All user reviews for the Marshall MG100DFX

Upgraded from Marshall MG30DFX
Was interested in the additional headroom. outboard effects loop and master volume control.
cost £270 delivered

For the money this is one serious amplifier; winner of sub £900 cat in the 2002 Guitarist poll.

Great range of controlable tones both clean and distorted. The master volume allows thise tonies to be turned down to suit a small playing area.

Solid contruction.
Supplied 2 way foot switch.

Its a 100 watt Marshall.......

At this price can not think of anything.

Looks pretty tidy and able to take a few knocks. Cheap enough to replace if you are seriously gigging with it every few years.

If you try one ~ you will buy one.

Its a 100 watt Marshall on the cheap.


This review was originally published on http://www.musicgearreview.com

Aquired the unit at Macron Music Central Coast, Sydney, Australia. I'm 18 years old and after going through a couple of fenders there was only one place to go. I was after the next step up in my guitar playing and this amp offered everything i wanted in design, sound and price. I was going to get the 50 watter but was reccomended against it by a few people for issues concerning quality rather than wattage. But don't worry all thise people also reccomended this amp.

AUS$880 - $450US

The amp has 2 or 3 channels depending on how you want to look at it. The thing just sounds amazing. I love playing the blues so for me it's everything i wanted and more. By just turning the contour knob you can come from belting out an ACDC riff to non-stop punk rock. I seem to use the overdrive channel more than the clean, but with four different kinds of marshall distortion wouldn't you!

If there was only one thing i could comment on it would have to be the clarity. No matter how distorted this thing gets you can still hear every note.

The construction is solid and it looks beautiful and hey it doesn't sound to bad with your stereo running throught it either!

the unit is perfect, i have only one problem at the moment. If you're after a high range tone with the bass lowered this might not be the amp for you but hey, that's the reason i went for a marshall!

The clean channel has a smooth creamy clear tone with an independant gain control, mid, bass and treble and a clean crunch button so you can have distortion on both channels.
The overdrive channel has the same but contains contour, independant volume and a switch to change from distorted to really distorted.
The digital effects include chorus, delay, flange and independant reverb. These are contolled by the FX level control.
Finally there is a master volume and a switch that allows the combination of new marshall technology to create valve emulation.

Just a couple more things
cd input
line out and headphone jack
some fx jacks on the back
oh, and a fan to keep your 12 inch speaker nice and cool.

The construction is as solid as a rock. There's nothing on it you can break if it's reasonably looked after.

The footswitch provided feels like solid metal with chrome buttons to switch between channels and turn the FX on and off.

It is pretty big having something like a 59cm by 57cm face and weighs 23.5kg but i'm 6'2 so i don't notice.

Probably one of most affordable combo amps on the market and also the best. If you want something to play on stage with and hate the weight of a stack this is the amp for you. I'll never need another amp again.

Get out and buy one of these

This review was originally published on http://www.musicgearreview.com

I was looking for a realtivley cheap, gig ready amp that had greta tonal qualities and was reasonably versatille. I paid £225 new.

This amp is great. Its got a really great sounding clean channel with soundds mimicking exactly that of a valve amp. The reverb is very natural sounding and when turned up delivers a great live sound. The Overdrive is superb. OD1 has a blues like Hendrix'y sound whereas OD2 has got tonnes of low end grunt- great for metal

The effects on this amp are a little limited but what there is of premier Marshall quality

This amp is solidly built, the finnish is great ohb and its heavy...very heavy.

Great amp, why spend £400 on a valve when you can spend £200 and get the same sound

This review was originally published on http://www.musicgearreview.com

All Tansist, 100W

UTILIZATION

The manual is adequate
Configuration disastrous, of the channels with enormous volumes of diference!
Do you get a good sound easy?
Haha good joke, Des soufles, treble has to tear out your eardrums and bass choke '
Effects programmed by a deaf, Serious!

SOUNDS

It is inappropriate in any way, in no style, no heat, no attendance.
I have a Pod X3 Live, which is great, but this amp is really a waste.

OVERALL OPINION

It's not my style to be mean, but truly, I say what I think.

