All user reviews for the Orange Tiny Terror

See previous ones opinion.

all-tube amp

rglages nonexistent (three knobs).
2 output 8ohms and 16 ohms.

The 10/10 is justification for the price, the quality of sound, ct practice (because I think that even when t Designed for a, and not for its versatility and large ...)

UTILIZATION

Setup could not be more simple, clear c, 3 knobs, one between jack, output and hp hop ...

could be called a plug and play what ...

a manual? learn to turn a knob can be ...

SOUNDS

I buy this amp for anything other than mtal ... rubbing shoulders too hi gain amp, I needed something not trs onreux and low power that can help but get the distortion and play back Decapitated ...

It works!

I never rock amp ... and well, I conquered ... plugging in, I want to send the slope and the large rock Rhythmic Smoke on the Water!

trs's bold, clear, pretty bad (like p sounds are clear ... the guitars Scheer has bor ***), overdrive and fabulous ...

I play it with a emg in exca vigier 81/sa/89. with 81, disto trs big rock. the mute dgueule handsomely, I love. with her, and knobs noon blues sound worthy of an orgasm. with 89, I put the tonal background, and I get clear sound less rotten than the other two, with the gain background, ca motivated to do my lines

I put 9 of Manir not do the full fan ... and especially the lack of reverb / Galiza.

but hey, like everyone else has said dj, c not what is asked ...

OVERALL OPINION

I do not use it long enough to say what I like more or less. for me, c a super buy for lazy guitarists, who have the ass to type in the port of 50 kg a head 100w lamps used in an apartment or anything in mates for small herds with pals ...
Especially good as you can go from blues to heavy sound while having respectable ...

résumé in a small white shit 5kg, which is now 350 in OCCAZ that the size of a pack of beer and a volume more than enough to play again, and not losing any quality of his apartment, given as the function switch 7w/15w.

Buy.

Dice

Amp lamp 7 or 15 watts
A speaker input and three outputs (8.8 and 16 ohms) and basta!
Volume, Tone, Gain and let's Rock (we do not forget the roll)
I put 7 because:
-2 Because no headphone
-1 Because no Line Out
-1 Barrier that no effects loop
-2 Because a single channel
3 amp because it is a "let's rock!" I bought it and knowingly ...
(390 OCCAZ to like new 1 month ago)

UTILIZATION

Config very simple so I use it for now in my home studio (which I use sometimes also room)
This gives a pure direct sound (actually not, if the cabinet is new it must be run in a little j'tais dboussol to beginners with the PPC112 silent because the sound hard but after a few hours use the hp softens and becomes pure pleasure!)
I had no manual, but why bother?
Comes with a carrying case my faith very nice.

8 / 10 (jpeux use the Journe: no headphone jack)

SOUNDS

Sound level, this is my first amp so I lamps rferences not too much to compare but what I can tell you is that it sends wood!
I plug in my Squier Telecaster Obey (with hambucker and a single Duncan Designed) and I had a dj fucking hard rock distortion. What sound, heat lamps, is a rgal play. Do not rely on its low power, acoustic pressure in the end it DGIG is important (even become damaged ears) of sudden I'm playing with a volume close to 0.
And unlike what I've read, like what an amp that c'tait n'tait not for clean sounds, I'm not all agree, we can play very well with clean in apart, although the risk can be cruncher if we play with Moon, or Bonahm Grohl: D
It's true that the field is the prdilction Overd vintage. Targets as many as you say he excels.
In my opinion, mtalleux go your way ...

OVERALL OPINION

It's been long enough that I have to complte a review. But what I know is that it's good amp magnifies the sound properly. It's muy bonito!
The Tiny Terror is aptly named, a beast that roars, but a bb that can tame compared to animals scnes Messa, Marshall, etc..
So basically, what I love most, the sound, the mouth, and the least poverty of the most connections (srieux what a headphone jack!) But that's what makes him an amp single strong personality ...

9 / 10

Let's say 0 for those who want all of the versatile style and 10 for the one who has good stuff around (good speaker and good guitar and guitarist square) and loves rock.

