Dynacord TWEN II - "I call it the Prince...twen ;)"
Specifications Made in Germany in 1974. Tube amp with two 12AX7, two 6V6GT, and one EZ81. Original 12-inch speaker. Controls: volume, tone, tremolo intensity, tremolo speed. Pros Sound: War…
Hughes & Kettner Edition Tube 25th Anniversary - "Outstanding product "
Have used this amp for almost all my live shows.Durability,sounds great,punchy.My favorite amp I own. It’s the perfect work horse amp. Get a used one if you can. Hughes and Kettner have never made…
Fender Excelsior - "Standing the Test of Time."
Strange amp, straight out off the sales floor from a local music store, Excelsior sounds fine at lower volumes (< 1/2) with just about anything with an output jack. Bright switch, volume, tremolo; ef…
Marshall 4101 JCM900 Dual Reverb [1990-1999] - "Modern marshall sound combo"
Funk, rock, prog... HEAVY beast. You don t really want to carry it around too much. works great live. Clean is never really clean with those but a very nice bluesy crunch to start with. The ov…
Fender Blues DeVille 410 Reissue - "great tone and reverb"
I used to play funk and blues. Moving towards more jazzy and songwriting. It's a great amp for live even if it s a bit loud for small venues. It s a 4x10 so it takes space but it s not too hea…
Mad Professor Old School 21RT - "Old school sounds...Effectivelly"
This vintage sounding amp, fully handcrafted in England and conceptualized in Finland, has the following features: - Preamp tubes: 4 x ECC83/12AX7 - Poweramp tubes: 2 x 6V6 - Power: 21 Watts - Po…
Fender Vibrosonic Reverb - "Punchy Fender Vibrosonic Reverb"
I purchased this vintage Fender tube amp (circa 1972) in the mid-80s and enjoy it tremendously to this day. Over the years it has had the usual work done (replacing dried up capacitors, new tubes, e…
Marshall DSL401 - "Full Marshall Sound. "
I traded a Fender Bass Amp for this. The bass amp had a value of $400. Since I never played the bass, I believe I came out on top. This amp is awesome. And every one of my friends that hear it ca…
Peavey Classic 50/410 - "Very Nice Amp- Great Value"
First, the review posted by iamqman here is dead on, this amp has a beautiful warm clean with a mild EL84 overdrive on Channel 2. Very much targeted at country and mild rock applications (great tones…
Fender Vibro Champ "Blackface" [1964-1967] - "Versatile. Surprisingly loud when overdriven."
I got this amp in an equipment trade. Since it's a small amp, I expected to use it primarily for practice. It's about 14″ x 17″ x 7 1/2″. Six watts, eight inch speaker. Two inputs. Simple control…
Hiwatt SA-212 Custom 50 212 Combo - "Big amp and great sound for a huge enjoyment ! "
- What musical styles do you use this amp for? It's a clean sound machine, with very clear sounds till high power levels thanks to its legendary headroom. A perfect amp to play with a packed p…
Marshall DSL40C - "The best Marshall in a long time, a very versatile tone monster and a future classic"
I play mainly progressive rock and fusion however I also amuse myself with classic rock, blues and metal. This DSL40c came after a long string of amps, most of them good in their own right, that for …
Fender Deluxe "Tweed Narrow Panel" [1955-1960] - "Awesome!"
I used in in the studio. It was used on a track with my Artisan LP. It's perfect for all styles ranging from jazz to grunge. It's still a rather fragile amp (but it's also quite simple, so easy to…
Ampeg J-20 - "Why the hell didn't this amp turn into a best seller ?"
Why didn't this amp ever turn into a best seller ? First, I think the reason lays in this amp's history. No one ever associates Ampeg with guitar amps anymore. Still, in the golden age of rock'n'r…
Marshall JCM602 [1997-2000] - "It rocks"
It's a tube amplifier with two EL34 power tubes and four 12AX7 for the preamp section. Power is 60W, can rock really hard when pushed. 2 Celestion Heritage speakers which work very well with it, gre…