A beginner will find nothing wrong parcontre, ca 4 years do I have this amp, I always felt a mnanque.
This impression was real when I start trying other amps.
My other amp has nothing to do with this 'thing' that is the Marshall MG
I know its sound, hard to find more crap.
250-300 euros for the piece of scrap metal, it's a scam ...
It is worth 100 and more!

I agree with all those who rated poorly!
Do not get fooled!

The Marshall MG 100DFX amp does not have that great of a sound. I bought when I was younger and on a budget, and into much worse music than I am now (metal, nu-metal, the like.) The amp definitely sounded better when I bought it, too. I used a Fender Strat and a Les Paul with it. It sounded better with the Les Paul because it didn't feed back as badly as it did with the Strat, but it still didn't sound too great. Over the years, as I would push it to try and get good sounds, the sound started to deteriorate. By now, almost 7 years later, the amp is almost unusable.



UTILIZATION



The clean channel gets little to no volume, and the distorted channel is incredibly muddy (in fact, it was always pretty muddy, it's just gotten worse). I can't say any of the sounds are my favorite. I don't really like any of them. I recently tried playing a new model in a store, expecting that it would sound better than my amp does since it hadn't gone through the wear and tear.

SOUNDS

While there was more volume, it still didn't sound that great, and wouldn't make me change my rating. The sounds that you can get out of it are a mild, tame clean sound (basically no natural distortion, which I like and can get out of my Fender amps), as well as a muddy distorted sound that might be good for someone trying to emulate Queens of the Stone Age, but not much else. Turing up the low end on the distorted channel makes it really murky and unclear.


OVERALL OPINION


The amp is pretty easy to use and setup. It's pretty much ready to go, just plug it in. The sounds aren't too difficult to get out of it at all. The manual explains how to use everything pretty well, though if you aren't used to using effects loops you probably won't get what the effects loops are all about.

-100w
-Transistor
-4 Effects official (as Ralite 3In 2 are grouped into 1)

UTILIZATION

Super simple, the handling is done by 15min35s
The good sound comes directly in the middle head. Well ok not c the sound of a JCM. Small but good income trs trs trs navigate well!
Manual: unnecessary --------> everything is brand faade! , -*

SOUNDS

Sound: trs versatile as well as classic rock metal. Just a rgler P'ti little!
The effects are provided trs good quality even if the mastery of some (eg delay) is a bit limited. But hey, I RPET for 3500Balles, fo demand the heart of ass!

OVERALL OPINION

"If you are a guitarist, blonde ale, a strong tendency metal, a little interesting for you too."
Without DCON, this amp is impeccable for a budget who want to make a step towards their guitar hero.
There are a few things prs amps sound q high quality.

Conclusion: REPORT --------> QUALITY / PRICE --------> EXCELLENT

100 W amp with two channels Intgr effects etc ... Go to the website of marshall for CHARACTERISTICS ...

UTILIZATION

For the use of simple renal 2 channels: clean with a crunch mode 3-band EQ, a Distortion channel with switch 2 saturation diffrerents three bands galisaton, volume and contour (as d 'inhabitants of the Marshall). Gnral for a volume, a rate rverb a button selection effects (4), a mix of fact, a mix of effects loop ... Nothing's there's more Drout rgl sound you want, no need for manual!

SOUNDS

In terms of sound, c marshall classic may be more prcis before for clear sound ... In saturated we find the sounds that we make the reputation of the brand ... The part that I find most INTERESTED is the "multi-effects" (only 4 effects) Intgr because of a simple finger swipe you move from a chorus without delay take the lead in this because presets are already cre and agree most of the styles of play So rather nice for a budget ...

OVERALL OPINION

I'm not a fan of the marshall, but the amp I use for some of her taken in recording. The weak point is that the bass is still struggling to move correctly on the HP, as well as the marshall is equipped with a noisy fan which is very dsagrable to register ...
It can cut through against the baffle and the combo and redirects the output to an HP 4X12 "that will accept more low and give more sauce! ERSUMA is an amp that is good for those who love the sound marshall that ve effects and a limited budget, if not, go your way ...