UTILIZATION

It's simple. I connected the TT on my 2x12 cabinet mesaboogie correct and my gibson sg standard micro emg 81 and 90. I set the tone gain at noon on three quarts. 2 minutes after I started heating up a volume ... and I hallucinated. of the first chords I had goose bumps and a smile that never left me throughout the repeats. I played with the volume at 10 h and it was perfect with the group. pierces the sound in the mix is ​​great. and those who say that it's just 15 watts are big nag. the interest of this amp is pushed to be able to. and therefore it becomes more expressive because the lights do their job. I saw when I started guitar and I thought I was Angus Young and many of the sound I was 70 years old ... What the true rock (with still a larger gain when pushed). the thing is that the gain is very fat cruncher but many acute and super precise, the grain is really unusual and enjoyable. as one of the previous opinion, we rediscover what the rock: a guitar and a baflle playing with the volume knob .. BEYOND scratching the shit for MIDI and multi-channel. For my part with the three-quarter gain: about 81 coupled with the emg I put half the volume and background for the chorus and solo (there is a scratch in my group). for the part I put in clear EMG 90 has 1 or 2 depending on the desired clarity. Be careful though ca crunch a bit but that's what great because it must manage the touch of a mediator and it has its roots which is terrible. blues solos for EMG 90 has 3 or 4 and it is hell. not need reverb. a former I tell you!

SOUNDS

For rock, blues, crunch, which Funck. the metal is possible with a boost but it would be more fish than to do with tt.

OVERALL OPINION

I use it for one day! but what a day! I precise that there are two versionsdu tt. former Korean made new in China, because before buying I asked the question whether the first was better or not. bein I know. I have new sounds and the fire of God anyway!
ps: this kind of small gille bread on a mesa 2x12 and more class too.

Made in China, bought in December 2007.
15 W Class A / B or Class 7W
The choice of its clear that saturates quickly when the mediator gets angry or strong distortion
no reverb or separate settings bass, mid, treble.
I almost want him to score 10 for the body, uncompromising minimalism that is very refreshing in the whole jumble of computerized guitar world today.
But we judge the characteristics ...

UTILIZATION

Simpler you die.
This gives a good sound if you have the right firm.

SOUNDS

It is not a totally my style, just because I do not have a style, instead of this amp.

Add distortion pedals have great interest as it saturates very well alone.
But he accepts a distortion pedal, even if the difference is not huge when you have already pushed back the gain.

However, my reverb pedal been very psychedelic when the volume is below 10, which is almost forced when you push the overdrive.
Configurations very common in apartments.

I bought the Orange 1X12 cabinet that is "designed" for it is a simple box with a Celestion G12-30 vintage inside that I would replace a well ElectroVoice.

Because the firm orange ppc112 problem. I tested the amp on a different HP and it is 100 times better. The all orange is to be avoided, at least to my ears. The reason is that the amp privileged certain frequencies, especially in medium and firm hold on these frequencies is and enough is enough, or the sound of "pot".
The pc112 to look nice, I just vaix him change the wafer against a good old ElectroVoice.

OVERALL OPINION

Excellent, but provided you do not use it with the firm orange

Ben is a simple c c is a 15W class A lamps with just three buttons on it ...

UTILIZATION

A config can not be simple. 3 knobs, one volume, one tone and a gain. No need for manual use c s is so simple!
To get a good sound, plug a guitar and c is!

SOUNDS

Fairly typical rock sound, while pushing the gain into a corner gives the sound a "limit" of metal. Simple j have rarely taken such a drubbing at an amp! I rgisseur for studios Repeat 'in the same room and we put a ball engl power and the famous Tiny terror in front ... On paper, the Engl should eat the Orange, error! The Orange has a prsence standard and covers the Engl! Engl well on the metal pushes the record with much more ease, however the Orange possde prsence a standard in terms of frequencies and greatly needed!
It is simply amazing, certainly sound incredible but is not clear rponds expectations of a tube amp in good order. When the crunch Dfine, you fall in the rve! Prcis sound, round, warm and answer each shot mdiator! It likes to play with low light shots "gratouilloux" and insists that ds is dropped on a hot saturated and simply captivating! Each riff become a rve!
And if you want to play a little one pushes the gain 3 / 4 and then we get a rock sound worthy of the greatest!

