A Matter of Perspective - A guide to mixing music - Part 23
LearningIn this week's installment, we'll continue our focus on EQing during mixdown, with some additional tips and advice.
Additive Synthesis ─ Give me more! - Sound synthesis, sound design and audio processing - Part 16
LearningIn the previous article we saw what subtractive synthesis, the most widespread method of synthetic sound creation, is all about and we saw that it's based on the sound production and manipulation mod…
Trust Your Ears - A guide to mixing music - Part 22
LearningTo close this chapter dedicated to EQing during mixdown, I'll give you some tips and tricks that ought to help you adopt better habits.
Subtractive Synthesis: Straight to the point - Sound synthesis, sound design and audio processing - Part 15
LearningDear friends, now that we've become acquainted with the main components used, it's about time we get familiar with the main forms of sound synthesis. Oh, yes, there are several!
Create Space and Depth with EQ - A guide to mixing music - Part 21
LearningContrary to popular belief, panning and ambience are not the only tools to use for adjusting the location of a track in the sound field of a mix. We are about to see that the sensations of space and …
More Basic Synth Effects - Sound synthesis, sound design and audio processing - Part 14
LearningIn this article we'll take it from where we left off last week and continue exploring the main effects you can find on a synth.
And There Was Color - A guide to mixing music - Part 20
LearningIn this episode we'll discuss a pretty subjective application of EQing, namely, coloration.
Synth Effects - Sound synthesis, sound design and audio processing - Part 13
LearningThe previous two installments delved into the magical world of MIDI, including its modes, messages, and parameters. Now, in this and the following articles we'll take a look at the effects types that…
Lifting the Mask - A guide to mixing music - Part 19
LearningToday we'll deal with frequency masking ─ what is it actually, and how can we solve it?
Understanding MIDI Modes and Messages - Sound synthesis, sound design and audio processing - Part 12
LearningAfter having discovered the MIDI standard in our last installment, let's now have a more detailed look into it.
If it Ain't Broke, Don't Fix it - A guide to mixing music - Part 18
LearningIn this installment, we'll do a quick review on how to deal with the rest of the mid frequencies and the high end. Why a "quick" review? Well, because there are no systematic rules this time around a…
Introduction to the MIDI standard - Sound synthesis, sound design and audio processing - Part 11
LearningIn the previous article, we saw how the evolution of polyphony required ─ and, hence, lead to ─ the introduction of computing in the design of sound synthesis devices. We also saw that the arrival of…
Into the Gray Zone - A guide to mixing music - Part 17
LearningAfter cleaning up the low end, let's move on to the low/mids. You probably noticed that I wrote "low/mids" and not "low-mids". Why, you ask? Because we will be addressing frequencies between 100 Hz a…
Polyphony, Paraphony and Multitimbrality - Sound synthesis, sound design and audio processing - Part 10
LearningIn the previous article we saw how a voice is defined in sound synthesis and how it can gather several oscillators without that necessarily meaning that the synthesizer in question is polyphonic.
Cleaning Up the Low End - A guide to mixing music - Part 16
LearningIn this installment, we'll continue our focus on EQ, looking at how to clear out unneeded clutter in the low end of the frequency spectrum.
