Talking to BT about his upcoming throwback album and hi… - BT Goes Back to the '80s
LearningThere are few musicians who are as skilled with technology and as articulate about it as BT. For his latest project, a band called All Hail The Silence, BT and Christian Burns produced an album as if…
In Search of the Perfect Wave - Sound synthesis, sound design and audio processing - Part 4
LearningIn the previous articles of this series, we explored sound at its core and discovered waves and what defines them. Today we'll look into the main waveforms that are usually adopted as the basic ingre…
Avoiding Feedback with an Acoustic Guitar - Tips for Playing Acoustic Guitar Live - Part 1
LearningCommonly used by electric guitar players, especially to liven things up, feedback is the worst enemy of acoustic musicians. In this series of articles we'll look into the solutions to play a relaxed …
Sound Synthesis, Sound Design and Audio Processing - Pa… - What's the Frequency?
LearningAs we saw in the previous article of this series, if a waveform is recurrent, it is called a periodic wave. From a theoretical point of view, for example, musical notes are all based on a periodic wa…
Wave's Anatomy - Sound Synthesis, Sound Design and Audio Processing - Part 2
LearningIn the previous article we saw that sound is made of waves. Like many things in life, they can be simple or complex. You can't find an absolutely "pure" sound in nature. The closest to that is the s…
Richard Devine on sound design, synths, software, studi… - A Sonic Guru Speaks
LearningYou may have heard Richard Devine’s distinctive electronic compositions, or seen his name on patch collections in various synths, but most likely when you hear his work it’s a system sound in a compu…
Improve Your Mix with A/B Referencing -Part 2 - What to Listen For When Comparing a Mix
LearningIn part 1 we looked at different ways to setup your gear for an A/B comparison. This time, we’ll offer some suggestions for specific aspects to focus on during your referencing session.
Mastering at Home - Part 22 - How to Use Volume in Mastering
LearningThis penultimate article in our series dedicated to mastering at home is surely the one you've all been waiting for. Indeed, today we will talk about a couple of tricks to get a really HUGE sound. Bu…
Tips on Recording Vocals for Musicians - Vocal Recording Clinic with Kris Crummett
LearningNo matter what musical style you're into, if you own studio gear, you probably record vocals at least some of the time. So when we had a chance to tap into the expertise of Kris Crummett — a prominen…
Scoring to Picture — Part 3 - Finding the Tempo and Writing the Music for a Commercial
LearningHere in the final part of this 3-part article, I’ll finish scoring the hypothetical commercial, working with variables like tempo, start time, and meter, while never losing sight of the original assi…
Mastering at Home - Part 21 - Best Audio Formats When Rendering a Mastered Track
LearningIn this antepenultimate installment, we'll discuss several points that you need to bear in mind to get an optimal final result, depending on how your music will be distributed.
Mastering at Home - Part 20 - Tips for Using the Oscilloscope When Mastering Music
LearningTo finish with the helping tools for mastering, in this installment we'll talk about the oscilloscope — very often underestimated by home studio owners — and a utilitarian plug-in, which, even if not…
Mastering at Home - Part 19 - Audio Norms in Mastering Music
LearningToday we'll talk about a delicate — but very useful — subject, namely the firewalls that can help you avoid being yet another victim of the loudness war.
Mastering at Home - Part 18 - Plugins to Help Analyze Levels When Mastering Music
LearningIn this installment we'll talk about plug-ins that allow you to visualize levels correctly — after all, whether you like it or not, mastering has become synonymous with volume, so it's a good idea to…
Scoring to Picture — Part 2 - Setting up your session for a scoring job
LearningHere in part 2, we’ll begin a hypothetical scoring job for a 15-second TV commercial. In this installment, we’ll look at how to set up the DAW session for it.