OVERALL OPINION

Test this one hour APRS twelve o'clock I fell in love! Dfiant a price all competition, Reduces weight, small footprint and a cherry on gteau adapter that came with a bag! Once this little amp branch tape on the wall! With three-button you get a range of sounds more than wide and intoxicating! I play on TriAxis Mesa / Mesa 50-50 normally, but I started having doubts about my config, c has to say! The only downside for me is the lack of channel clean / overdrive ... How we do when we alternate Clair / Satu? Good for the price you can buy 2 hh It will remain cheaper than a Mesa head even when at least as much fun!
In short do not hesitate, go try it at least!

Any lamp
7/15W declared ... yes ... May ...
1 in
3 out 2x8om 1x16om
1 tone, 1 gain, 1 volume

if we can give advice to Orange .... middle, trebble, bass! with that would be perfect!

UTILIZATION

The sound is attractive, it has a phenomenal presence considering the 15w said, with a 4X12 it passes easily to the battery.
Frankly we have here really do not need a manual.
Do not think to go unnoticed by your neighbor, even 7w he screams, even with a simple 1X12!

SOUNDS

The sound suits many styles of music except jazz and metal as hardcore.
He can not do everything, May excels in his field: rock, blues, funk, hard rock, all with an aftertaste "vintage".
to my taste it is best paired the "little terror" with a mesa boogie.
Orange PPC112 cabinet 1x12 "60 Watt Cabinet is, in my opinion, really mediocre compared to the great possibility of tiny terror!
There is no precision and versatility of a Mesa Express is another level ... May the price as the ratio q / P's tiny terror in my opinion is almost unbeatable all-tube, sound quality, great personality (in a small box!), endurance, versatility, portable, gadget included (the cover is super).

OVERALL OPINION

I depui 2 months
I love the sound and the ability to push a bottom lo!
settings can too ... really a "minimalist"
related q / p it ia almost no better, although it sure can buy equipment that produces much better sound, May ... definitely not for 500 euros! lamp at all!
well sure it does! I certainly take lo.

All Tube Amp 7/15Watts
A volume control, a tone and a very nice gain ... plus that little head ...
one channel ....

UTILIZATION

Configuration very simple ... we get good sound from the start and you can not get lost in the settings ...

SOUNDS

I usually play on Mesa Boogie Single Rectifier head ... I wanted an all-tube use at home with a pretty rocker ... its connected to a Gibson Les Paul classic the result is very satisfactory given the relatively low price .. .
I wait to try it again to push down ...

I just test the Tiny in rehearsal and it is usable as the power is plugged into my appointment .... mesa 2x12 cabinet, I thought reaching the limits of the head termre of sound volume, and not ... I repeated in 15 W with the volume to 13H and gain in depth and it went ...

OVERALL OPINION

Since one week ...
The pros: the sounds, the price (Orange lamp at all anyway ...)
The -: the "necessity" to acquire and boost equalizer and more to exploit all the possibilities ...

price / quality ratio very good in my opinion, most versatile head .. it looks a choice I would do without hesitation ...

Amp head (yes, despite the size of this beast, it is an amp head that is) a class A lamps, 2x 12AX7 and 2x 15W max power is el84.la because it can also switch in 7W.La connection is reduced to a minimum, a jack input, 2 outputs and 1 of 8 ohms 16.Trois knobs, volume, tone, gain, see how the level itself is reduced to the minimum.Les built-in effects? a beautiful sound for the guitar created by a single channel.

