kinder_guano
Note : 4 sur 10
Published on 11/03/06 at 23:59
Rcup 'with me, 27/03/2004
The DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro 4 cramique son.
Adopted by Steve Vai, more for his solos rput shredder for his passion for occarina and chamber music.
In lead, it dmnage: tradition at DiMarzio, microphones restitution Fidler, a sound spectrum adapted to the style, and low Submitted muscles, a micro aggressive. Gain enough lev harmonics out fairly easy. The sound is prcis, it is never muddy.
In rhythm, is something else. By clean, we pick up a screaming treble burning fat, not enjoyable at all short, less than the curb with a strong EQ and a bit of chorus.
In rhythmic saturated b'en is so so too: big rock, a happening, but we attacked the ds palm mute barbarian, he is not comfortable, not what suited .
Steve Vai has raided other microphones less extreme, the "The Breed" DP166 (bridge) and DP165 (neck). Less extreme, but it's not the MODELS "Jazz" ...
In conclusion, I think the Evo, over time, has a personality dsagrable. And it is not versatile. It sends the gain, but ... it is quite cold, not fabulous without clear effects in saturated it is doing its job, but it does not really me it is not enough "singing". And really too much treble.
An EMG 81 is much more frquentable my opinion (yes, the reputable micro coldness is a fire compared to Evo !!!). Or otherwise, in the passive b'en a Tone Zone.
A purchase knowingly so. Personally, I dtest.
The DP158 (bridge) (DP159 neck for version), "Evolution" for short, is a micro 4 cramique son.
Adopted by Steve Vai, more for his solos rput shredder for his passion for occarina and chamber music.
In lead, it dmnage: tradition at DiMarzio, microphones restitution Fidler, a sound spectrum adapted to the style, and low Submitted muscles, a micro aggressive. Gain enough lev harmonics out fairly easy. The sound is prcis, it is never muddy.
In rhythm, is something else. By clean, we pick up a screaming treble burning fat, not enjoyable at all short, less than the curb with a strong EQ and a bit of chorus.
In rhythmic saturated b'en is so so too: big rock, a happening, but we attacked the ds palm mute barbarian, he is not comfortable, not what suited .
Steve Vai has raided other microphones less extreme, the "The Breed" DP166 (bridge) and DP165 (neck). Less extreme, but it's not the MODELS "Jazz" ...
In conclusion, I think the Evo, over time, has a personality dsagrable. And it is not versatile. It sends the gain, but ... it is quite cold, not fabulous without clear effects in saturated it is doing its job, but it does not really me it is not enough "singing". And really too much treble.
An EMG 81 is much more frquentable my opinion (yes, the reputable micro coldness is a fire compared to Evo !!!). Or otherwise, in the passive b'en a Tone Zone.
A purchase knowingly so. Personally, I dtest.