Log in
Log in

or
Create an account

or
< All Marshall DSL100 reviews
Add this product to
  • My former gear
  • My current gear
  • My wishlist
Marshall DSL100
Images
1/414
Marshall DSL100

Tube Guitar Amp Head from Marshall belonging to the JCM2000 DSL series

Price engine
Classified Ads
Forums
trilolo trilolo

« head very good ... Once settled ... »

Published on 03/02/11 at 12:36
100 W
2 channels with a gain classic (clean / crunch) and a super gain (lead1/lead2).
an effects loop with level control switch output (pedals / racks)
reverb per channel.
Deep Switch (bass), and tone shift (shift of the spectrum medium) which act on the Equalization (common to both channels) and a global presence.
footswitch jack for reverb and channel change.

IMPORTANT: Setting bias apparent in the back of the head feasible with a voltmeter and a small tournevis.Très simple and that changes everything about her! The bad reviews are probably done wrong in this setting at the base. FC complement to end ... with the before / after



UTILIZATION

simple configuration when you understand how an equalizer and reports medium-tone shift. The good sound does not come right away on the ultra channel, but immediately on the clean / crunch.

SOUNDS

The head is played on a Framus Cobra baffle with two greenbacks and 2 g12T75. The voicing of the amp is not dark.

Classic gain clean channel: very clean and round with great dive on the notes (think of sound as a picture coat-coat). A lot of bass at low volume is the presence at high volume. The tapping its going very well so clear dynamic sound. 100W is not a lot of headroom
Well its very clear that exploitablable crunch later.
channel gain crunch classic: crunch good bill that goes up to a ac / dc max gain. It is always clean which remains in the bottom of his notes with all audible. The volume of the clean guitar is very usable, is the sustain, grain heat and nuances well transcribed.

Ultra Gain channel LEAD1: channel big crunch will lead to heavy way black album (studio) it is not present but not harsh grainy (except extreme settings of presence). The sustain, warmth and above all a very good sound that pierces rock &#39;n&#39; roll (think gary moore and other hard 80&#39;s). Good percussion with deep tone switched with the shift + activated the medium of the equation is reassembled in touch crunchy thick less sharp and punchy.

channel ultra lead2 gain: gain compression and gain relative to a lead. This channel enhances the low frequency range, which thereby becomes less accurate (especially with the deep set). The leads are very good, many hairline marks the game is accurate, the report severe acute is good (as a means palm mute a note with a very high pitched sound at the scorpions. (I give the simple sound cues) . The sound loses accuracy with gain climbed too high and really serves more lead in this case. The lead will be a more rhythmic, the lead up to 14h also two gain beyond that of pure lead

OVERALL OPINION

I got the dragon and Framus Cobra, cl 50, Splawn Nitro. I tried the mesa single grinder, engl fireball, peavey classic 30, classic VHT (I pass those played some time in mag ...)
The dsl 100 is its price when:

IT IS SET!

Let me explain

When I recovered, I told myself I was going to check the bias. Given to 90 mV per pair on the Marshall site has a lot of forums suggest 82. There were 84 on one side and 98 other ...
The lamps were also those of preamp origins, Chinese marshals (grateful to the structure Pi inside the lamp).

The basic sound was very very grainy and harsh, and the gain set at 15 became a slurry with low fuzz imprecise slobbering. I could not put the treble beyond the presence of 4 and remained at 3. So grain loss and gain down with EQ to sound muffled or sound of bees are aggressive choice.

After adjusting bias of 82 mV (3 min to do) and test lamps preamp (ten combinations tested) the amp has changed completely: the crunch is clean as if I went past the volume of the guitar from 6 to 10 but still with clean inside and percussive bass became tighter with a grain and warm.
The gain of leads has become exploitable in its entirety with a much finer natural fuzz (grain, no more unpleasant metallic presence) and I can now put the attendance at 14h and 13h and have a sharp sound usable.
The winning combination lamp preamp is for me: a Chinese with gain in V1, a Groove Tube R2 in V2, two dd sorted V3 and V4. The EH and Sovtek lps are in horrible!

The grain of the amp is more vintage than the two heads Framus (the crunch of the dragon is not far) and the VHT cl 50.
The grain on the marshall is tighter than on Leads of Framus (less gain than the cobra which is out this category for extreme detail and equalization), but less tight than the VHT. It is more raw and organic than the VHT. The gain is more manageable volume of the guitar that vht remains steeper.
The volumes are working well although there is no master volume channels are just as well as the VHT.
The volume is that of a 100W ... But it usable basement room of the house.

negative point: the crunch of the clean is much stronger than the clean and change everything on this channel as LEAD1 and 2 is not feasible at the foot ...
The equalization can prevent common to find its sound on both channels by finding a compromise to make it sound (a bit too bassy in clean if you want big sound in lead). if a channel is used mostly no worries.

The award opportunities is very low and it really deserves that one is interested! Also if you have not put your nose in it set it is really worth. If you want more details PM me!