UTILIZATION

The configuration is as I say ultra simple, reduced to bare essentials, they light, it connects and it sounds, with three knobs to its credit, it is difficult to know to ring gear. This gives a good crunch sound, and excellent distortion without any worries, the tone knob sounds in all positions very very muffled screaming is magique.le manual? not do any type calling Manuel explained how to use it, seriously, my neighbor's dog in person can make it work

SOUNDS

So his level, there is a choice between the distortion and distortion, place your bets plus.Je nothing will have first heard ringing to repeat a group of death or grateu played simultaneously on the orange and a mesa recto, so I say "yeah it must be because he also has the mesa that has a good sound," so I was trying it on Paris, so I arrive in the mag and the vendor branch on my 4x12 of the same brand, and then name the enc ****, ***, I'm caught on the chin at close range, and for those who fear shall have it is a fair bit for metal, well j'peu tell you that with my guitar equipped with EMG gain is sufficient, well ok I like old skool distos of its kind, and so all kill'em but at least it sounds and it changes all the modern distos smooth and personality that can be heard these days, in short the slap, it sends a like 60w lamps doped with hormones enragé.Je bulls used uniquememnt in distortion because it is only by the merest chance it is only intended for that, and that is happiness, for those who would like to acquire for a clear sound lights, forget I l 'I lent to a guy in there together to pedal his arm, he's a bit miserable.

OVERALL OPINION

I use it for about a month and I am fully satisfied, I'm the trash-metal with happiness and that is that it sounds especially in concert may direct that a speaker is correct, which is almost my If I have a marshall 4x12 customized home.
I have owned the mesa / boogie, marshall heads, randall one, a brunette, and I was sawed by the sound of this beast, against those who search for versatility, MIDI implementation, effects loop, go your way . Value / price / portability unmatched for me, I said goodbye to my sciatica, "thank you orange." I would do this choice, and rather than two times, I'm sure all the metal bands used tiny terror hidden behind the big walls of sound on scène.Je puts his 9 / 10 because nothing is perfect in this world for me even if the head is

I do not return on the characteristics of this cute little terror, everyone knows them knows!

UTILIZATION

Use could not be more simple, three knobs which are very sensitive, any additional step is directly audible in the game can be found immediately the sound we want, it's very effective.

SOUNDS

I have the gear for one week (thank you Blutch the way) and I have a little fun with, for cons I have not yet matched the cabinet, for now I use it with one of my JTM 30. Two days ago I took the "terror" in my local music store and I tested several configurations: marshall 1960 4X12, 2X12 Randall, Laney 2X12, with a Les Paul guitar and then as an SRV Stratocaster ... ...
What about this little metal cube has the boot! And it sounds to hell with the Les Paul is pure 70's rock, it's crunchy as desired, the receiver responds immediately to attack the pick, either with the three speakers. I turn Angus, Page etc. .... Start with as it sounds great, I played the riff to Smoke on the Water, it is believed. That happiness, I found it difficult to stop, they fired me .... it was closing time lol.

OVERALL OPINION

I do not regret my purchase, it is true that nine is a bit expensive, but for a head OCCAZ worth it. I wanted another tube amp with a different sound from JTM, I served and happy.

- All Tube Amp, 15 / 7 watts, two 12AX7 preamp and 2 EL84 in power.
- Input jack, a mono output and two stereo outputs 16Ohms 8ohms and ... that's all.
- Volume knob, Tone, Gain and ... that's all.

Plug'n'play!

UTILIZATION

As for the simplicity of the config ', and the need of the manual, the number of knobs speaks for itself - I believe it.

I put 10, because you branches, you heat it, it sounds.

SOUNDS

So here's the interesting part.

Yes, yes, yes, a hundred times yes, the TT suits my style of music. I play rock / metal songs as, with my band, and it fits perfectly.

My config, in order: Lag Roxanne RM 200, Boss GE-7, Rocktron Silver Dragon, Cry Baby 535Q, the TT and his cabinet PCC112.

If I mailed the notice is to fight against prejudice. No, the TT is not, if you will, designed to produce crystal clear sound at a level sufficient to sound to the Stade de France, but in repeats and on stage (tested this weekend at the Nouveau Casino) it passes. For sure, I did not like sound of a Fender, but I have not purchased it. In my microphone splitter (passive), with the gain at noon, I have a clear sound on the verge of rupture, dynamic, warm and plump, very pleasant.

