Music Theory feature articles
My first voice leading - Harmony Basics - Part 31
In the previous article I introduced you to the concept of voice leading and voicings. Today we'll explore them in detail.
Introduction to voice leading and voicings - Harmony Basics - Part 30
In the previous articles we explored the different harmonic motions which originate from the alternation between dissonance and consonance, and without even noticing it we started to lay the foundations for voice leading. Say what?
The pedal point and the sus4 chord - Harmony Basics - Part 29
In the previous articles we dealt basically with dissonances and consonances and how they alternate following the different harmonic motions.
Harmonic anticipation and appoggiatura - Harmony Basics - Part 28
Welcome to today's article, where we will keep on discussing motion in the harmonic domain. Last time we talked about suspension, so today we'll talk about its flip side: anticipation and its very close relative, the appoggiatura.
Harmonic suspension - Harmony Basics - Part 27
It's sometimes hard to believe the similarities between real-life events and music. You could say that when you are late or early in life, you are not in sync with your environment. Well it's similar in music: when something is delayed or comes early (as you will see in the next article), there's often dissonance. That's why you need to be well pr…
Indirect resolutions - Harmony Basics - Part 26
In the previous article you saw how a resolution can be regular or... irregular. And it's precisely the latter that we will start exploring today. By doing this you will be able to observe, once again, how everything is linked to each other in the world of music harmony. Because we will touch upon some notions we've seen before, like cadence and c…
Forced motions and resolutions - Harmony Basics - Part 25
In the previous article you saw how the different voices of a chord evolved to get to another chord, following a very specific voice leading procedure, which is called a "forced" motion. And that's what we will see in detail today.
Context and first resolution - Harmony Basics - Part 24
In the last article, we saw consonances and dissonances according to our Western point of view, as well as the alternation that governs their use. In the present article you will see how to lead these dissonances towards consonances, respecting the alternation in question.
Consonance and Dissonance - Harmony Basics - Part 23
If you want to start making up melodies and bass lines from chord inversions, as I promised in the last article, we must first address the thorny issue of consonance and its evil twin, dissonance... which, by the way, is crucial to harmony!
Melodic and harmonic motion - Harmony Basics - Part 22
In the previous article we discussed inversions within the frame of enharmonic modulations. I will take this opportunity to explore with you in this and the following article the different ways in which you can take advantage of these inversions.