All user reviews for the Alesis Micron

All adjacent t said. Synth powerful and compact.

UTILIZATION

The edition is difficult, you have to go into endless sub-menus, but There's shortcuts and the possibility to configure the knobs, which is not ngligeable ...

SOUNDS

The sounds are not ralistes (fortunately, it's a synth), but offer a wide range, not ngligeable.
I use almost no effects, I go through a multi purpose, even if they dpannent. Everything seems good dynamic expression level, ARAG quickly and well. The trs are are good, but unlike the microKORG IMHO, the presets are REALLY bad. When the fate of the paper we say that a toy sounds and can do anything funny. APRS, save and edit sounds y'aquelques, and then bte s'avre trs powerful and capable of moults things. And then the sound engine is the same as the Ion, so the "sound engine" is broadly comparable to the access number or keyboard. Despite its price, it dlivre the big big sound, no doubt the top! Many characters too!

OVERALL OPINION

I possde since 2006, I wanted to complter a first synth to build capacity, and have a polyphony synth modeling more powerful than the MK.
I like the capacity of Creations, processing, variations in those sounds and pipelines which in fact-as some have said in the forum a semi-modular (sduisant concept). I like the least laborious edition.
It offers excellent sound engine can rev right things in the bass sounds, leads, pads and fx. As mentioned above, it is compared (in its sound architecture, at least) on keyboards and other access, except that it is priced much more aggressively, it is less flexible and autonomous than others, its polyphony is very s limited compared to its competitors (I do not care that ten fingers, two leaves ca me to turn the knobs) and clearly, there's been doing SAVINGS logic level knobs, buttons, etc ... In short, it is not as other possibilities, but in his hard-sound capabilities, it dfend more than well and there are many who point out its strengths. But it is a compact synth. For pure sound aspect, it is broadly comparable to the much more expensive synths than him! But since everything is compared to the price and not to the ear ...
Now, about that choice again, as a j'hsiterais except one or two prcis MODELS (Virus TI for its capabilities, not specifically developed to sound) I do more towards m'orenterais modeling, but directly to the analog. Above all, I have a buzz on my micron that even if it is not so "terrible as a" can become a cum obsesionnel and repeated in the air, for example.

CHARACTERISTICS good because of normment paramtres ... may be even too much!

UTILIZATION

It sucks!

Of course, the problem is highlighted dj CSTA to paramtres via a single knob. Even with keyboard shortcuts is annoying. But is the price paid for the small size and low weight of the machine (which is a good choice CRITERIA scne to make, or even for ct practice).

But this is not the main worry for me: you see, we see that this type of instrument has been designed by the Next-Generation ingnieurs who swear by the computer.

Indeed, the management of MIDI sounds great Relva of anything! Instead of like everyone is saying organize the sounds you want to save in locations that can numrots commnander MIDI (with the well-known numrotation 0 127), our computer scientists are ALESIS alls imagine dbile logic, where the sounds are stored in an endless series of "gender", in which certain sounds are found on several occasions (eg for FAV " Favorites ", for sounds RECENT utiliss" recently ", etc.).. So when you send via a keyboard or other source matre MIDI control change to a program changes the MICRON is placed anywhere without any logical! This means that it is impossible to properly control program changes on scne matre via a keyboard.

This is serious since trs in my case I drive all with a Roland A90, so I have to change the sound by hand (like the old days you might say, but when even!) During together. This limits greatly the advantage trs the device, because of the sudden the possibilities become trs limits on scne.

SOUNDS

Trs good sound type "analog modlise". At the landed cost (with DIFFERENT headphones good quality), yet skeptical j'tais dpart: I found way too gnreux the top of the spectrum, giving c Does a little chilly, with also a lack of mdium, tessitura which is often the charm of the real analog (TB "hot").
However, in situations of group play, I'm surprised trs enjoyable: the synth lines dlivre thunder ffective clear, either with LEADS like "antics" in Rick Fawn MINIMOOG Wakeman, or LOW with fleshy. It possde a espce of "aura" particulire, we peroit on all types of sounds, even trs DIFFERENT them, a kind of signature sound if one wants, which gives it a "frank" and "white" to make it stand out as it should in a set. At least the impression I rptition in, I did not test as part of a mixing in the studio.

OVERALL OPINION

I use just a few weeks, but I feel that DJ is a good buy in terms of its ...

As against this problem by MIDI control makes me really dbile the use of basic Manir trs scne: change sounds by hand (!), Which is a shame in 2011!

So, I can not use background.

To hell with computer logic and illogical!

See manufacturer website ....

UTILIZATION

The config is simple when you understand the logic.
The manual is pretty well done (better than Roland).
The edition is well thought out and follows a set order.

SOUNDS

For sounds, I reprogrammed everything. Sounds, rhythms, arpeggios ....
Many sound critical, but for the sound color, it is you who program ...
So sorry to say, but if the sound does not suit you is that you do not understand the logic of the machine. With Micron, no limit! All the sounds I want, give me a micron. It's true that I spend time, but I get everything I want.
No sounds I hate that I have seen again 99% of factory sounds!
The sounds are not realistic, it's not a modeling analog sample player.

OVERALL OPINION

I bought it in 2007 for my setup on stage, he toured with a AN1X, korg karma and a Korg Z1 and Emulator II. It goes well with all kinds of synths.
The Micron has many parameters, you just have to dive in and learn about the machine to get the best! I admit that the modulation matrix is ​​complex but very powerful.
ending with a note of humor of a synth is like a woman, he must love and respect to make the most of himself!

