All user reviews for the Epiphone Les Paul 100

Epiphone Les Paul-100 Vintage Sunburst



Made in Indonesia, the Samick factories (ID IS) in August 2005.

22 frets jumbo.

Two open-coil humbuckers: 700T in the bridge position and 650R in the neck position.
The original sound is acceptable, typical Les Paul, but the microphones are advantageously replaced with Seymour Duncan SH-1 '59 version with four drivers, with nickel covers (or other, depending on the desired, but taking the type of wood used for the body, the handle and the key).

Tune-o-Matic.
Will be replaced with a Tune-o-Matic bearings.

Four 500K potentiometers: two for each humbucker (volume and tone). The two top adjust the neck pickup and the bottom ones, one of the bridge.
They will be replaced by four knobs "push-pull" 500K (the two volume knobs splittent their respective humbucker to make "single-coil" tone knobs allow pickups in series for the first and the out- for the second phase. The effects are cumulative).

Selector pickups three way: handle (RHYTHM) / neck and bridge together / bridge (TREBLE).

Mahogany screwed, which does not a good "sustain", whatever one thinks. In addition, a pedal Compression / Sustainer can improve it.

Lutherie side, nothing wrong for this price range.
This is a mahogany body with maple table, as shown on the official page of this model ( http://www.epiphone.com/default.asp?ProductID=42&CollectionID=6 ) (not to be confused with the Les Paul Special II ( http://www.epiphone.com/default.asp?ProductID=21&CollectionID=6 ) , which has a body laminated mahogany and alder, without table band). One can also realize when accessing the compartments of the knobs, three way selector or microphones.
The body therefore has the conventional configuration with the mahogany adds warmth and resonance and the maple that bridges the lack of clarity of mahogany, giving thus the typical warm and fat.

8 points, because of changes to be made.

UTILIZATION

The handle is quite nice, especially after adjusting its curve and action.

Initially, it was far too right and the action was a little too high, this despite the replacement of extra-light strings provided by Gibson light.
This setting is quite simple to perform, only the intervention at the "Truss Rod" is more delicate.
You should go gradually, by quarter turn (however, not to exceed two full turns in one way or another, since the starting position), spacing them well, to allow time to work with wood and take the new position.
The right curve is measured by stretching the two outer cords between the first and last fret and obtaining a difference of 1 to 1.5 mm between the top of the eighth or ninth fret and bottom of the rope. It also checks the top of the sixth fret, stretching the rope between the first and the twelfth fret, the gap should be between 0.5 and 1 mm (personally, I set to 1 mm and 0.75 mm ).
The key is to thoroughly give the game of rope throughout the woodwork, and stick in the future to the tension that we chose because it influence the curvature of the handle. Ideally, there must be new to this setting when changing string tension.
While the wood work, you can take care of the height of the action and down the bridge as low as possible by freight out the six strings on all boxes to verify that they border on at any point. A very slight wrinkling should not be understood, once plugged into the amp.
Proceeding as described, the E string (E) could be brought to 3 mm from the 22nd fret and the string mid (e) to 2 mm, with no rope frieze do anywhere.

It goes without saying that we should not choose a twisted neck, initially ...

Which brings us to say that the handle is very nice especially after these operations have been completed, not to mention setting the pace once the curvature of the neck is stabilized (after two days, depending on the size of the correction, to be sure).
For this setting, just use a tuner and check that the open string produces the same result at the twelfth fret: if the sound at the twelfth fret is too acute, it is back (unscrew) the bridge to stretch the string and vice versa.

Access to acute course is made easier after the settings shown above, with very low action which makes the game of the left hand (or right) much more feasible and that compensates a little bit of difficulty Typical cutting the body of the Les Paul. For the rest, like any Les Paul "single cut".

Getting good sound is primarily a matter of habit, but have a volume control and tone is quite advantageous for micro (especially with the modification of electronics which are mentioned above: the wiring developed by Jimmy Page ( https://www.gibson.com/relations/schematics/diagrams/pagewiring.pdf ) ).