=> 100W transistor
=> 2 + 1 channel switch for each channel
=> Multi-effects: four built-in effects, a + a switch that serves the rear power argler effects +4 dBV
or-10dBV
=> Conn: CD in, headphones, footswitch (heuresment lol), FX return, FX send, and an input ...
So as usual we find the CHARACTERISTICS of Marshall amp

UTILIZATION

That is, the manual is almost a no lol, just for those who have never used this amp,
So we get a good sound easily by grinding the buttons on the amp which is also very aisbr /> I would note that the record behind it is called aya 4 preset that my faith is very useful, its a clean, in a crunch, overdrive and 2

SOUNDS

It suits me very well as it can about every sound I except of the DSIR
large-distal-to-kill-the-cat-has-his great-mre but hey you do without them, I use it with my Start in clean (of course) and a LP custom for large saturation or vice versa of course
We can almost have all types of sound on this amp is going to the jazz sound mtal without pb ......
The effects are apprciable, giving "a longer life" has this amp, it has 4 effects including a shuffled two of the three remaining effect ==> Flanger, Delay, Chorus and chorus + delay.
These effects are fairly good quality although we can not very well rgler as we please, these effects are actually preset, can have rgler (not preset effects: - p) thanks to the FX level, which as you guess is argler "power effects"
It also has a reverb that is as good quality

OVERALL OPINION

I, unwanted for the past 1 1 / 2 years this amp is very good despite the rear fan is extremely Bruille ... I like this SERIES of Dfx because it allows the low-budget (way to speak) at the same time to have an amp and effects!
So I think the ratio quality price is great!
I use both to make concert for repeated or for my personal pleasure!
I think this is a good choice for guitarist who want to continue to play and begins to play as a group!!

Voila @ + +

Transistor amplifier 100w
two channels clean overdrive
clean: crunch / clean
overdrive: OD1/OD2
celestion 12 hp
fdd (ji after return)
4 built-in effects: chorus delay flanger and chorus: delay
switch 2 votes

UTILIZATION

Then it is very simple once you get it is what each button its going alone!
the choice of effects is not well damn I think! must take after his stroke and will

SOUNDS

The sound is good! in saturation when it is to solve a great sound gets it's power was with a good potato! plain the sound is not good to my taste is not very bright! the crunch I can not say too much I use it at all! and is the FDD is a button that is the Sencer sumiler the lamp but I think it's rather a boost! its been a little more potato in saturated but that's it! gro in the sound is good but not the lamp!

OVERALL OPINION

I use it for a year! ba so far so good! it covers much repeated in the bater!

All-transistor amplifier
-1 Hp 12 'celestion
, 100 watts / 8 ohms
two channels:
-Clean (clean / crunch)
-Overdrive (OD1/OD2)
-Fdd (simulation lamp)
-4 Effects (chorus, delay, flanger, chorus / delay)
-1 Digital reverb
-1 Master volume
-1 Insert effect
-And a footswitch!

UTILIZATION

Amp is really fishing! It is a little difficult to settle at first but once you get the buttons under control is really a killer! It's been four months that I use now and into the I was really charmed.

SOUNDS

For sound I would say one word: MARSHALL! Although this is a transistor amp the sound is really good (especially for € 450). The overdrive has a grain to super.Quant fdd it does not simulate a real tube sound but it would be rather a poi booster.Pour who play rock and metal of the same punk grave.En ca makes it more easily covers an acoustic drum

OVERALL OPINION

I have been using for 4 months and I do it istant not find major fault (if not a little galley effects to choose from). The value for money is more than adequate for my taste (especially for the marshall !!!). With the little experience I aquérir to hesitate and then I do it again without this choice

While the transistor-amplifier
-1 Hp 12 'celestion
, 100 watts / 8 ohms
two channels:
-Clean (clean and crunch)
-Overdrive (OD1/OD2)
-Fdd (simulation lamp that would be a boost than anything else)
-4 Effects (chorus, delay, flanger, chorus / delay)
-1 Reverb that sounds really good
-1 Master volume
-1 Insert effect
And a foot-switch

UTILIZATION

Trs easy to use I wanted a good sound, quality and not too expensive especially for portable RPTES, exellent donc.on finds himself playing nirvana ac / dc and all that is good rock, for mtalleux, pedals pedals .... but OD2 distortion (I only use the one ...) sounds great, warm sound, powerful yet beautiful, and everything effects + trs are simple to use reverb, I use the chorus or personal chrus / delays for my solos (footswitch included) the only one bp c effect can be selected on the amp and you turn with the PDAL or Disable as a simple fact ... But for that price as a REFERENCE lMarhall, we will not criticize .... lol

