All user reviews for the RODE NT2

I used to the voices and an acoustic guitar in a room with a very very bad sound (echo huge floating). No I have not even tube preamp or compressor (d in I had one yesterday but I m ​​not used). Despite all the micro ensures great and after a small TRERE with VST plugins, it gives very good.

OVERALL OPINION

I have the past year and I would do the same choices again and again and again and again and .... .

- What is so special that you like best?

J loves the fact that with my 2000 + dsp Hoontech the mic and cubase, I come to do what I want.
- The least?

No I have not found a weak point.
PS This is all my opinion and I am neither engineer nor pro.

Everything has been said ...
micro bright and clean with a slight bump acute.
good build quality, class and fun to watch.
with a good pop screen and possibly offset with respect to the singer is in excellent proximity of the vote (sensuality guaranteed) ... but not all (trying).
it is also sovereign over the head repeatedly battery or battery full stereo.
(I think Steve Gadd and Elvin Jones have a personal pair for that).
but a little less on acoustic guitars (according to my tastes), at least alone.

OVERALL OPINION

I use it for 5 years.
its price / quality ratio (of okaz) remains despite Chinese competitors.
it is very close to the TLM 103 for my taste ... but for the price of tlm you have two more nt2 an Oktava MK12 cardio!
precision in the treble can be an asset for home studio can get a little, to recover from the proximity effect and reduce the input gain (and not to over-dub ambient noise, which he is very sensitive).
a tube pre or a sweet joe meek him doing very well.
the suspension is ... and included in the price ...
I was right to make that choice ... because, although it is less fashionable now among some (sometimes plébiscitent junk !!!...), I confess: I love this microphone!
and yet, I have others ...

Previous DEFINITIONS-see

OVERALL OPINION

- I use it for two years in a home studio environment, to catch my voice, and decision-guitar.
With a tube-Pr on which I ran several lights.
Depending on the lights, it's going to so and so frankly quite, empty.
And I record with a 0404 base Emu.

- I got it for cheap the era: 150

- I have tried other micro before, but I can not really compare because these tests were not performed on my config 'today.

- APRS two years:
The capsule cash bad pop and breath, it is moisture sensitive trs and found several significant loss of gain after the catch proximity.
It is a micro fragile.
It pnible to wait twenty minutes before making a decision.
In short, I think he is no longer state of perfect market, the mutt.
-For recording scratch it is very well against by

- I do not see it as a dsagrable the cost.
otherwise
It is true that low privilgie mdiums.
Its use to beginners, I reworked systmatiquement its legalization, but a "no investment" allows me to avoid this manipulation ':
I attack the decision-voice m'excentrant lgrement and the four is rquilibre.

All my Premire DMOS have recorded with the t i, and Repass derrire ing is my catch, much more than the expression found its silent right same.
trs good.

Since it m'enquiquine often, I'll paste an average score ui l.
I believe in other home stduio microphones least chrs that sounded just as good or better as the studio project B1.
Shape with the same budget, I would do not the same choice.

It is a condenser microphone, I use it for vocals on my workplace, a neighborhood mostly studio turned to rap.

OVERALL OPINION

it's been a year since I listen to every day performance of this microphone, I find his hump in the upper medium rather unpleasant and sometimes unpleasant, overall it's not horrible, but it is far from great, as long as the preamp is of poor quality and it's the end of the beans ... I find it does not go to all voices, especially male voices acute, however it seems to take the shock strength level ... but anyway there is no miracle malmheureusement for high-end, it is filled in, but for models in the home studio that's enough!

So to the nice, you know
vocals and miking

OVERALL OPINION

I use it for 4 years

most, the look was nice, the price

the least is its "ugly bump medium"

it is telling me let go, after 15 mins of use the gain falls by 80 percent and the band written on the sequencer becomes flat, especially on the voice, yet not exposed to moisture or extreme heat .4 years is just a mic for a 400 euros, at the same time it served me well, after having a stagg OLS 5w, 150 euros, which was much better placed compared prix.en quality mic is basically what but it does not impress me, the day I got it, so I would do is not what choix.apres 4 years there was much less choice in the price of the seller and peddle it welcomes voulais.je Audiofanzine for information, test and critically successful, is that there are huge communication on this forum, it saved me buying a lot of stews later!! Congratulations guys!

I presented the neumenn eyeing 103tlm or AKG C414

Condenser microphone transformerless output.
Diameter of the capsule: One inch (25.4 mm) gold-plated finish.
Cardioid or omnidirectional.
Switch to low-frequency attenuation and attenuator-10db.
(Oddly on the same switch ... not practical)
Comes with suspension, windscreen and aluminum case. Very well finished and solid.

Microphone for vocal and acoustic instruments (plucked or struck in particular)

OVERALL OPINION

I use this mic for about two years coupled tube preamp ART.
I was attracted by its excellent value for money and comfort in reading journal articles on Anglo-Saxon the net.
It's a microphone that is relatively neutral with a pretty strong presence at the top of the spectrum although the response curve does not show it.
The signal to noise ratio is excellent ANSI that the sensitivity (station saturation stage preamp tables mix).
On the singing voices are clear, a little hollow in the lower midrange and a little whistling (for female voices) in the upper spectrum. A small correction in the lower midrange and a de-esser restore everything.
It is a very good mic for acoustic guitar making. The decision is clear and realistic string attacks ... What natural ...
I also use it in recovery charl battery or it excels in the rendering of harmonics.

In summary, this is a good mic for the studio, quite versatile and relatively neutral.
Some years ago I owned an Audio Technica AT-4033, the microphones are close enough in terms of sound reproduction.
A friend lent me now Neuman TLM 103 for vocals. This is the class!
The big sound immediately without any correction. A good size above the NT2 but also more than twice as expensive ...