All user reviews for the Orange Tiny Terror

For specifications see the other view.
This head is minimalist and yet well worth the money.
The size of a brick, and the weight of two ...
Product quality is obvious immediatly and finish is perfect.
There are very few on the market of low power heads like this.
See the two-channel 30W, Orange, or 2061 in Marshall, but it is two to three times the price of TT.Il is also the little Epiphone Valve Junior, 5 watts, but it's still a bit light for concerts.
-2 For the lack of reverb and loop.

UTILIZATION

Manuel extremely simple ...? What manual?
The sound? Fantastic.

SOUNDS

From funk to rock ACDC is absolutely perfect .. To the sounds and Fender typed crystalline metal, place your chemin.C 'is the sound of the seventies british as in grain rève.Un beautiful whatever the settings between the Rough Marshall and Vox creamy.
A bit of time, volume up, gain 4, micro simple, clear sound was very susceptible to attack, play, guitar, always ready to crunch small, and very easy to control the volume of guitare.En gain amount, you will discover fabulous blues sounds and rock sounds to fall on micro double.
The big advantage of (relatively) low power is that you can push the beast, and that the tube amps adorent.Je do not know if you tried with just a good 50 watts, it is impossible without permanently destroying the ears or fall out with his friends musicians ....
All at a level more than enough to repeat and concerts clubs.Je puissance.Evidemment have never failed in its clear the reserve is not huge, but the advertised 15 watts are p. ... .. watts.
I said that the beast is plugged into an Orange PPC 212 equipped with Celestion V30.Je plays Fender Telecaster and Gibson Nighthawk Baja.
One downside: The TT does not like pedals disto.J 've tried many, with more or less the same result: it crushes the sound and you do not win neither gain nor in grain.Par against a slight delay, a boost, an equalizer, it passes.

OVERALL OPINION

I got tired of spending my time playing the tap on my pedal-board to switch channels, activate the effect, the boost, the higher the wah-wah over the rest, rather than to concentrate on the game Fed up with the technology that takes the lead.
I just rediscovered the joy of playing the guitar live without stress.On branch, we play it sounds, it takes the guts, we rediscover your guitar, play with the volume knob, we stop more .. . And that is priceless.
In short, five kilos of happiness.
Expensive per kilo, of course, but frankly it's worth.
I discovered the brand .. And it's a p. ..... good surprise.

Check it out: https://www.judge-fredd.fr/spip.php?article437
And this: http://reviews.harmony-central.com/reviews/Guitar+Amp/product/Orange/Tiny+Terror/10/1

Enough said. An effects loop would have filled. It is also DSOL to see that the future is also Dual Terror dpourvu, while the Bass Terror reoit in a ...

UTILIZATION

Trs simple.

SOUNDS

In sound, it was generally three phases:
With the low-gain a clear enough way, no compress lacking bass. It is usable in the studio, but as a group have to forget, or while armed with a drummer. This is not the strong point of the amp, many others do better in this area.
-With the gain in average, we get to crunch trs beautiful, especially high volume. Great sound that justifies the purchase of the amp. A rgal, even if here too, a little more bass would not have all night. Group assisted with a guitar is excellent, has pierced the mix, but in-bass-drums trio, the sound seems too Triqui enough pais.
With high-gain, the field of fuzz. It's not my cup of tea. I prfre mid gain, with an overdrive in front.
The legalization is quite effective, although it has seen better.
This is an amp that can please or characters dplaire.
Is the advisor for rock, hard rock 80. For the blues, I prfre a Fender or a Vox.

OVERALL OPINION

I use it for a year. It has its strengths (the crunch, the simplicity and weaknesses (no loop, a lack of bass) but I have not found better to use that I have: that of an amp travel. For quick rptitions o we will not leave the Big Bertha, it's very practical. With less than seven pounds and his bag, it is excellent. It is small, lightweight and sounds. I regret that few brands embark on crneau. Too often the choice between small amps, but unable to face a battery (Epi Valve Junior, Fender Champion 600, etc.). or hardware powerful enough, but too bulky dj (2061x Marshall, Laney Lionheart ...) Note that Vox Orange shamelessly copy the Night Train, but has not had the good idea e to put an effects loop that would have to catch up with their three-year delay. I look forward to the release of the Dual Terror, with the channel can be "fat" is a little rcuprera low, but I'm afraid of losing lgret and the compactness. Otherwise, trs solid, the price seems decent.