And when j'enclenche the disto ... Mazette. My distortion pedal revives, revived my guitar is extra. It's hot, greasy but always precise harmonics out with ease ... I finally feel that the knobs on my guitar being used for something else all the time fully.

OVERALL OPINION

I use it for almost a month, and live again. For the apartment 'is too strong.

It is clear that if you are looking for a Fender clean sound, buy a Fender. The TT is not there for that. on the other hand, for (almost) everything else ... With the equation alone, and pushed into a corner, the beast would almost for the old-school metal. Besides, I do not blame the head or his simplistic equation single channel: it's like a Ferrara blame to go fast, there's a paradox.

I said that this is my first all-tube, and notice is affected. This is the first time that I get as much as a group, that I finally have a place in the mix is ​​extra.

I had it all (head + cabinet) for 700 € at my local dealer, cheaper than Thomann. Yeah, it's worth serious instantly. And for the skeptics, 15 watt all-tube, that's enough, even with a nag behind the drums. I rarely exceed noon volume (always with maximum gain noon), and it is impeccable. "

So of course I do it again this election!

For specifications see the other view.
This head is minimalist and yet well worth the money.
The size of a brick, and the weight of two ...
Product quality is obvious immediatly and finish is perfect.
There are very few on the market of low power heads like this.
See the two-channel 30W, Orange, or 2061 in Marshall, but it is two to three times the price of TT.Il is also the little Epiphone Valve Junior, 5 watts, but it's still a bit light for concerts.
-2 For the lack of reverb and loop.

UTILIZATION

Manuel extremely simple ...? What manual?
The sound? Fantastic.

SOUNDS

From funk to rock ACDC is absolutely perfect .. To the sounds and Fender typed crystalline metal, place your chemin.C 'is the sound of the seventies british as in grain rève.Un beautiful whatever the settings between the Rough Marshall and Vox creamy.
A bit of time, volume up, gain 4, micro simple, clear sound was very susceptible to attack, play, guitar, always ready to crunch small, and very easy to control the volume of guitare.En gain amount, you will discover fabulous blues sounds and rock sounds to fall on micro double.
The big advantage of (relatively) low power is that you can push the beast, and that the tube amps adorent.Je do not know if you tried with just a good 50 watts, it is impossible without permanently destroying the ears or fall out with his friends musicians ....
All at a level more than enough to repeat and concerts clubs.Je puissance.Evidemment have never failed in its clear the reserve is not huge, but the advertised 15 watts are p. ... .. watts.
I said that the beast is plugged into an Orange PPC 212 equipped with Celestion V30.Je plays Fender Telecaster and Gibson Nighthawk Baja.
One downside: The TT does not like pedals disto.J 've tried many, with more or less the same result: it crushes the sound and you do not win neither gain nor in grain.Par against a slight delay, a boost, an equalizer, it passes.

OVERALL OPINION

I got tired of spending my time playing the tap on my pedal-board to switch channels, activate the effect, the boost, the higher the wah-wah over the rest, rather than to concentrate on the game Fed up with the technology that takes the lead.
I just rediscovered the joy of playing the guitar live without stress.On branch, we play it sounds, it takes the guts, we rediscover your guitar, play with the volume knob, we stop more .. . And that is priceless.
In short, five kilos of happiness.
Expensive per kilo, of course, but frankly it's worth.
I discovered the brand .. And it's a p. ..... good surprise.

Check it out: https://www.judge-fredd.fr/spip.php?article437
And this: http://reviews.harmony-central.com/reviews/Guitar+Amp/product/Orange/Tiny+Terror/10/1

Enough said. An effects loop would have filled. It is also DSOL to see that the future is also Dual Terror dpourvu, while the Bass Terror reoit in a ...

UTILIZATION

Trs simple.

