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Fryette Amplification Sig:X
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Fryette Amplification Sig:X
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darkju06 darkju06
Published on 05/24/08 at 11:24
5W amplifier transistor, can go without being transplanted bercy
non srieusement, 100W all-tube amp, switchable to 40W, but the diffrence between 100W and 40W longer changes the sound that the performance of the BTE.
out at 4, 8 or 16 Ohms with two possible outputs for 4 and 8 ohms.
an effects loop o There&#39;s everything you need: Hi / Lo, parallel / serial, Bypass in / out
a footswitch Lead / Rhythm / Clean / Boost / Effects

... between input and push it to the big jack

not possible to change modes by footswitch, no reverb (which I found shocking about the heads of now, for as to prevent going through a rack or pedalboard)

UTILIZATION

Well, There&#39;s the one concern is that when you come to have bte, ben parat a super complicated y &#39;switch around, understand the interaction of voicing .. . scared!
but the manual is very well done (you can see on the site of gillou www.audiotubetech.com ( http://www.audiotubetech.com ) ) so you have to do as a Newbie &#39;is to say test DIFFERENT rglages on offer and understand the logic of the beast!
trs now quickly get the sound I&#39;m looking for, so no worries!

I would say that the head is great think, that the manual is complete and sound enchants me!

SOUNDS

The part I wanted to share!

right before you start, I note that the guitar has a very special rle in the sound of this amp, it magnifies the sound of this one by providing the particular grain brand. I jou above with:
- My custom shop jackson (it&#39;s my view prfre, well I get the sound I like)
- A Fender Start RI62: the stratum is the glue that srement best this amp!
- A PRS single cut: gnial sound since the sound of the instrument is very well retransmit!
- A Les Paul Standard Plus: blah, I find that the sound is not set gibson advantage here, but since I do not like the sound too
- An ESP eclipse (for EMG) silent good test in metal, and a really big c&#39;tait his straight, but with the characters!

CLEAN
much better from what I heard on the previous ones MODELS brand, I would say even that I am fully satisfied!
round sound, slap, twang, sweet, crystalline, screaming, anything is possible. I would say one of the best clean the heads Hi-Gain I&#39;ve experienced!
what is apprciable for those who do play that clean is that you can have a DIFFERENT on each channel, as the capabilities of voicing / gain standards are!

CRUNCH
but what we love in VHT is the grain of distortion!
the Rhythm and Lead channels you can get fabulous crunch, my prfrs as:
- Rhythm channel on vintage fashion
- Brit mode on lead channel
So sounds ranging from blues and bold rock a super hot compress a lgrement rgal!

LEAD
you want to send the pure? you do a solo of the dcolle calbute? just make it clear to locals that you can make a noise?
Here are your channel prfr: Lead!
group I play metal, and I admit that this channel gives me shivers of pleasure, never had so much wanted to play since I&#39;ve got it!
Rhythm on the channel with boost, it may also sound metal, but they are closer to the head deliverance of the same brand!
The lead channel is close to rev my memories of the ultra lead! of ultra violent rhythm, solos and net prcis (each sound is magnificent but wrong notes ^ ^)
extreme versatility, but with a grain VHT!

OVERALL OPINION

Will make a good month, so I will post information supplmentaires later!
I love everything about this beast, nothing dplu me!
It makes you aware of all your mistakes more than a game such as mesa, and this pluttmchamment! impossible to tame, you must have a game just cleaner!
The sounds are trsmdium, and I love to! Some say that has not pass through the mix with another guitarist, and I found Ben, on the contrary, group means better instruments spars and we feel well Grain two guitarists, c &#39; is a real pleasure!
I try to twenty amp of this kind before making my choice, I have regrets but no remorse!
I can not stand the grain mesa so I lch trstt the case!
Marshall is not even comparable, and then they can have sounds like the old plexiglass with the Sig: X so ...
Engl: I do not have fond memories of tests with another forumeur oblivion so I live!
Laboga: is part of my regrets, but two channels with shared EQ ... has long been hsiter me!
Diezel: einstein gave me an eye, I almost cracked, but I get less modern sounds with the Sig: X, so my choice was the dernire!

Well there&#39;s not get it the same with a Soldano or Bogner SLO100, but the budget is not the same!

The report is a trick qualitprix berserk! VHT has become super COMPTITE without losing quality in the choice I would do without hsiter

I made a small video of the amp:


then the first one I wanted to give aperut dynamics in the bass, the sound silent in the lower right trs mdiums (a microphone in the cab and closed wind to capture what I was looking for, then take a smaller volume (on ur left) with sm directed on the join between HP and its "base")
for deuxime I recorded a solo track Premire + intro riff to the dlimitation in between "round" the center of the HP and the "CNE" the mic is slightly moves away ( ~ 20cm of the membrane) which gives a little more breadth to the sound. Then I recorded a new track over in "karaoke" mrgreen

for 3) a membrane micro parallle membrane hp east face of "waves" of HP, a black metal sounds trs

I get clean for not finding the right position but will come
the end of the silent and my girlfriend made me a blank for j&#39;arrte to play so I put the track record Premire facepalm

ps: DSOL for terms not technical mrgreen