It is a three-octave keyboard with soft touch rather good, with two sliders, three knobs, a pitch wheel (which becomes redder with the extremes of pitch, too class and a notched knob is magical the nerve center of the machine. MIDI I / O, audio in and out, headphone jack. It is small and easy to carry and ideal as a master keyboard for those who like me have a small office shallow.

All but a little plastoc use eventually it moves too - unless you read on the Harmony Central forums that the knob is notched the game and must be changed every few years ...

For sound, it is those of ION whose reputation is second to none. Three oscillators, full of waveforms, two filters, modulations incredible possibilities on paper, it is a beast.

Many hundreds of presets, classified by styles (pads, lead, SFX, etc.). With the opportunity to set favorites to find them faster rate that banks are excellent and editable cf. below and "setups" that are a combination of a rhythm, a bassline and a lead or a pad assignable portions of the keyboard, this is a find.

An excellent arpeggiator and a holding function of the note ... Too bad it all is not transmitted via MIDI, the main drawback of the machine for me.

A very very very good software company, unfortunately a bit expensive ion Hypersynth the Editor here: http://www.hypersynth.com/ion-editor.html

UTILIZATION

The manual is clear and well thought out.

The configuration is quite simple finally, the keyboard shortcut system is well thought out. We use all the time notched knob is a bit annoying but I think that architecture is clear: in all, a sound editing on the bike is simple and a bit tedious.

And then you try the software publisher and everything becomes extremely simple! The interface reminds me of the Papen Albino and is simply magical, it makes everything very easy, and more integration with Cubase is perfect. Randomize and there's one that generates patches alone, is not it beautiful??

SOUNDS

So and sounds?

For VA, it sounds very very very well. And he knows everything, that's hefty, knowing that I find it particularly excels in piano sounds weird in pads and FX - this is because of its multiple possibilities of modulation, including 'everything that moves in all directions, it lives, it throbs, it is.

The effects are a bit caricatured, but still usable, it all sounds very digital still, what is interesting for certain sounds.

OVERALL OPINION

I've had about 6 months, and I had a gaggle of VA before him. My reference is the NordRack 2 against which it fits perfectly the comparison in a very different kind and very complementary.

The value for money is incredible, even if you buy the software publisher.

It's really a weapon of war from the small home studio with no room and a laptop with a MIDI interface.

Of course, if I had two times more space I would otherwise, but this is really my master keyboard / synth ideal.

A 3-octave keyboard that truly deserves 2 more damage.
All connections are provided including a microphone (vocoder possible)
Polyphony is limited on the other hand -8 votes-(ca + rhythm sounds big shambles)
Interesting and programmable arpeggiator * (* hello patience)

UTILIZATION

To cheat you get used pretty quickly but you must master the wave oscillators and other patterns of synths.
Sub menus which are accessed by pressing the same button always, the sound of button presses that may irritate you.
The French manual was given to me 10 days later by my dealer.
From

SOUNDS

thunder in quality and quantity of many sounds of the 80s and 90s, good very good sound.
You'll move sounds in space and can twist them in any direction.
The vocoder is there but not enough to not roll over.

OVERALL OPINION

A year and a half, I separated because I'm more scene.
I bought and paid for in LILLE cheaper than anywhere else.
His weight and it takes place in a keyboard are very handy on tour.
A combination of sounds

Good synth and vocoder, but the drums is what I am blown away by ...

UTILIZATION

At first the lack of knobs may frighten you, but once you have the shortcuts down pat you will find it ok. Pattern creation is perhaps a bit weird at first but myself coming from many years of gear that is worse I found it fine !

SOUNDS

I have found that the real strength in this little keyboard is the percussion. Really. I am running Logic studio and apart from this little beastie I have now offloaded all other drum and percussion oriented gear. Simply put, between Logic and the Micron as two complementary pieces there is nothing lacking on the electronic music front when it comes to percussion. Try it out as a drum machine and I am sure you will agree ...

OVERALL OPINION

Sound doesn't "break down" as easily as Ion etc., fat kicks, tight snares and hihats, does noise as well. Great sound quality ... sorted !

The Alesis Micron is a analog modeling synthesizer that has about a three octave range. It has a pitch wheel as well as some modulation sliders. It then has knobs to scroll between different presets, and to control different parameters of each. It has 1/4 inch connections, as well as MIDI connections. It has all types of analog synth presets, as well as the ability to make and store your own sounds. It has full polyphony, but can be set to just be monophonic.

UTILIZATION

The configuration and set up of the Alesis Micron is quite easy to follow, and only takes a little bit of use to figure out what everything does. There is a good amount of control available, and presets are convenient and useful. I have never seen the manual for the Alesis Micron, but it is easy enough to use that you shouldn't need it too much. However, since there are a decent amount capabilities, it can be useful to have the manual when learning the in depth features.

SOUNDS

The sound quality of the Alesis Micron is top notch and is great for any type of music that you would like to use analog synth sounds with. I use it mostly for pop and rock, and always find that the sounds work well with what I am trying to do and are overall realistic sounding. The keyboard itself is easy to play and I like the way the pitch wheel is set up. Overall, I'm a big fan of the presets and capabilities that this synth has.

OVERALL OPINION

I've been using the Alesis Micron for about two years and it is one of my favorite analog modeling digital synths of this size that is on the market. The preset sounds are really great and there is a great amount of control available over your tone. The price is definitely reasonable, as this is a great instrument. The only reason it is so cheap is because of its small size, which I do not mind. Overall, I highly recommend the Alesis Micron.