Small head amp 7 / 15 W lamp
3 knobs: Volume, Tone, Gain
Between one and three outputs (2x 8 ohms and 16 ohms)
No effect.

I precise that its price is high but I am honored DV247 shooting with 500 euros for the head and cab. APRS is good on my poiraut 2 weeks .. but hey there are worse right?

UTILIZATION

Fidler philosophy of the brand: the least possible rglages and that's good!
You turn a knob and just change the sound, this amp is hyper reactive!

The user manual? Do not know ...

SOUNDS

So the Tiny Terror .... a nice story ...

A small head, the garons say it is practical and girls say it is troooOO mignooOOOne!

Certainly, but above all the TT is the sound british THE vintage sound.
You get a clean sound excellent, round trs, trs prcis, ideal for old funk of Stevie Wonder.
There's also the crunch, ideal for playing the Stones, SRV and the blues! Place the Gain noon is one feels transported in a bad light bar new york, poss the ashtrays on the corners of amps and drums that grows in guitars! Fantastic!

Finally, we attack the strong point of the amplifier: the rock! While the list is long, it is immediately the Who, Deep Purple, AC / DC (at least the first album) Led Zep, and even a touch of old Black Sabbath metal genre!

I use a Start with Us pickup equipped with a history of pushing the edgy distortion. Occasionally I use a Wah JH-1.

For the cab I took the PPC 112 to complete the Orange's all the way!

OVERALL OPINION

APRS qute a sound long, treacherous I finally found nirvana ... let me explain.

I have long thought it was a great guitar while the amp was secondary ... ERROR! It is a set! So I dropped my old (but Fidler) Marshall, and my Roland (Beurk. ..) to find the rare pearl.

APRs have test many combos, heads, everything you want lamp I found this little head ... What a slap!

As could have said soberly Keith Richard:''Yep, this amp is cool.''And he would have had reason, you want to return in the 70's? Do not hesitate ^ ^

What kind of amplification (lamp, transistor ,...)?

Amp lamps all if I souviend well as two 12AX7 and two 6L6 pramp power

What is the power dlivre?

7 or 15 watts in splitable facade

What connection?

Between a jack, 8 ohm outputs 2 and 1 of 16

What rglages the effects? ...

Volume Tone and gain it all worse. . . An effects loop would be good but the sound does this ratrappe bte ^ ELSEWHERE

UTILIZATION

The configuration is it simple?

Hum a bb would be used

Do you get a good sound easy?

Yes in 5 seconds done at the same time there's no way 36 000 as a mesa ^ ^

The manual is clear and sufficient? ...

A good manual??

SOUNDS

Is it your style of music?

Conviend It has nearly any style if you know what to say, let me explain, this amp has Ragit normment your game and the expressiveness is not the slightest error forgiveness sustain trs is good provided you have good stuff upstream

With what (s) guitar (s) / low (s) or effect (s) do you play?

I only use a musicman LUKE 2 ultra versatile and ca send STRID on this amp sounds in all, I boost the amp with a custom audio electronic colaboration between Bob Bradshaw and mxr is in the spirit of the amp, nothing else Baaa there's no need more. the head is plugged into a marshall cab 2x12 celestion vintage 30 back open

What kind of sound you get and with what rglages ("crystalline", "bold ",....)?

it will clean the trs is suitable, good AC is not a fender or a Bogner Shiva ca hontemment but good condition does have a good guitar before.
Baaa for the crunch is the area of ​​TT you like the British rock of the 70s now that's great fan of arctic monkeys the libertines the kooks go there if you like it nikel acdc Led Zeppelin company and is also perfect
For big sound when the AC is yes but even when a boost for the lead honntement ca the fact is not easily hit a lil bit of steve vai if the amp is good is boost ITS no sound but it goes and it's expressive trs

What are the sounds you prfrez, you dtest?