The body is thinner, which is an advantage in weight, but also in the position of game that resembles the profile of a Fender. The game also offers up a better access to acute, because sitting it up a bit and right arm movement is hampered by the body of the guitar, but that's typical.
Despite the reduced thickness, it already sounds very good vacuum (with strings Gibson Brite Wires Light but, anyway, the factory strings must always be changed, especially if the guitar has been tried in stores) .

8 points also, again because of changes to be made.

SOUNDS

It is a Les Paul ... Therefore, it is suitable for any style of music from its registry. Mine covers blues and classic rock.

Ideally I would use a Marshall Valvestate 8080, but since I was a fire, I took a Hughes & Kettner Edition Blue 30-R-hand. This guitar and this amp are replacement purchases, waiting to find better. However, they will serve for my children (hence the need to change the Les Paul-100).

For effects, I use the channel "clean", especially with the Boss pedals (Japan) and in this order:
NS-2 Noise Suppressor ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C12691%2Cmao%2Cboss_ns2.html ) (loop "send / return" for CS-3, BD-2, OD-3 and DS-1);
CS-3 Compression / Sustainer ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C13362%2Cmao%2Cboss_cs3.html ) (must imperatively be placed in first position! otherwise ...)
( BD-2 Blues Driver ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C12737%2Cmao%2Cboss_bd2.html ) or OD-3 OverDrive ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C12735%2Cmao%2Cboss_od3.html ) and / or DS-1 Distortion ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C40874%2Cmao%2Cboss_ds_1_japon.html ) );
CH-1 Super Chorus ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C14609%2Cmao%2Cboss_ch1.html ) (placed outside the loop of the NS-2 to connect effectively jacks CH-1 and DD-6);
DD-6 Digital Delay ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C12450%2Cmao%2Cboss_dd6.html ) (must imperatively be placed outside the loop of the NS-2).
The pedals are used in a briefcase Boss BCB-60 ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C21835%2Cmao%2Cboss_bcb60.html ) .

The sound is typed Les Paul (that's why we bought it, is not it?), So warm and fat.

I like the sounds ... Well, when you love the "SOUND" Les Paul ...

7 basis points, but after the change "Jimmy Page", this is not the same guitar.

OVERALL OPINION

What I like most is the price that allows me to customize the way I want with a good base. I could have a set neck, but unlike his good was minimal and then it can always be useful, as its replacement, for example.

I tried all Epiphone (comparable to stay in) and as I was going to change anyway, I took the entry level provided with four potentiometers.
In the worst case (if any of my children gets serious on guitar), I get the parts added to the Les Paul-100 (ah. .. I forgot to mention that Grover can adapt on the handle without leaving holes through the profile of the factory installed mechanical and match), when I will take a more prestigious Les Paul.

The value is excellent and, as I said above, it can happily consider changes that make it a "Les Paul Custom" in the strict sense of the word. Otherwise, it may be very appropriate as it is for beginners and advanced guitarists.
We can also use it on stage as backup guitar, but it can also serve as the main instrument without having to blush. That said, as always, in this price range, to fit the headline, you must fall on a well made guitar. According to the opinion that I read here and there about it, surprises are rare and mainly concern mechanical.
It's a very solid guitar that can take anywhere, with little fear for her, because of the minimum investment. The price is ridiculous, of course, but it surpasses all the others in its class.

While some have had negative experiences, it's like in all, if it falls on "the product" Monday or Friday ... in fact, it is always better to try the guitars of this price range, because the quality can vary. Anyway, that too is like any and every price range of items you wish to acquire: it is best to try. However, in a case like the Les Paul-100, do not stop on a single copy which may be faulty, but try several.

I think I made that choice, even without considering the changes. That said, they are always welcome.
On the other hand, I like to tinker, so it required settings (but not always the case, it may fall on a very good factory setting or a seller who applies to set an instrument, before offering it for sale) I was not a problem, the main one being the sound and on this point, it disappoints me absolutely not.

