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4.1/5(4 reviews)
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berl
Gentle, soft, precision ...
Published on 05/21/12 at 05:01 (This content has been automatically translated from French)Dynamyque microphone directivity hyper-cardioid.
Wide frequency response: 30 to 20,000 Hz
(Only the MD441 is better, I think)
Use: voice, percussion intruments and serious low back / bass.
OVERALL OPINION
I discovered this mic in 2010, on a sheet at the request of an accordion, as micro melody. It surprised me (the mic, and accordionist as well!) By the beauty of her medium which I loved: the accordion is an instrument very difficult to add sound (NB: an accordion, it only plays that the musette. I have nothing against the musette personally, but it's not my style).
I have used many microphones for the right hand of the accordion, and I thought I had found the right...…
Wide frequency response: 30 to 20,000 Hz
(Only the MD441 is better, I think)
Use: voice, percussion intruments and serious low back / bass.
OVERALL OPINION
I discovered this mic in 2010, on a sheet at the request of an accordion, as micro melody. It surprised me (the mic, and accordionist as well!) By the beauty of her medium which I loved: the accordion is an instrument very difficult to add sound (NB: an accordion, it only plays that the musette. I have nothing against the musette personally, but it's not my style).
I have used many microphones for the right hand of the accordion, and I thought I had found the right...…
Read more
Dynamyque microphone directivity hyper-cardioid.
Wide frequency response: 30 to 20,000 Hz
(Only the MD441 is better, I think)
Use: voice, percussion intruments and serious low back / bass.
OVERALL OPINION
I discovered this mic in 2010, on a sheet at the request of an accordion, as micro melody. It surprised me (the mic, and accordionist as well!) By the beauty of her medium which I loved: the accordion is an instrument very difficult to add sound (NB: an accordion, it only plays that the musette. I have nothing against the musette personally, but it's not my style).
I have used many microphones for the right hand of the accordion, and I thought I had found the right microphone with the Beta56, until it meets the M88. Gentle, soft, precision, this is how I define it, and I was not at my surprise!
One Saturday I put one of my M88 before a bomb (thank you to the stranger who had made this request on an old sheet!) And what a surprise! I repeat: smooth, soft, precision ... here we rediscover the instrument without having to play EQ like crazy
Small problem: For my part I bought secondhand old M88, and they were wired DIN plugs to lock. As the manipulation was simple and nondestructive, I replaced these ancient DIN Tuchel by XLR ... It is much easier on stage!
Wide frequency response: 30 to 20,000 Hz
(Only the MD441 is better, I think)
Use: voice, percussion intruments and serious low back / bass.
OVERALL OPINION
I discovered this mic in 2010, on a sheet at the request of an accordion, as micro melody. It surprised me (the mic, and accordionist as well!) By the beauty of her medium which I loved: the accordion is an instrument very difficult to add sound (NB: an accordion, it only plays that the musette. I have nothing against the musette personally, but it's not my style).
I have used many microphones for the right hand of the accordion, and I thought I had found the right microphone with the Beta56, until it meets the M88. Gentle, soft, precision, this is how I define it, and I was not at my surprise!
One Saturday I put one of my M88 before a bomb (thank you to the stranger who had made this request on an old sheet!) And what a surprise! I repeat: smooth, soft, precision ... here we rediscover the instrument without having to play EQ like crazy
Small problem: For my part I bought secondhand old M88, and they were wired DIN plugs to lock. As the manipulation was simple and nondestructive, I replaced these ancient DIN Tuchel by XLR ... It is much easier on stage!
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60
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fullwood
Published on 01/04/06 at 17:43 (This content has been automatically translated from French)
Hypercardioid dynamic microphone.
M88 is one of rdition
I am not qualified enough to call his spcificits techniques, but they approach other sries the m88, I think you it.
The solid, a REFERENCE, visibly apprci ings of all sounds
OVERALL OPINION
Essay-for a week, then bought directly, bluff by its power and its ability mdiums my chopper down, it feels like the impression of a lgre compression.
It also softens lgrement my voice, warm and releases the shot.
Mdiums-bass and treble with a voice rpart are equitable in terms of power.
Powerful enough to be manipulated To create contrast in play
Sensitive to noise-handling, I find the stem a little too thin
(Long...…
M88 is one of rdition
I am not qualified enough to call his spcificits techniques, but they approach other sries the m88, I think you it.
The solid, a REFERENCE, visibly apprci ings of all sounds
OVERALL OPINION
Essay-for a week, then bought directly, bluff by its power and its ability mdiums my chopper down, it feels like the impression of a lgre compression.
It also softens lgrement my voice, warm and releases the shot.