SOUNDS

Really good, I had a Peavy amp 40w before me and that's really all the Changma OD2 distortion (I only use the one ...) sounds great, warm sound, powerful yet beautiful and everything + reverb effects are trs simple to use, I use the chorus or personal chrus / delays for my solos (footswitch included) the only one bp c effect can be selected on the amp and you turn with PDAL or Disable as a simple fact ... But for that price as a REFERENCE lMarhall, we will not criticize .... lol.je Ibanez plays a less then average the 300th so that the sound does not break clean as a Fender, but for me all the power fait.Et complies with its say ... your windows will remember ... ^ ^

OVERALL OPINION

Confirm playing in a band, I recommend that Marshall, in time you can nab you the 300th, if I got it 472nd in the store. Power + + beautcompact marshall, frankly, I regret my purchase.

Fastoche: Is there a technical description has busted.
Basically: it's enough to make the big sound + based effects (reverb, delay, chorus and distortion of course ...)
Note: head phone jack / line out nice (faade practice) to play with headphones or connect on the table.
It is also possible to "dconnecter" the head amp to connect the dish the head of another forum (in case o. .. ca can give even more potatoes!)

UTILIZATION

Over easy to use.
It's clear the sound Marshall, there's no picture (the diffrence between my old amp and it is the trs net models dernire me ...)
BUT, let's go for qques minor complaints:
- Start-up, the fan is dclenche ... and makes a little noise (if! if!): a can do a little fear but dpart APRS 2 minutes, everything returns to normal!
- Big diffrence in volume between the clean and crunch (it sounds "con" but be a little gaffe when even ...)
- Footswitch controls only the enabling / disabling of the channel "Overdrive" and THAT activation / disabling of the effect: it must be a pre-rglage before ... and do not change along the way (or so you have to tweak ...)
Personal: I think the effects of using the amp but it is not practical at all, I head for a multi-purpose pdalier (Fawn able to call any effect, perfectly pre- rgl advance by me ...)

SOUNDS

I play it with a Samick (beurk. ..) type tlcaster (ah, more ...)
I get the sounds that I connect well, Red Hot type, Soundgarden, AC-DC ...
The reverb on this amp is superb, even the sounds of Overdrive.
Big BMOL on the chorus (not paramtrable)
Flanger and Delay: There is only the minimum

OVERALL OPINION

I use it for 6 months and am generally happy.
I tell myself that I could take another Marshall least sophisticated (that is - ie without the effects ...) but I had the MG 100 DFX for any reasonable price (300 Euros)
APRS while dpend of what is played: in "big sound" on the Peavey looks good, its more "funk", type Fender.

Is already a good transistor amp, but considering the price is normal, the power output is 100Watts that have been the main motivation for my purchase (formation of a group 30watts so it is no longer sufficient).
The connection could not be more simple: input, cd in & line out front and footswitch (included with the amp) snd fx / return jack and the HP.

digital effects are built into the amp, chorus, delay, flanger and chorus / delay. Note a small button rather effective FDD.

UTILIZATION

The use could not be simpler master volume fairly progressive for not assaulting mom in the morning but when it is released to push the power (normal but you tell me escalation is not appropriate in all the pots of I think the Masters champion, but only 110 30w unusable when mom is sleeping). equa per channel with a bass / midrange / treble, plus one for channel saturated knob contour controls the media in the presence of sounds is pushed over the closer of the NU-metal.
the Footswicht can choose between the two channels and to enable or disable the effects, when they are very hard to fine-tune all together as a single knob is leaving a quarter turn to the setting effects of each (one notched knob would have been welcome)

SOUNDS

So it's a transistor amp agree that it should not I expect a warm sound that I like but there have been a cold shower in her clear little presence, its not a hot a sub fortunately the famous button FDD (which makes sense to emulate a tube amp) catches up a bit but it's still not blow it.
on boosted channel now (and there is this gate) to be honest I do not use any more since I try (I use the clean channel with my things) I've come so far to restart the channel and nien my opinion remains unchanged despite many changes of style settings and the saturation of this amplifier is anemic, no body, no presence, the only time we can say that the sound is OD2 is an expectation in the bottom contour where you get good sound for the NU-metal (as I play essentiellemnt ska-punk, reggae, grunge and rock type black desire, you will understand that n is not really "my sound")

I have to say that this amp since November 2002 and my point of view is shaped on the time (because at first I did not find it so bad) anyway looking back I can tell you the sound of my little Fender Champion 110 is 1000 times better than the Marshall but it lacks power.