SOUNDS

In sound, it was generally three phases:
With the low-gain a clear enough way, no compress lacking bass. It is usable in the studio, but as a group have to forget, or while armed with a drummer. This is not the strong point of the amp, many others do better in this area.
-With the gain in average, we get to crunch trs beautiful, especially high volume. Great sound that justifies the purchase of the amp. A rgal, even if here too, a little more bass would not have all night. Group assisted with a guitar is excellent, has pierced the mix, but in-bass-drums trio, the sound seems too Triqui enough pais.
With high-gain, the field of fuzz. It's not my cup of tea. I prfre mid gain, with an overdrive in front.
The legalization is quite effective, although it has seen better.
This is an amp that can please or characters dplaire.
Is the advisor for rock, hard rock 80. For the blues, I prfre a Fender or a Vox.

OVERALL OPINION

I use it for a year. It has its strengths (the crunch, the simplicity and weaknesses (no loop, a lack of bass) but I have not found better to use that I have: that of an amp travel. For quick rptitions o we will not leave the Big Bertha, it's very practical. With less than seven pounds and his bag, it is excellent. It is small, lightweight and sounds. I regret that few brands embark on crneau. Too often the choice between small amps, but unable to face a battery (Epi Valve Junior, Fender Champion 600, etc.). or hardware powerful enough, but too bulky dj (2061x Marshall, Laney Lionheart ...) Note that Vox Orange shamelessly copy the Night Train, but has not had the good idea e to put an effects loop that would have to catch up with their three-year delay. I look forward to the release of the Dual Terror, with the channel can be "fat" is a little rcuprera low, but I'm afraid of losing lgret and the compactness. Otherwise, trs solid, the price seems decent.

Small head amp 7 / 15 W lamp
3 knobs: Volume, Tone, Gain
Between one and three outputs (2x 8 ohms and 16 ohms)
No effect.

I precise that its price is high but I am honored DV247 shooting with 500 euros for the head and cab. APRS is good on my poiraut 2 weeks .. but hey there are worse right?

UTILIZATION

Fidler philosophy of the brand: the least possible rglages and that's good!
You turn a knob and just change the sound, this amp is hyper reactive!

The user manual? Do not know ...

SOUNDS

So the Tiny Terror .... a nice story ...

A small head, the garons say it is practical and girls say it is troooOO mignooOOOne!

Certainly, but above all the TT is the sound british THE vintage sound.
You get a clean sound excellent, round trs, trs prcis, ideal for old funk of Stevie Wonder.
There's also the crunch, ideal for playing the Stones, SRV and the blues! Place the Gain noon is one feels transported in a bad light bar new york, poss the ashtrays on the corners of amps and drums that grows in guitars! Fantastic!

Finally, we attack the strong point of the amplifier: the rock! While the list is long, it is immediately the Who, Deep Purple, AC / DC (at least the first album) Led Zep, and even a touch of old Black Sabbath metal genre!

I use a Start with Us pickup equipped with a history of pushing the edgy distortion. Occasionally I use a Wah JH-1.

For the cab I took the PPC 112 to complete the Orange's all the way!

OVERALL OPINION

APRS qute a sound long, treacherous I finally found nirvana ... let me explain.

I have long thought it was a great guitar while the amp was secondary ... ERROR! It is a set! So I dropped my old (but Fidler) Marshall, and my Roland (Beurk. ..) to find the rare pearl.

APRs have test many combos, heads, everything you want lamp I found this little head ... What a slap!

As could have said soberly Keith Richard:''Yep, this amp is cool.''And he would have had reason, you want to return in the 70's? Do not hesitate ^ ^

What kind of amplification (lamp, transistor ,...)?

Amp lamps all if I souviend well as two 12AX7 and two 6L6 pramp power

What is the power dlivre?

7 or 15 watts in splitable facade

What connection?

Between a jack, 8 ohm outputs 2 and 1 of 16

What rglages the effects? ...

Volume Tone and gain it all worse. . . An effects loop would be good but the sound does this ratrappe bte ^ ELSEWHERE

UTILIZATION

The configuration is it simple?

