in taste and color, anything goes (almost !)... But I have a very good musical ear and I'm synaesthetic (I see music in colors). And I find the same "tone colors" with my V-Amp Pro with the songs of guitarists I listen to. We must also say that I have good guitars, and the instrument cable I use is very good (and not at all expensive for what it is!).
For effects, I use very little, because I record without effects, and I said at the time of the mix, the sequencer, so for software. But I like the delay when I playing without saving. The modulations are not bad, but I do not know enough about guitar effects pedals to say they are better or not than the average. Anyway I really like the clear sound with flanger, chorus and a touch of lead in giving this side deliciously 80's. The compressor is nice and can help, but I prefer to use a compressor "hardware" in the input loop of the V-Amp Pro (upstream of the DSP).
I put 9 because some distos I like, but others are quite uneven. Emulation Vox AC30 Top Boost is too loaded in medium for my taste, and simulation of Mesa Boogie Mark IIc has a very low noise level. But it sounds good anyway. Then I can not say whether the effects are great or not, so I reserve my opinion. But for my utiisation, it satisfies me.

OVERALL OPINION

I use it for a while, and it is a pleasure to get my sounds "shredder" as far as my clean sounds. Since then I have tried other modelers (Line 6 and others) and is the only level that I like the sounds. The range of sounds that can be obtained is very wide, and distos "Hi Gain" really punch. An excellent price / quality ratio.

Personally I rack model: the V-amp pro. With its beautiful metallic blue color and all its connections at the rear.

UTILIZATION

I use it in rehearsal, concert, but especially in the studio that is happiness. I never opened the manual, and no worries, it is very intuitive.

SOUND QUALITY

So there ... It does not compare an amp simulator with real amp, because there did not like this. But compare against its competitor. For over 15 years that I make music and I recorded a lot of things with a lot of different stuff. Currently j'utulise Line6 POD 2.0 for clear sound and some solos Satriani, but that is for the fat distortion, I prefer the V-amp Pro. In fact I think there always be a slight compression, which gives the sound I was looking for. We may as well be super sound for blues or rock, hard rock, but I think it excels for Metal!

OVERALL OPINION

I fell in love. Purchased 3 years ago now. I use it every day, and I admit not being able to do without. more than the price at which it occurs, there is not even thinking. I then bought the FCB pedal MIDI controller from the same brand, then I loved the low version, which I must admit is a little lower I think. I think one day I'll buy another one. History to have a rehearsal and the concert and leave the second in my studio.