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MGR/Anonymous
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Published on 11/25/03 at 15:00I heard so many people rant and rave about this unit that I had to try one. I got it on-line, paying the typical $399 price that is often advertised.
Lots of control over parameters.
I like a fairly hard rock sound but not as hard as Nu-Metal, so for me, I found most of the factory presets unusable unless you like sounding like old recordings. I have a new Les Paul Custom and was looking for a great sounding, "miked" Marshall sound. Most of the presets sounded "right in your face", like you were plugging a stomp box right into the recording console. I was able to go in and configure my own setups and come up with some pretty cool sounds but it took an eternity to get even close to the sound I was after. When it came time to record these customized sounds, I found that the cool sound that I got through the headset jack was not the same as what went to tape.
Seemed well constructed - metal instead of plastic which was nice.
There is a chance that I had a defective unit but in any case, even though it did have some cool features, I didn't think it was $400 worth of cool. I sent mine back for a refund. I guess there is a reason why recording studios still mike Les Pauls played through Marshalls. "Direct in" still has a long way to go.
This review was originally published on http://www.musicgearreview.com
Lots of control over parameters.
I like a fairly hard rock sound but not as hard as Nu-Metal, so for me, I found most of the factory presets unusable unless you like sounding like old recordings. I have a new Les Paul Custom and was looking for a great sounding, "miked" Marshall sound. Most of the presets sounded "right in your face", like you were plugging a stomp box right into the recording console. I was able to go in and configure my own setups and come up with some pretty cool sounds but it took an eternity to get even close to the sound I was after. When it came time to record these customized sounds, I found that the cool sound that I got through the headset jack was not the same as what went to tape.
Seemed well constructed - metal instead of plastic which was nice.
There is a chance that I had a defective unit but in any case, even though it did have some cool features, I didn't think it was $400 worth of cool. I sent mine back for a refund. I guess there is a reason why recording studios still mike Les Pauls played through Marshalls. "Direct in" still has a long way to go.
This review was originally published on http://www.musicgearreview.com