All sounds

OVERALL OPINION

How long have you use it?

2 weeks, if you're tired of lugging your rack every time the head mesa 4x12 cab on the power supply is all the rest go for the head you will see your game will not qu'amlior.
AAAA and power hummmmm broadly covers the head and a batteru soyont honnte anyway, just the sound of dub cab when you're in a room, but otherwise not need more power, d Moreover lamps they like to be the pousss so it's really the Bonnheure

What is the particular feature you like best and least?

Most
- Plugging Heat play ^ ^
- Push the lamp is ca gnial
- The versatility of the amp thunder

The -

- No effects loops, and I find it. . ..

Have you tried many other models before acqurir?

mmmmm Laney VOX AC15 in this range of amps, the TT is king and no problem can overshadow easily has some 1500 euro amp hum the same country I've said Marsh. . . . ^ ^

How do you report qualitprix?

Excellent guitar bought 400 euros a home studio in Lille frankly nothing to say to this amp is limited donnbr />
Exprience with, you will do again this choice? ...

No problem just to have a deuxime and AB box to switch from clean to saturated without playing with the guitar knob

What kind of amplification (lamp, transistor ,...)?

All-tube amplifier, two 12AX7 and two EL84 in prampli for the Tagus power.

What is the power dlivre?

15 watts RMS switchable to 7 watts, all in Class A.

What connection?

One input on the front and 3 speaker output jack guitar format in front rear (two 8-ohm and 16-ohms).

What rglages the effects? ...

A master volume, one tone knob and a knob for gain.



UTILIZATION

The configuration is it simple?

Could not be more simple. Plug in, turn on, tune in and you're ready to go.

Do you get a good sound easy?

Just rgler the tone and the gain according to the desires.

The manual is clear and sufficient? ...

I have no manual or guide reu with the amplifier and even if a is not really it would ncessaire INTERESTED t from Orange to give us more pr Decisions on bte.



SOUNDS

Is it your style of music?

I play mostly rock that is progressive, alternative or more conventional times. I must say that I am not seeking the versatility but also a sound that I like and the grain of the Tiny Terror sduit me. It offers a beautiful play area while having a good personality quenching. I have never seen in difficulty since I have acquired.

With what (s) guitar (s) / low (s) or effect (s) do you play?

I play an Ibanez RG 2570 Z Whereas I like a guitar trs good quality and more versatile than it seems. I did use a multi-disciplinary and do not like Whereas a machine to gain forge metal. Even if it is true that the output level of DiMarzio is awesome, she knows how to rev subtle and groovy when I asked. We feel the cot while the guitar except for the ease with which it changes and you register as a stratum below would.

Here's CHARACTERISTICS: (for more information, visit the official website of Ibanez)

<table border="0" width="400">

<tbody>

<tr>

<td> neck type </td>

<td> 5pc Wizard Maple / Walnut neck </td>

</tr>

<tr>

<td> body </td>

<td> Basswood body </td>

</tr>

<tr>

<td> freight </td>

<td> Jumbo frets </td>

</tr>

<tr>

<td> bridge </td>

<td> Edge-Zero bridge w/ZPS3 </td>

</tr>

<tr>

<td> neck could </td>

<td> DiMarzio IBZ-N (H) neck could </td>

</tr>

<tr>

<td> middle could </td>

<td> DiMarzio IBZ-S (S) mid could </td>

</tr>

<tr>

<td> bridge could </td>

<td> DiMarzio IBZ-B (H) bridge could </td>

</tr>

<tr>

<td> hardware color </td>

<td> Cosmo Black </td>

</tr>

</tbody>

</table>
I connect the head a 1x12 cabinet partially open the rear and a quip Seventy80 Celestion 50 watt (8 ohms).