Hum a bb would be used

Do you get a good sound easy?

Yes in 5 seconds done at the same time there's no way 36 000 as a mesa ^ ^

The manual is clear and sufficient? ...

A good manual??

SOUNDS

Is it your style of music?

Conviend It has nearly any style if you know what to say, let me explain, this amp has Ragit normment your game and the expressiveness is not the slightest error forgiveness sustain trs is good provided you have good stuff upstream

With what (s) guitar (s) / low (s) or effect (s) do you play?

I only use a musicman LUKE 2 ultra versatile and ca send STRID on this amp sounds in all, I boost the amp with a custom audio electronic colaboration between Bob Bradshaw and mxr is in the spirit of the amp, nothing else Baaa there's no need more. the head is plugged into a marshall cab 2x12 celestion vintage 30 back open

What kind of sound you get and with what rglages ("crystalline", "bold ",....)?

it will clean the trs is suitable, good AC is not a fender or a Bogner Shiva ca hontemment but good condition does have a good guitar before.
Baaa for the crunch is the area of ​​TT you like the British rock of the 70s now that's great fan of arctic monkeys the libertines the kooks go there if you like it nikel acdc Led Zeppelin company and is also perfect
For big sound when the AC is yes but even when a boost for the lead honntement ca the fact is not easily hit a lil bit of steve vai if the amp is good is boost ITS no sound but it goes and it's expressive trs

What are the sounds you prfrez, you dtest?

All sounds

OVERALL OPINION

How long have you use it?

2 weeks, if you're tired of lugging your rack every time the head mesa 4x12 cab on the power supply is all the rest go for the head you will see your game will not qu'amlior.
AAAA and power hummmmm broadly covers the head and a batteru soyont honnte anyway, just the sound of dub cab when you're in a room, but otherwise not need more power, d Moreover lamps they like to be the pousss so it's really the Bonnheure

What is the particular feature you like best and least?

Most
- Plugging Heat play ^ ^
- Push the lamp is ca gnial
- The versatility of the amp thunder

The -

- No effects loops, and I find it. . ..

Have you tried many other models before acqurir?

mmmmm Laney VOX AC15 in this range of amps, the TT is king and no problem can overshadow easily has some 1500 euro amp hum the same country I've said Marsh. . . . ^ ^

How do you report qualitprix?

Excellent guitar bought 400 euros a home studio in Lille frankly nothing to say to this amp is limited donnbr />
Exprience with, you will do again this choice? ...

No problem just to have a deuxime and AB box to switch from clean to saturated without playing with the guitar knob

What kind of amplification (lamp, transistor ,...)?

All-tube amplifier, two 12AX7 and two EL84 in prampli for the Tagus power.

What is the power dlivre?

15 watts RMS switchable to 7 watts, all in Class A.

What connection?

One input on the front and 3 speaker output jack guitar format in front rear (two 8-ohm and 16-ohms).

What rglages the effects? ...

A master volume, one tone knob and a knob for gain.



UTILIZATION

The configuration is it simple?

Could not be more simple. Plug in, turn on, tune in and you're ready to go.

Do you get a good sound easy?

Just rgler the tone and the gain according to the desires.

The manual is clear and sufficient? ...

I have no manual or guide reu with the amplifier and even if a is not really it would ncessaire INTERESTED t from Orange to give us more pr Decisions on bte.



SOUNDS

Is it your style of music?

I play mostly rock that is progressive, alternative or more conventional times. I must say that I am not seeking the versatility but also a sound that I like and the grain of the Tiny Terror sduit me. It offers a beautiful play area while having a good personality quenching. I have never seen in difficulty since I have acquired.

With what (s) guitar (s) / low (s) or effect (s) do you play?

I play an Ibanez RG 2570 Z Whereas I like a guitar trs good quality and more versatile than it seems. I did use a multi-disciplinary and do not like Whereas a machine to gain forge metal. Even if it is true that the output level of DiMarzio is awesome, she knows how to rev subtle and groovy when I asked. We feel the cot while the guitar except for the ease with which it changes and you register as a stratum below would.