Mdiums-bass and treble with a voice rpart are equitable in terms of power.
Powerful enough to be manipulated To create contrast in play
Sensitive to noise-handling, I find the stem a little too thin
(Long...…
Read more
Hypercardioid dynamic microphone.
M88 is one of rdition
I am not qualified enough to call his spcificits techniques, but they approach other sries the m88, I think you it.
The solid, a REFERENCE, visibly apprci ings of all sounds
OVERALL OPINION
Essay-for a week, then bought directly, bluff by its power and its ability mdiums my chopper down, it feels like the impression of a lgre compression.
It also softens lgrement my voice, warm and releases the shot.
Mdiums-bass and treble with a voice rpart are equitable in terms of power.
Powerful enough to be manipulated To create contrast in play
Sensitive to noise-handling, I find the stem a little too thin
(Long accustomed the grip of an SM58, it's weird).
Sensitive to plosives, handle with care audpart to appropriate and rgler.
The canon-making m'inquite a bit (I feel it is quite fragile): The future will tell me
-Test of my voice, but also on a good number of other singers (to express great beginners), the diffrence with any other microphone is gross!
I flash on its sound, and potatoes is simply bluffing!
I tried a good gambling songs microphones (SM58, SM57, Sennheiser E855 E845, Akg, I purchase a Reserved micro song for which I will flash, meanwhile, use the park provided SM58 together with any sound-base - bah, it is l!
It is ideally suited to my voice, and I hasten to show off with a concert.
Pleased to note in discussing Af, it is also a good trs microphone for miking instruments and also audiovisual it is often used in trs mic collection's outdoor report, dixit my fr oprateur re shooting.
If with the exprience I change my mind, I return to edit my post!
M88 is one of rdition
I am not qualified enough to call his spcificits techniques, but they approach other sries the m88, I think you it.
The solid, a REFERENCE, visibly apprci ings of all sounds
OVERALL OPINION
Essay-for a week, then bought directly, bluff by its power and its ability mdiums my chopper down, it feels like the impression of a lgre compression.
It also softens lgrement my voice, warm and releases the shot.
Mdiums-bass and treble with a voice rpart are equitable in terms of power.
Powerful enough to be manipulated To create contrast in play
Sensitive to noise-handling, I find the stem a little too thin
(Long accustomed the grip of an SM58, it's weird).
Sensitive to plosives, handle with care audpart to appropriate and rgler.
The canon-making m'inquite a bit (I feel it is quite fragile): The future will tell me
-Test of my voice, but also on a good number of other singers (to express great beginners), the diffrence with any other microphone is gross!
I flash on its sound, and potatoes is simply bluffing!
I tried a good gambling songs microphones (SM58, SM57, Sennheiser E855 E845, Akg, I purchase a Reserved micro song for which I will flash, meanwhile, use the park provided SM58 together with any sound-base - bah, it is l!
It is ideally suited to my voice, and I hasten to show off with a concert.
Pleased to note in discussing Af, it is also a good trs microphone for miking instruments and also audiovisual it is often used in trs mic collection's outdoor report, dixit my fr oprateur re shooting.
If with the exprience I change my mind, I return to edit my post!
See less
20
»
scorchesofdusk
Published on 01/22/09 at 04:33 (This content has been automatically translated from French)
I use it to catch a few songs in home studio and other (clap, maracas ...)
Technology: Hypercardoïd
OVERALL OPINION
I use it often, but not for 3 years.
Plus: The return
The least: It saturates quickly, and unusable without stand
Technology: Hypercardoïd
OVERALL OPINION
I use it often, but not for 3 years.
Plus: The return
The least: It saturates quickly, and unusable without stand
03
»
Red Led
A must
Published on 05/09/11 at 02:59 (This content has been automatically translated from French)It is a dynamic microphone that can be used for just about everything, live and in studio!
OVERALL OPINION
The outstanding feature of this microphone is to have a very broad spectrum. Thus, it may serve to revive bass drums, toms, but also guitars, vocals, etc.. It is not given, but it's still a good investment: it is the most versatile dynamic mic.
OVERALL OPINION
The outstanding feature of this microphone is to have a very broad spectrum. Thus, it may serve to revive bass drums, toms, but also guitars, vocals, etc.. It is not given, but it's still a good investment: it is the most versatile dynamic mic.
45
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Audio excerpts
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00:0001:24
Tech. sheet
- Manufacturer: Beyerdynamic
- Model: M 88 N
- Series: M
- Category: Dynamic Microphones
- Added in our database on: 01/05/2005
We have no technical specifications for this product
but your help will be much welcomed
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Other names: m 88 n, m88n, m88 n, m 88n