Cot effect I use:
A BOSS TU-2 (Chromatic Tuner), Bad Horsie Morley VAI a 1 (Wah), a Digitech Whammy WH-4, a Boss PH-2 (Phaser), a Boss DD-3 (Digital Delay) and a Boss GE- 7 (7 Band Graphic Equalizer).

What kind of sound you get and with what rglages ("crystalline", "bold ",....)?

With the tone below the half of the race:
The clean is warm, round and only itself. Ds that turns the gain over 4 and up 5-6, began to saturate. This gives a crunch vintage trs very dynamic and enjoyable trs. If you push the gain further you end up with a nice distortion, singing clear and trs. The grain is rsolument british reserve of gain and allows aggressive riffs.

With the tone at the top half of the race:
The clean is warm but law and prcis. It provides a nice twang but fast enough crunch with double coils. Ds you push a little gain, crunch takes on a vintage trs with clarity and dynamics Defines difficult. Going further we find ourselves with a sound prcis trs, incisive and rsolument lead. Harmonics and steal riffs are sharp trs.

What are the sounds you prfrez, you dtest?

I love the british grain that makes one nostalgic with single coil and gain 4 or 5 but also very modern s&#39;avre when we send the sauce around 7 or 8 with a humbucker: A real DLIC . The clean is nice for a setup like this, I find many Intgr the rest. He is not to look pretty. The only catch is the TOC a bit messy when saturated sound effects added such as a phaser or flange. It is the only problem the lack of li effects loop but the sound remains completely usable and enjoyable.



OVERALL OPINION

How long have you use it?

Two weeks ago I have been a dj and I RPET and a live (non-transplanted. I play it quite often because I apprcie much compared to the Randall RG 50 TC I had before and I do not regret at all. The power of the Tiny Terror must not be under estimated, 15 watt all-tube: It dmnage!

What is the particular feature you like best and least?

I like the fact that it dpouill without being simplistic. You can easily spend a crunch with the gain 4 or 5 a Clean lowering the volume a little bit of scratching or distortion muscle with a boost of 10 15 db.

What I regret most is the abscence of effects loop and manufacturing Coren. Damage to an amplifier as convincing.

Have you tried many other models before acqurir?

I tried a Hiwatt Hi-Gain 50 has rvel be what I want but too expensive for now, a Marshall JVM 205 H in color tone did not please me at all and a Randall RG 50 TC I possde. I tried other amps in my life but this guitar are the main I tried during the two months since the purchase of prcd Tiny Terror.

How do you report qualitprix?

I bought nine dan 470 a music store in my region (Charleroi, Belgium) which I find to be a good price for a head of the invoice.

Exprience with, you will do again this choice? ...

I think the Tiny Terror is an amplifier that has gnial to make a little way with a head of quality without breaking the bank. Ultimately, a head provided better and higher fly should come to replace it in RPET and / or live sre but one thing is: he will not blush.

Features:
-Controls: Gain/Tone/Volume
-1.5 mm Zintec Chassis w/ Steel Vented Top Case
-Padded Gig Bag Included
-15 Watts 'Class A' / 7 Watts 'Class A' switchable
-Tubes: Preamp - 2 x 12AX7, Output 2 x EL84

Specifications:
Type - Tube
Number of Channels - 1
Power - 15W Class A
EQ - Tone
Amp Modeling - No
Number of Models - 0
Number of Tubes - 4
Preamp Tubes - 2 x 12AX7
Power Tubes - 2 x EL84
Inputs - 1 x Instrument
Outputs - 3 x TS
Height - 7"
Width - 11"
Depth - 5.5"
Weight - 15 lbs.

UTILIZATION

It is very easy to get great tone from this amp. The settings are simple enough: volume, tone, and gain. It seems pretty sturdy and comes with a carrying case to cape it safe while traveling.