Apart from changing the pickups (they rarely keep the original ones, except on the most prestigious models) although they are very correct, to start, the Les Paul-100 is a very good investment, and in this price range It is better not hesitate too much between the Epiphone and other brands (except time, of course), especially if they are cheaper. Musically, there's nothing worse than regretting a few dollars can make a big difference (at the base and therefore the violin, which can not be correct) and just as disappointing.

By the way, if I give all the details of changes, not for show, but just to give an overview of what can be improved on all entries in that range are worth the price and when improvements is less than the difference to buy a top model. The price difference is often better microphones, mechanical, etc.. while the base remains the same, but if we consider the import of US parts that are very interesting, especially at the current rate of the dollar and if group purchases from the same seller, can end up with a better instrument than the range higher, but at a much lower cost.
I also say this so that it is less likely to overlook these models or when one is in front of a copy which, at first glance, may seem less, then it is enough to make some adjustments which are, as you can see, easy to implement.

Another 8, then, but for the good basis to customize it gives me. Once all the changes, I tend to give 9.

If you opt for this model, I wish you to take a lot of fun. Rest assured that you will bring." rel="ugc noopener" target="_blank"> and Mono Stereo between the CH-1 and DD-6);
DD-6 Digital Delay ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C12450%2Cmao%2Cboss_dd6.html ) (must imperatively be placed outside the loop of the NS-2).
The pedals are used in a briefcase Boss BCB-60 ( https://fr.audiofanzine.com/produits/avis/index%2Cidproduit%2C21835%2Cmao%2Cboss_bcb60.html ) .

The sound is typed Les Paul (that's why we bought it, is not it?), So warm and fat.

I like the sounds ... Well, when you love the "SOUND" Les Paul ...

7 basis points, but after the change "Jimmy Page", this is not the same guitar.

OVERALL OPINION

What I like most is the price that allows me to customize the way I want with a good base. I could have a set neck, but unlike his good was minimal and then it can always be useful, as its replacement, for example.

I tried all Epiphone (comparable to stay in) and as I was going to change anyway, I took the entry level provided with four potentiometers.
In the worst case (if any of my children gets serious on guitar), I get the parts added to the Les Paul-100 (ah. .. I forgot to mention that Grover can adapt on the handle without leaving holes through the profile of the factory installed mechanical and match), when I will take a more prestigious Les Paul.

The value is excellent and, as I said above, it can happily consider changes that make it a "Les Paul Custom" in the strict sense of the word. Otherwise, it may be very appropriate as it is for beginners and advanced guitarists.
We can also use it on stage as backup guitar, but it can also serve as the main instrument without having to blush. That said, as always, in this price range, to fit the headline, you must fall on a well made guitar. According to the opinion that I read here and there about it, surprises are rare and mainly concern mechanical.
It's a very solid guitar that can take anywhere, with little fear for her, because of the minimum investment. The price is ridiculous, of course, but it surpasses all the others in its class.

While some have had negative experiences, it's like in all, if it falls on "the product" Monday or Friday ... in fact, it is always better to try the guitars of this price range, because the quality can vary. Anyway, that too is like any and every price range of items you wish to acquire: it is best to try. However, in a case like the Les Paul-100, do not stop on a single copy which may be faulty, but try several.

I think I made that choice, even without considering the changes. That said, they are always welcome.
On the other hand, I like to tinker, so it required settings (but not always the case, it may fall on a very good factory setting or a seller who applies to set an instrument, before offering it for sale) I was not a problem, the main one being the sound and on this point, it disappoints me absolutely not.

Apart from changing the pickups (they rarely keep the original ones, except on the most prestigious models) although they are very correct, to start, the Les Paul-100 is a very good investment, and in this price range It is better not hesitate too much between the Epiphone and other brands (except time, of course), especially if they are cheaper. Musically, there's nothing worse than regretting a few dollars can make a big difference (at the base and therefore the violin, which can not be correct) and just as disappointing.