OVERALL OPINION

Overall this is an amp that is its price, ie it provides the power and many adjustments, some gadgets (built-in effects), it did sound "correct" as it is not become too demanding what inevitably happens over time and by playing on this amp.

In short a very good investment for the first amplifier stage, but you'll want to replace it later for a more present and warmer. (I consider myself to buy a head with a baffle thunder50 ENGL ENGL 212V to replace Marshall)

All-transistor amplifier
Regis-power 100 watts
An input-output jack for headphones or emul line output to plug directly into a mixer, an effects loop and a decision to disconnect the rear al forum
-2 Channel: channel 1 clean and crunch with gain, 3 band equalizer and a suitch to go from clean to crunch. Channel 2 drive with adjustable equalizer 3-band contour of the saturation level of volume and overdrive switch to pass a 1 overdrive 2 more hard rock east
-Master volume adjustable reverb
Selection of a knob leffet and the dose desired effect with a volume control pots of purpose
there is also a knob to adjust the volume effect of loop
the amp and pedals with two vandu way to change channels and select or clear the effect

UTILIZATION

Trs single-configuration if there is a record which is transcribed in pa bad language
No one gets easely if its good with a little training and passiance it always happens to be seeing what we
It manually and trs clear and sufficient

SOUNDS

It is perfect for my style of music that is the Brit pop and British rock
I used the Mexican Start with a loop in the end I put my pedalboard Korg AX1500G
One gets the easely are either fat or sit trs tr claquan is trs Polivalente that is either clean or saturation but watch the saturation sound good if it remains in the rock dommaine everything from death metal and other SUPO of Satan I do not think will be the best amp in this range.

OVERALL OPINION

I used the January 2005
J-loves distos chorus and flanger integrles sn clear its great too but its still the marshall transistor
- Before acquiring the j marshall had tried a 80 watt fender vieu opportunity had to be at my 30 years, sounds wonderful but the props clear distortion was frankly dgueu. j've also tried the new fender dyna touch 900 deluxe j have melted like an ice cube in the sun listening to the sounds clear al the disto good props too, but not necessarily extra-ordinary and the effect of J will have good quality if I bought the fender Laura May budget will permit and was pa
I found the price very good quality RAPORT.
-With the experience I do not know if I would do is choose as there are other bcp d amp that I love and not be tested m this it bought in May of the sagit a very good amp transistor tr Polivalente and effective throughout the field.

--- Else profit becaufe the price fell nearly 100 euro. and yes I j ai 500 euro net deborc get it ---

Transistor with 100 watt lamp emulation, clean channel, crunch, overdrive 1 and 2, reverb, effects: chorus, flanger, delay, phaser, footswitch.

UTILIZATION

Easy to use, clean and overdrive accesible with footswitch. However, the factory often already present on the ventillo, so it makes noise or it CLAQUE (often during the warranty)!

SOUNDS

Trs big sound for mtaleux, I played with a multi-purpose ME-50 and ca cartone rather well, it highlights even more this amp.

OVERALL OPINION

Apart from the problem that can occur on ventillo, you pay 450 euro for a powerful amp and resistant.

Well like everyone else:
100W transistors, clean and crunch channel, 2 Overdrives, equalizer (low, medium, high), Reverb, Effects (Chorus, Flanger, Delay and Chorus + Delay)
As against the little note I will add is the fact that there is a volume control speaker indepandant to that of the gain. ie that you can plug the headphones at the same time and have the sound on the amp (or not if you put the volume 0).
This is very effective to record with a sound card while having the sound on the amp!
The footshitch does not disable the reverb (but no worse)

UTILIZATION

Very simple, large buttons as a turn!
For overdrive, setting volume gain + is very useful and allows a great diversity of sound.
Just as the qd footshitch branch passage is clear channel / Overdrive can be done with the footshitch. Which is fine but ...