SOUNDS

I play a SG, Les Paul, Rick 360, Strat, and Tele through this amp depending on what tone I want. The amp sounds fantastic. Many people have said it is a one trick pony and it is. This pony does its trick VERY WELL. When this amp starts to break up it sounds fantastic. Awesome British crunch. It doesn't have much headroom so live cleans isn't really an option. I prefer fender cleans anyway. Because of this I run it A/B with a clean amp live.

OVERALL OPINION

For British crunch, this amp has fantastic tone. For the price, it's a (relatively) cheap way to get a grade A tube sound. I wouldn't recommend it to anyone who wants to use it as a clean amp. If I were given the choice I might look into the Dark Terror now for its two channels but that wasn't out when I bought the Tiny Terror.

The Orange Tiny Terror is an all tube amp with and El84 power section and a 12AX7 preamp section. It's switchable between 7 and 15 watts, and in classic Orange style, has bonehead simple controls. One volume, one EQ, one gain knob. That's it, and thats all that's required out of this beast of an amp.

UTILIZATION

I've not gotten a bad sound out of this amp. The controls are limited, but they do their job, and I'm a fan of simple controls. Just plug in and go. The characteristic Orange sound is on the Britsh, Mashall-esque side, but with more low mids, and growl. The first riff I played on it was the Accept classic "Balls To The Wall", and it delivered in spades. This amp rocks, and it can go from a round present clean to a high gain roar similar to a goosed JCM 800.

SOUNDS

Cleans on the OTT are round and punchy, but it's not where it shines most brightly. With the gain at about 8 or 9 oclock it gets a nice plexi voiced breakup, great for Free, AC/DC, Thin Lizzy, etc. Once you hit 12 o clock it gets onto more of a JCM 800 territory, perfect for MSG and Gary Moore. Past this and you enter into a more metallic direction. Lots of very musical, useable gain on tap. The Orange is inherently warm and crunchy. It's simply the best amp money can buy for this price and size.

The 7 watt mode is more compressed, and sounds a touch fatter, whereas the 15 watt mode is more open, singing, and tighter. I stayed in the 7 watt mode most of the time, because I like that really fat tone, but it's nice to have that extra power.

Don't be discouraged, this amp is LOUD, and can hang with a drummer without any problem.

OVERALL OPINION

Since the OTT has been on the market, competitors like Vox, Boogie, Traynor, Laney, etc. have pushed out their own lunchbox sized amps, and in my opinion, the Orange slays them all. No little amp has so much versatility, character, looks, or tone. The Tiny Terror is an amp with nuts. It's the standby amp that I recommend to anyone looking for an amp. It's perfect for taking to jams or practices for it's portability and weight.

For the size of a lunch box this little amp pacts quite a kick to it. This amp looks like something you would walk to school with and be carrying your peanut butter sandwich in. Orange has taken such a small but positive approach to lunch box style amplifiers. There seems to be a trend going on with manufacturers hitting a market that seems like a good entry way into their flagship amplifiers.

The amp has that familiar British grind that you found in the 60's and 70's went they were the leaders in getting high gain sustain from their guitar rigs. This little box does what a full stack can do in a pint size proportion. It sounds fantastic and gets chewier and smoother as you hit it harder with more volume.

UTILIZATION

This is a very easy to use Orange Amp. They have been known for their controls to have pictures rather than descriptions of the EQ, gain, and volume. However, this lunch box has only three control knobs so you can't really get off track.

Controls:

Gain / Tone / Volume
Features:

1.5 mm Zintec Chassis w/ Steel Vented Top Case. Padded Gig Bag.
Output:

15 Watts ‘Class A’ / 7 Watts ‘Class A’
Valves:

Preamp: 2 x 12AX7, Output: 2 x EL84
Speaker Out:

(1) 16 Ohm, (2) 8 ohm
Dimensions:

(W X H X D) 30×17x14cm, 11×7x5.5in
Weight:

7kg/15lb

SOUNDS

Though the Orange amps have a familiar British flavor to them I think that anyone would be surprised at how big and bold the tone is from this small box. Though is is rated at only 15 watts it gets quite loud and will accompany most small clubs or gigging situations quite nicely. There is no compromise of tone or quality in this amp. Is sounds as huge tonal wise as any of the larger more frequented amps that Orange makes.

