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Waldorf Micro Q
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Waldorf Micro Q
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zedbee zedbee
Published on 08/16/09 at 09:32
functionality of y'en almost too ....
Oscilos 3, Sub, noise, fm, 4 envelopes, 2 filters, modulation matrix, arpeggiator, effects ...

UTILIZATION

in terms of ergonomics, j'tait quite skeptical at beginners and 4 knobs seemed sacrment limit.
trs well in the end it screwed up the bulk of paramtres be reached quickly, thanks deslectionenfaade matrix.

on the other hand need to go through an editor noon to configure all parameter.
we forget the flying of the facade in arpeggiator, for example.


SOUNDS

cot it is clearly audible in the modlisation, moog n'esprerpar find under the hood!
the filters are digital and feel, but is by no means a flaw. Lersultatfinal gniale is a machine, powerful, open and fairly typical one is clearly in the register of the cold electronics.
range dessonoritsest trs rich, but the micro or Q excels when it comes to simple sounds sharp, variants, and distorted.
it's just a war machine, although it is capable of outputting sounds fine and mlodieux.
For my part I love the waldorf is incisive, space, and rich.

OVERALL OPINION

in my rack for 2 years, among many machines, it became a staple of my music. is the machine that I use for the sound that will take over in my tracks. it's a great machine, works well. is a bonneoccasion not CHRE, and no one has CHRE worth the money ...
so I do not regret having bought it, plus I'm pasprtde sell it.

the most:
sound
wealth Settings,
stability of the machine
the price OCCAZ

Cons:
the edition of some paramtres
pasd'diteurmidi mac / pc standard