SOUNDS

Very versatile thanks to the diversity of settings.
I play a BC Rich and the clean channel is very sweet and crunch channel is very ... "Crunch".
As for the overdrive settings allow all settings, the shrill sound saturation light and warm a little bluesy, until the very saturated fat "contained"!
Powerful enough to play in a band with drums and everything!
For between her, when I plug in a microphone or piano I find her a bit and slammed shut but it's only my opinion ...

OVERALL OPINION

I use it for a year!
Ideal on stage, repeating, in the studio and at home!
An exellent sound and a great diversity of settings.
Affordable (in the 400E I think), a ttres good value quality price!

See other
there must be all that, the bonus effect ^ ^

the footswitch could be more elaborate see other comment

UTILIZATION

H h the fan kidding after two months ^ ^
c is good but quickly repaired and free (parked) so we saw nothing
The settings are simple it s comes out even without notice (it was made for ball like me who can be there when a lot of button ^ ^)

SOUNDS

Well then I will react slightly with respect to other

I'm with the majority of Accors it is clear that this amp is quite versatile (east brit rock all the same)
but the distal 2 with a lick of good contour and easily adjustable to allow her to make a black / death tool of Satan for (yes I like the black ^^)......( well ok, not spit ca not as a HK 800euro, but at least affordable and versatile erst c ^ ^)

I honestly rarely used crunch channel, I find it too dirty c is I think the downside of this amp (still have a hard j as the Regulations)

j've seen that it was easy to have a good or a bad sound if it is not well regulated

I think its clear this amp quite effectively especially if we add the reverb ^ ^

OVERALL OPINION

I have the almost a year, I am very happy with this amp

an amp of this quality for a low price ^ ^

if I had the choice today I'll have taken the

Amp transistors 100 watt lamps simulation (...)
2 channels (clean / overdrive)
The clean channel has a crunch button (which switches between a lightweight crunch has a saturated fat)
qualisation spare on each channel (3 bands)
SETTING THE contour

4 effects (well, 3 = chorus, delay, flanger and chorus / delay effects combined in one)
rglage volume effects
a rverb numrique
an effects loop (with rglage mix the effects loop)

connections: between one cd, effects loop, line out with accumulation of hp

footswitch (it looks like There's only me who can write here ^ ^ footswitch) with 2 buttons: one to change the channel, and to enable / disable the effects rgls Prior.

and voila!

(I put 9 because the effects Systm "leaves adsirer")

UTILIZATION

Super simple setup, you need to know what rgler an amp, otherwise it is simple (a hand effects, super boring because argler 4 effects are on the same knob, to the effect rgler y ' only 1 / 4 of knob so you need precision bcp)

we obtain easily that the sound will not need to spend the day on a rglage

beginners in the manual I'm not used but I'm curious as I look and they explain everything! super well done

For example, they say that will change in a sound if you change the treble knob, etc ...
a note on the back cover four examples of rglages

SOUNDS

Yes it suits my style of music, yes I think it sounds good (APRS There's those who can afford to pay any lamp that will spit on this amp ..)

frankly, I can have everything I want a sound as it takes to play metallica, up to a filthy fuzz dgueulasse. I play it with a stratocaster bizarre changes. frankly, nickel.

clean sound is not bad, not trs trs hot, even with the button fdd (lights simultaneously), but was enough for me, and I can not afford to have any more fa it.

APRS good I'm not a great guitarist too, I'm not on bcp jou amp, but I play with a group and frankly I do not need Exceeds 2 on the master volume.
I put that 8 pasque good, it's not the best amp in the world is a little amp for the poor ... but I like it and I think it will take me a long time.

OVERALL OPINION

I use it for about one week, I m'clate bcp above, ample power, as I said I am not Exceeds 2 in BPS (and again, we play hard enough).

price quality ratio is excellent Pasqua 420 can be a versatile amp to play AC / DC as the large metal nag, or even hendrix lol.
I have never done with scne.

exprience with this choice I would do probably, but there's also the Hugh & Kettner Matrix 100, which looks like a good competitor (the same price). I'm not too paper on the subject.