Try this guitar out with a Les Paul and you be pleasantly surprised out how meaty the tone is from simply a Gain, Tone, and Volume knob. This thing can be dropped down to a 7 watt operation for home use or even recording. It sounds great in either setting you have.

OVERALL OPINION

Many manufacturers have now saw the overwhelmingly positive result that Orange got from this and are now doing the same thing. Mesa Boogie released one last year as well as Vox. Hughes and Kettner is releasing one this year and you'll see that in the trade shows real soon. There has been an untapped market for these little light weight but heavy punch high gain amplifiers. The consumers has voted and they love this unit. Orange has sold over 30,000 of these units so far.

I would recommend this amp to anyone who needs pint size amp with a kick. At new these amps come in at a round $575. The used market you can find one for around $350-$400. Great bang for your buck in these harsh economic times.

Specification Detail
Type Tube
Number of Channels 1
Power 7W Class A / 15W Class A
Effects No Effects
Reverb No Reverb
EQ Tone
Amp Modeling No Amp Modeling
Number of Models 0
Number of Tubes 4
Preamp Tubes 2 x 12AX7
Power Tubes 2 x EL84
Inputs 1 x Instrument
Outputs 3 x Speaker
Footswitch I/O No Footswitch I/O
Effects Loop No Effects Loop
Height 7"
Width 11"
Depth 5.5"
Weight 15 lbs.
Manufacturer Part Number TT15

UTILIZATION

A very simple amp, with a few controls to shape your tone.

SOUNDS

I normally use a Les Paul with Seymour Duncans.

This amp is not versatile at all, if you want a versatile amp, you can stop reading now...
But, if you want classic british clean and medium gain tones, please continue.
Cleans: I found the cleans to be a weak point of this amp, lifeless and dull, but passable for what it is. a 15w cheap amp. With an EQ you can really shape it to make it a little more sparkly, but don't expect them to ever be amazing or super clean, because its never really truly "clean" in my opinion.

Overdrive: This is where this amp shines, glorious lush british overdrive and crunch tones. It's pretty much instant AC/DC with Vintage 30s or Greenbacks. You can get it pretty heavy but after you get to a certain point it just becomes a muddy mess and never stays very tight in the low end, so don't expect chugga chugga metal out of it, but if you want classic sounding british overdrive tones, look no further especially small gigging and bar gig guys!

OVERALL OPINION

I love this amp, especially for the used price, it sounds great minus it being a little dark and muddy, but for the price its a great practice and small gigging amp if you mic it. I highly recommend it!

* What type of amplification (lamp, transistor ,...)?

Every lamp

* What is the power delivered?

7 / 15 W

* What connections?

An instrument input - 2 8 ohm speaker input a 16 ohm

* What are the settings, effects? ...

Volume - Tone - Gain.
3 knobs and is plenty



UTILIZATION

* The configuration is simple?

Simpler is not possible

* Gets it easy to sound good?

Yes.

* The manual is clear and sufficient? ...

There is none. It's even easier



SOUNDS

* Will it fit your style of music?

Completely. To the Rock that is exactly what it takes.

* With what (s) guitar (s) / low (s) or effect (s) do you play?

Strato. I have not tested it yet with my Hagstrom Viking.

* What kind of sound you get and with what settings ("crystalline", "fat ",....)?
His well grassouillé By playing with the gain, we get a nice sound in the treble. Must hack, and you get a nice palette of sounds.

* What are the sounds you prefer, you hate?

It's crunch as not allowed. Nevertheless, we can have a very good clear sound.
(Maybe the single coil in the stratosphere?)


OVERALL OPINION

* For how long have you been using it?

It was the first time I used it today.

* What thing do you like most/least about it?

So British: you plug - you play.
It is rock!

His power - with a Marshall 4x12 sound is really impressive.

