Marshall 1987 JMP Lead [1967-1981] - "Amazing!!"
Like always I was searching for tone. I bought a Hiwatt Dr103 and it was made for Canada so the model number was a little different but still a DR103 nonetheless. I played that for a while but it cou…
Marshall DSL50 - "hit or miss"
Sometimes Marshall nails it and sometimes they don't. I have owned DSL 100's and have played several as well. The one I owned was fantastic. Some have been awful and some DSL 50's have been as well. …
Marshall JVM410H - "Pass!!"
I had heard so much talk about this amp for some time that I felt I need to get it. I was recently playing Mesa Boogies and wanted to go back to the Marshall tone that I was comfortable with. So I so…
Marshall 2203 JCM800 Reissue - "Classic"
I have owned 3 of these over the years. I let them go and then I come back to them. I always come back to them. The quintessential rock n roll amp if there ever was one. This amp has been featured on…
Marshall DSL100 - "Gerat work horse amp"
This amp has been one of my all time favorite amps to play. It is so easy to dial in and works so well for gigs. I got a chance to play one at a buddies house once and I knew once I hit that lead 2 b…
Marshall DSL100 - PurposeToMelody's review
* Classic Gain and Ultra Gain channels, each with two modes * Deep switch adds a resonant bass boost * Tone Shift scoops the mids * Reverb controls for each channel * Two footswitch j…
Marshall DSL100 - "DSL = Drooling Sounds of Love!"
- 100 watts - all tube - 4 preamp 12ax7, 4 power EL34 - 2 channel - green channel - clean/crunch - red channel - lead - effects channel - spring reverb - classic marshall styling - classic marshall l…
Marshall 1959 JMP Super Lead [1967-1981] - "Great amp but not for everyone"
This is what most rock amplifiers were derived from, and many of your favorite classic rock tones were recorded using amps very similar to this one. 100 watt All tube amp. 4 EL34s and three 12ax7s, w…
Marshall 2204 JCM800 Master Volume Lead [1981-1989] - "Classic Marshall Tone"
The JCM800 is one of the most famous amps Marshall has ever made. The 2204 version was the 50 watt version of the famous 2203 that was used on so many recordings in the 80s. They came in two differ…
Marshall AFD100 Signature Slash - " A must-have!"
translatedPower: 0.1W to 100W Adjustable Lamps: 5 x ECC83 & 4 x 6550 Channels: 2 Controls: Master Volume & EQ Connector: 1 input channel, switchable effects loop on the front, speaker output 2x 2x4 Ω 8Ω 1x…
Marshall DSL100 - Thunderbolt1480's review
translated100w 4x EL34 4x ECC83 2 caneaux: clean and crunch with the switch / overdrive with overdrive further switch. and deep tone shift switch Reverb 2 / 3 band eq and presence Gain and Master for clean…
Marshall 1959 JMP Super Lead [1967-1981] - Pucelle_Dabidjan's review
translatedIt's always difficult to evaluate an old marshall, as this exercise is the large gap. Yet I still rubs me. Before starting this test, I want to emphasize however that the head was mode Tube Thomsen…
Marshall 2100 JCM900 Master Volume [1990-1992] - " I love it!"
translatedAll tube ..... UTILIZATION config very simple: you plug it sounds! SOUNDS the "sound" marshall ... OVERALL OPINION it is the evolution of head jcm 800 mk2 2203 and in consort ..... even b…
Marshall 4100 JCM900 Dual Reverb [1990-1999] [2003 - ? ] - fabou13's review
translatedJCM 900 4100 tube amp: 3 in preamp (instead of 4 for a JCM 2000 or JCM 900 SLX) and 4 power (EL 34 for mine). Impedance selector to play 50 or 100W. Personally I prefer to leave it on 50W. Purch…
Marshall TSL100 - " Versatile!"
translatedLAMPS What is the power delivered? 100 W RMS 25W comuter UTILIZATION Lots of buttons but very simple, it's Marshall ... SOUNDS Will it fit your style of music? I play mainly metal and wh…