Any transistor amp with a tube emulation. The power is 100W and has a connection asser completed entries and CD input, an output line out (that doubles as a headphone jack), a footswitch input for the grafted and output for the effects loop.
Level setting is very clear, setting low / medium / high on the clean channel and overdrive, gain adjustment on both also drive over volume, master volume contour overdrive selection effect (effect on the same four knob not top) volume of the volume effect of the effects loop.

UTILIZATION

No problem config is simple and fast, feeling a little one always manages to find its appropriate, the manual config is not terrible for my taste but it has the merit of the usefulness of déailler each element

SOUNDS

With my poor GSA60 remains versatile I can still go out to the sounds of Led Zeppelin and Metallica peude. tred for the hot is not bad either, so asser versatility. The clean channel can be a comuter to do the detached "crunch" attetion, I find the sound issued and asser violent and terrible ... but it is a notice

OVERALL OPINION

I es for 2 me and nothing to complain, as a power and a marshall for less than € 400 no problem for the beginner in électrqieu I am.

Amp transistors 100 watt lamps simulation (...)
2 channels (clean / overdrive)
The clean channel has a crunch button (which switches between a lightweight crunch has a saturated fat)
qualisation spare on each channel (3 bands)
SETTING THE contour

4 effects (well, 3 = chorus, delay, flanger and chorus / delay effects combined in one)
rglage volume effects
a rverb numrique
an effects loop (with rglage mix the effects loop)

connections: between one cd, effects loop, line out with accumulation of hp

footswitch (it looks like There's only me who can write here ^ ^ footswitch) with 2 buttons: one to change the channel, and to enable / disable the effects rgls Prior.

I put 9 because the effects are really bad

UTILIZATION

Use very simple (well for me).
This gives her an easy but not good sound.
Manual not clear because in English but there is no need.
I put 8 in use since the setting does not easily obtained

SOUNDS

It is not at all in my stylee music because I play metal.
I use a Jackson RR5 Ibanez SA160 and the sound is never very good.
The sound is neither bold nor crystalline, it is enormously difficult tjs saturated and the light is bad.

OVERALL OPINION

I use it for 6 months.
the aesthetic is very good but its bad
nn and I regret it, because then I tried the NADB is best for 112 or 350 for the same Huges and Kettner took the 100.
The ratio price quality not very good on this amp is really buying the brand and the brand alone.
nn I would do not have that choice, I'll rained cot Laney or Peavey

Transistor amplifier 100 watts.
Two channels: a clean (or crunches) and overdrive (or saturated).
3bandes EQ for each channel.
Triggerable by footswitch.
This amp allows the addition of effects (chorus / delay, delay, chorus, and flanger).
Plus a digital reverb.
Effects loop with control output.
Manuel French, English, Japanese, German.

UTILIZATION

It is like many amps
(I have worked one year in a music magazine that is often the same)
It turns the pots and quickly found its sound ...
It is sure we find them quickly but not necessarily good ...
The manual is clear, it gives one or two boards of adjustment,
but right after that is personal ...

SOUNDS

As I'm pretty versatile
is necessarily a style of music for which this amp should ...
To grunge it goes a lot (lol) or overdrive
not too pushed that is nice ...
As I said before I am (see over) versatile
So some stuff for each style and I play all
no exeptions, so the guitars used, there are a few ...
(I mean fender, gibson, gretsch ...)
But if I give my opinion on an amp I put no more effect,
n or no interest ...
So without making comparisons with other amplifiers or other brands,
J 'gives an opinion that remains personal.
So for the clear sound that is quite without much bass.
The crunch is not bad without much gain.
The overdrive (the best effect of the amp in my opinion) good for
styles a little bluesy.
The distortion is a bit too "gritty" is imprecise.

The effect is not great but good
if you buy an amp for delay or chorus,
there is a problem.
The reverb is totally cave.

So good for blues, jazz (his second), quiet rock, for soloists and small distortion.