The easy to carry.

* Did you try many other models before getting this one?

I've had amps transistor: the whole lamp is incomparable.

* What is your opinion about the value for the price?

This is not given. The watt is expensive but what a treat.

* Knowing what you know now, would you make the same choice? ...

Absolutely. An amp that is not fat (but a lot under the hood) easily transportable. Power and finally his very distinctive rock.

Any head lamp! (2: el 84 and 2: 12AX7)

Connectors: input, current input speaker 8 ohms and 16 ohms

Power of 7 and 15 watts selectable on the same switch as the standby, the power is really one announced! Empowered!

No effect, just volume, tone and gain and that's enough! very easy to use

UTILIZATION

Config 'mega easy! * with volume, tone * and * gain! no effects loop for cons

Was no manual but no need! it rotates and it is simply

We get it on its quality sound on! guitar plugged into a head without a pedal full report! Finally, a head that little push at full speed and having clear sounds of saturated extras! by simply acting on the gain

SOUNDS

I play hard rock with punk and metal! I read below that could not do with this kind of sound? bah hum and of course that if I add even pedal on!
A grain super natural! halves of a volume is covered drummer ..... I Mettai compared to 5 with an old head Marshall JCM 2000 DSL 100! Orange and Mesa Boogie are real powers them!
In short I play ballads to the Scorpions with the gain to 4 and 2 seconds I put the gain at the bottom and go for big sound and solos that sing

Plugged into my Marshall 4 x 12 hp equipped Prominent vintage 30 it sounds live! I will also soon take me a baffle Fame in V30 equipped with 2x 12 ^ ^, the top would be the Orange for the look and sound but what a price! people and sells secondhand!

I play exclusively now on Gibson, I 3, a Flying V, a Les Paul Classic and Les Paul Vixen! is not to say, by combining these two big names can not be disappointed! not need multi-effects to the con!

OVERALL OPINION

I use it for 1 week but I had tested before zic store! and power and harmonics coming out by themselves had scored.
I also wanted to test the ENGL Gigmaster but nobody at the store or not reviewed here because the tiny terror is unlike Engl single channel and has no effects loop!
I served as head of repeated or other relief, because I also have a Mesa Boogie Single Rectifier! Brief 2 sounds different but each have their charms!
In short, a head that can walk everywhere and takes up less space than outright large while being almost as powerful! in a bag + shoulder strap embroidered Orange logo comes with

Super value for money! € 411 on MusicStore but I nabbed a 300 € secondhand 30 km from my house! brief you will find a lot of opportunities here or on "good place" but if you find it secondhand at more than 300 € it's theft because of its value on sites vpc! I'm glad to have the Orange because it is never disappointed with this brand! I recommend it! and gives both the reggae, blues, rock and metal!

The Orange Twin Tiny Terror is a small, portable tube amp head that delivers 15 watts of power. There's really only a basic 1/4" input and a speaker cable output in the back, and there are three knobs that control volume, tone and gain. 

UTILIZATION

The amp is so easy to use, it's ridiculous. It's great how little time it takes to get used to it. The three knobs might seem like there is a lack of control with this amp, but I feel that the small number of knobs is liberating. I have never even looked at the manual, and I can't find it now, but it's pretty much unnecessary. 

SOUNDS

Like every Orange amp I've encountered, the tone is great. Incredibly bright and crunchy. It definitely does belie its small stature, because it can get a surprisingly big sound. It's got a nice clean tone, as well as a thick, fat distorted tone. It might not be ideal for people who want a punishingly heavy sound from their amps, but who really wants that anyway? I have had some really great luck with this amp. The frequencies are definitely neutral enough to get a great variety of tones without falling to heavily on any end of the spectrum, and almost every tone is great. 

OVERALL OPINION

I like the simplicity of this amp, as well as its small size. It makes it easier for the gigging musician to carry around, which I like a lot since I don't have a car. I think that the amp is pretty reasonably priced considering how good it is. The sound quality is superb, definitely a great addition to the Orange catalog. I didn't try many other models because I had heard so much about this one. I fell in love with it right away. I would certainly make the same choice again if I had to. 