Here's CHARACTERISTICS: (for more information, visit the official website of Ibanez)

<table border="0" width="400">

<tbody>

<tr>

<td> neck type </td>

<td> 5pc Wizard Maple / Walnut neck </td>

</tr>

<tr>

<td> body </td>

<td> Basswood body </td>

</tr>

<tr>

<td> freight </td>

<td> Jumbo frets </td>

</tr>

<tr>

<td> bridge </td>

<td> Edge-Zero bridge w/ZPS3 </td>

</tr>

<tr>

<td> neck could </td>

<td> DiMarzio IBZ-N (H) neck could </td>

</tr>

<tr>

<td> middle could </td>

<td> DiMarzio IBZ-S (S) mid could </td>

</tr>

<tr>

<td> bridge could </td>

<td> DiMarzio IBZ-B (H) bridge could </td>

</tr>

<tr>

<td> hardware color </td>

<td> Cosmo Black </td>

</tr>

</tbody>

</table>
I connect the head a 1x12 cabinet partially open the rear and a quip Seventy80 Celestion 50 watt (8 ohms).

Cot effect I use:
A BOSS TU-2 (Chromatic Tuner), Bad Horsie Morley VAI a 1 (Wah), a Digitech Whammy WH-4, a Boss PH-2 (Phaser), a Boss DD-3 (Digital Delay) and a Boss GE- 7 (7 Band Graphic Equalizer).

What kind of sound you get and with what rglages ("crystalline", "bold ",....)?

With the tone below the half of the race:
The clean is warm, round and only itself. Ds that turns the gain over 4 and up 5-6, began to saturate. This gives a crunch vintage trs very dynamic and enjoyable trs. If you push the gain further you end up with a nice distortion, singing clear and trs. The grain is rsolument british reserve of gain and allows aggressive riffs.

With the tone at the top half of the race:
The clean is warm but law and prcis. It provides a nice twang but fast enough crunch with double coils. Ds you push a little gain, crunch takes on a vintage trs with clarity and dynamics Defines difficult. Going further we find ourselves with a sound prcis trs, incisive and rsolument lead. Harmonics and steal riffs are sharp trs.

What are the sounds you prfrez, you dtest?

I love the british grain that makes one nostalgic with single coil and gain 4 or 5 but also very modern s&#39;avre when we send the sauce around 7 or 8 with a humbucker: A real DLIC . The clean is nice for a setup like this, I find many Intgr the rest. He is not to look pretty. The only catch is the TOC a bit messy when saturated sound effects added such as a phaser or flange. It is the only problem the lack of li effects loop but the sound remains completely usable and enjoyable.



OVERALL OPINION

How long have you use it?

Two weeks ago I have been a dj and I RPET and a live (non-transplanted. I play it quite often because I apprcie much compared to the Randall RG 50 TC I had before and I do not regret at all. The power of the Tiny Terror must not be under estimated, 15 watt all-tube: It dmnage!

What is the particular feature you like best and least?

I like the fact that it dpouill without being simplistic. You can easily spend a crunch with the gain 4 or 5 a Clean lowering the volume a little bit of scratching or distortion muscle with a boost of 10 15 db.

What I regret most is the abscence of effects loop and manufacturing Coren. Damage to an amplifier as convincing.

Have you tried many other models before acqurir?

I tried a Hiwatt Hi-Gain 50 has rvel be what I want but too expensive for now, a Marshall JVM 205 H in color tone did not please me at all and a Randall RG 50 TC I possde. I tried other amps in my life but this guitar are the main I tried during the two months since the purchase of prcd Tiny Terror.

How do you report qualitprix?

I bought nine dan 470 a music store in my region (Charleroi, Belgium) which I find to be a good price for a head of the invoice.

Exprience with, you will do again this choice? ...

I think the Tiny Terror is an amplifier that has gnial to make a little way with a head of quality without breaking the bank. Ultimately, a head provided better and higher fly should come to replace it in RPET and / or live sre but one thing is: he will not blush.