OVERALL OPINION

I do not Posed, but I have tested several times
in store.
What I like the overdrive, the one I like not the reverb.
I tried a bunch of models ...
at the beginning if I remember correctly Marshall wanted € 450,
which is expensive for what that is ...
But due to baissémaintenant, and then should never buy new.
I do not buy it for € 450 here that is safe but hey,
if you find a lower price why not ...
But that is a model in which Marshall is one of the most
affordable.
And then there are in the same series of models and therefore less powerful
less ...

Transistors with 100 W amplifier technology FDD (supposed to simulate the effect of lamps)
Headphone and speaker emulation
Both channels: a Clean / Crunch and Overdrive1/Overdrive2
Four onboard effects: Delay, Chorus, Flanger anda separate reverb
Comes with a footswitch to change channels and to activate the effects
Two equalizers: A bass / med / treble / gain for the first channel
A bass / mid / treble / presence / volume for the second

UTILIZATION

Operation is very simple.
Quickly found a sound.
The effectiveness of the knobs is not very linear but hey, it's still the marshall
The manual is in French but it is not very useful to read, except maybe for beginners

SOUNDS

For the price (I bought € 550 a year ago and a half) is not bad but not terrible either.

The sound is pretty clean and clear lens, but it lacks bass. On my Ibanez SA with simple microphones, we get a get a good clear sound pretty funky while the humbucker gives sounds more incisive and cold. Compared to another marshall tube that I tried, I find the clean sound rather well

The channel is divided into Duex saturated overdrive. Advantage for lovers of Marshall, we come to have a grain that feels the marshall. The first channel gives small enough crunchy pretty saturated (type AC / DC)
The second channel grows in saturation. And there is the drama, once you crunch the dépaase just muscled it is entitled to puree little audible. This amp is therefore whether we remain in a Zoen pop / light rock / blues but no more. (If there are fools who come to play metallica on it without pedals I want to see)
I put a 5, because there are much better as well qd amp.

OVERALL OPINION

I use it for a year and a half.
There is no wrong in concert
Power is sufficient and it is very robust
The price / quality ratio is pretty decent
This is my first amp and with hindsight I think I made a good choice.
He never let me down in reliability
FDD technology provides more compared to other amp transistors.

-100w
-Transistor
-4 Effects official (3In Ralite because 2 are grouped into 1)

UTILIZATION

The config is pretty easy for me, I have a friend who galre to set it up .. There's no problem but I
I hardly j'obtient the sound I want ... Finally, it is not the amp pe IDAL for me either but it's not easy to have that jveux
the manual is bogus ... Finally I have read but I get nothing

SOUNDS

It suits my style as I play punk and punk is suitable for all ... but there are better
I play with a stagg 350h and the uber mtal Line 6
I use a rglage fatty ac
I dtest chorus in this amp is really bad qualitbr /> but I like the clean sound and I think it's the highlight of Marshall

OVERALL OPINION

I use it for 9 months
what I like is the clean sound +
what I like least is its weight
I just try to peavey bandit 112
I do not think this choice again .. + I would opt for a line 6 spider 212

Everything has been said. On paper it's not bad!

UTILIZATION

Not too hard to set up. You turn the knob and its rings.
Sound good? Hmm, it depends on the style!
I have never seen the manual

In passing. The head of my Valvestate gratteu passed away after 6 months of use not very intensive. Just to give an overview of the quality of recent marshall ...

SOUNDS

It hurt the ...
I can speak quite well, as I got home for a month, and my gratteu repeated it before.
To the large metal, there's really much better, especially for the high price of marshall. Of which rises a little gain, it gets mashed, its slime is not accurate. Not top what.

To play at home, why not. As against the sound is good for the soft rock to rock muscle to AC / DC, Maiden ... It is not doing it for the metal.
I think Marshall is playing only on its reputation for us Fourges amps that really means.

The clean is nice for cons. Its grain is pretty cool and crystalline. The effects are quite a gadget because of the lack of adjustment, but helps out well for group play.

OVERALL OPINION

For € 550, there are much better. For the metal, and the peavey Bandit Studio Pro are really very good, and not as expensive: S
In addition, the fan very quickly kidding. They could make an effort ...
Do not its 100w ... Of which pushes the master, it becomes not good (the problem of transistor amp!)
Otherwise, for any other style, the classic 30 buried ten times. Some H & K are pretty good too.

Amplifier to avoid as much as possible. Like all new marshmall ...