The Orange Amps Tiny Terror is a tube based 15 watt, guitar amplifier head. It has a 1/4 inch input in the front, as well as a speaker cable output in the back for your cabinet. While it has up to 15 watts of power, there is a switch to choose between either 15 or 7 watts or power if you choose. It simply as three knobs - one for volume, one for tone, and one for gain. It is extremely easy to get a good sound from this, and these three parameters are really all you need.

UTILIZATION

The configuration of the Orange Amps Tiny Terror couldn't be any easier to understand. With just the three knobs, it is easy to zero in on the tone you are looking for, and you can surprisingly get a good amount varying tones with this. I don't have a manual for this, but it is very easy to use and you should have no troubles without a manual if you don't have one.

SOUNDS

The sound quality of the Orange Amps Tiny Terror is awesome. It has both super clean sounds and fat overdrive tones. It usually send this amp to whatever speaker cabinet I have around, and plug in either a Fender Stratocaster or a Gibson SG. No matter what surrounding parts I use this amp with, I find I always get a full sound that I am happy with, whether it be for clean or heavy parts.

OVERALL OPINION

I've been using the Orange Amps Tiny Terror for about a year and have found it to be one of the best bargains on the market in terms of guitar amplification. It is extremely cheap considering how much tone you get with this amp. It is quite small and has a handle, so it is great for use on the go. Orange makes some incredible amps, and the Tiny Terror is one of its best, and its cheapest.

(Originally written by mr x/translated from Audiofanzine FR)

Class A tube amp head (yes it's a head in spite of its compact size) with 2 x 12AX7 and 2 x EL84. Switchable 15-watt / 7-watt output power. Basic connections with 1 TS jack input, 2 x 8-ohm and 1 x 16-ohm speaker outputs. Three controls: Volume, tone and gain. No effects! Single channel but wonderful guitar sound.

UTILIZATION

Extremely easy to use, real basic settings. Power up, plug in and it sounds. With only 3 knobs, it's hard to make mistakes and the amp sounds good on its own. You get a good crunch sound and an excellent distortion without a sweat. The sound is good whatever the tone knob position. From very dark to very sharp, it's magic. The user's manual? No manual is necessary and even the neighbor's dog would understand how to use this amp.

SOUNDS

When it comes to sound, you can choose between distortion and distortion! I first heard the amp at the rehearsal of a death metal band where the guitarist played Orange and Mesa Rectifier amps at the same time. I thought the guy had a good sound because of the Mesa but I decided to do a test at a store. The shop assistant connected to an Orange 4x12" speaker cabinet and then... It blew me away. And don't worry about it sounding too clean for heavy metal, with the EMG pickups of my guitar I have enough gain. I admit that I like old-school distortion ("Kill'em all" and the like) but it sounds great and it's better than that slick and modern distortion sound with no personality. It totally killed me! It produces 60 watts of raw tube power. I use it only for distortion sounds because it was conceived for that and it's a lot of fun at that. If you're looking for a clean tube tone, forget this amp! I lent it to a guy during a concert, he plugged his pedal board into it and the sound was somewhat pathetic.

OVERALL OPINION

I've been using it for over a month and I'm fully satisfied. I play thrash metal and it's a lot of fun, especially on stage. It sounds straight with a good speaker cabinet (I have a home-customized Marshall 4x12" cabinet).
I already owned Mesa/Boogie amps, Marshall heads as well as Randall and Brunetti tops and the sound of this beast blew me away. On the other hand, if you want a versatile amp with Midi implementation and effects loop search elsewhere. I find the quality/price/transportability ratio unbeatable. I don't have sciatica any more, thank you Orange! I would buy it again, twice! I'm sure that all metal bands are using Tiny Terror amps hidden behind their cabinet walls on stage. I give it 9/10 because nothing is perfect in this world, even though this amp head is perfect for me.