The ultimate guide to audio recording - Part 66
LearningThis week we retake the recording of electric guitar with the installment you've all been waiting for: the recording itself!
The ultimate guide to audio recording - Part 65
LearningToday's article is somewhat special but serves to illustrate perfectly the advantages of splicing into episodes this sort of series.
The ultimate guide to audio recording - Part 64
LearningSecond installment of the chapter dedicated to recording electric guitar. Today we'll discuss a small accessory that many guitar players are fond of to see how it impacts the sound and how you can ma…
The ultimate guide to audio recording - Part 63
LearningThis week we'll start a new construction site dedicated to recording electric guitar. This chapter will have a lot in common with that of the bass – some of you might even think that certain passages…
The ultimate guide to audio recording - Part 62
LearningFollowing the previous article, I think it's appropriate to discuss a crucial topic when you want to take recording seriously: the knowledge of the tools at your disposal. That's why today I will sho…
The ultimate guide to audio recording - Part 61
LearningA series like this wouldn't be complete if it didn't have an article dedicated exclusively to the recording tool by excellence: the microphone. For a change, I'll start today with some theory and the…
The ultimate guide to audio recording - Part 60
LearningThis week I will digress a bit to reflect upon recorded music and demystify it all a bit...
The ultimate guide to audio recording - Part 59
LearningThis week we'll discuss an issue that might seem less exciting than the rest we've seen so far but which was specially demanded by some Audiofanziners. It's basically a lean and mean list of mics and…
The ultimate guide to audio recording - Part 58
LearningToday's topic is somewhat off-topic. In fact, while the tricks you've seen so far allow you to improve "soft" and average electric bass lines, they can certainly be used both during tracking and mixd…
The ultimate guide to audio recording - Part 57
LearningWhen you begin recording in a home studio, the first thing you realize is that your main limitation are the room acoustics. And yet, with certain instruments you can forget completely about this issu…
The ultimate guide to audio recording - Part 56
LearningIn this new episode dedicated to recording bass guitar, we'll deal with a somewhat thorny issue: should you record the bass with or without effects?
The ultimate guide to audio recording - Part 55
LearningOkay, now that we've settled once and for all the question of phase correlation, the time has come to mix our bass tracks.
The ultimate guide to audio recording - Part 54
LearningI guess some of you are a bit unhappy about how I closed the last installment. And you probably won't like me any better when you realize that the first paragraph still doesn't dive into the topic I …
The ultimate guide to audio recording - Part 53
LearningUp to now, we've recorded a bass line in two different ways: directly from the instrument and via one or several mics placed in front of a bass amp. As you were able to hear, each of these methods ha…
The ultimate guide to audio recording - Part 52
LearningIn the previous article, you saw how to direct record an electric bass. Although such recordings can be pretty good, they have a major drawback: lack of body. This can be a real problem when the prod…