By the way, if I give all the details of changes, not for show, but just to give an overview of what can be improved on all entries in that range are worth the price and when improvements is less than the difference to buy a top model. The price difference is often better microphones, mechanical, etc.. while the base remains the same, but if we consider the import of US parts that are very interesting, especially at the current rate of the dollar and if group purchases from the same seller, can end up with a better instrument than the range higher, but at a much lower cost.
I also say this so that it is less likely to overlook these models or when one is in front of a copy which, at first glance, may seem less, then it is enough to make some adjustments which are, as you can see, easy to implement.

Another 8, then, but for the good basis to customize it gives me. Once all the changes, I tend to give 9.

If you opt for this model, I wish you to take a lot of fun. Rest assured that you will bring.

Electric Guitar Les Paul shape, manufactured in Asia (several origins: males, China, India ...)
Like most Les Paul bridge Tune o Matic fixed
Channel and mahogany body, bolt-on neck, the body is relatively thin (a bit thinner for a Les Paul Studio) without a table.
The microphones are not ugly origins, the Alnico II, sure there's more.
Volume and tone settings for both microphones, microphone switch.

UTILIZATION

Quick and it does not fatigue because it is relatively light weight distribution is well designed (nothing new).
Access to the treble is a bit easier than a LP Standard because the body is thinner and the handle is screwed to earn some cm in the junction neck / body.

SOUNDS

It's a versatile guitar with the original pickups were not getting a great sound, an upgrade to more powerful microphones is required.
The knobs respond well to the settings for the past 5 years I play regularly on this guitar and I have not seen damage to electronics.
On my copy I installed Seymour Duncan, a handle and a SH1 SH14 bridge, we get it its a lot nicer and more punch accented with SH14.
Me, I play rock / blues rhythm, I use it frequently during my rehearsals and concerts without worrying.
I use it on a Superlite (homemade) of 18 watts and 30 watts, the record is excellent.

OVERALL OPINION

Sure, we did not hand in a Gibson LP but it is an excellent entry level.
Purchased in 2006 on the internet in the U.S., for about 160 euros is a good value for money.
Even if the handle is screwed, the sustain is not lacking.
Respect to other LP of the same range, the Epiphone boasts a solid mahogany body and not laminated (plywood or basswood).
Getting quick but the handle is not the same as a true LP but it is nice. It quickly takes familiarity.
The mechanical oil bath was good.
The trussrod reacts well and is easy enough to find the desired setup.
On my model I replaced the original saddle (plastic) in a Tusq graphite and tailpiece with a roller bridge, the latter much life extension cords and facilitates adjustment of the harmonics and the graphite nut allows you to give the guitar perfectly and keep quiet during a concert.
The frets are well installed and no frizz, I started to see them wear (normal) after 5 years of heavy use.
The only negative point, the hardware tends to oxidize (with sweat), just replace it with screws or higher quality steel.
I use it since 2006 and I am happy with this guitar, I have not seen strain the neck or degradation to the level of finishes and plastics.
I counsel all those who do not have the budget, why not for beginners and all who we want to have an LP without blowing their bank account.

You can not make a confrontation with a Gibson LP, is still an entry level guitar with bolt-on neck, without a table and a cost of 10 to 20 times lower than a LP Standard on the other hand, as indicated above, is an excellent entry level.

-Made in Korea (very good violin, and finally for my model which is part of the first series, now I can not say for current models ...)
Table-mahogany body curved
-Tune-o-matic
Mahogany-threaded (I think that current models are glued) Rosewood 22 frets, mechanical oil bath
-2 Type humbucker humbucker
-2 Volumes, 2 tonalities, 3-position selector

UTILIZATION

The neck is very pleasant, C. Cons by a handle end is longer for the rhythmic power, for shredders with big fingers forget.

Ergonomics is good, it's a Les Paul but lighter, so no painful back problems standing in play, which is not negligible during rehearsals relatively long sessions (4 hours in my case).

access to acute? bin is an LP not obvious, like all LP.

SOUNDS

qualitée without the sound of a LP Standard, Little Miss LP 100 stands up very well and is multitasking. Me myself I'm in fat (punk / hardcore / metal) but it does very well in the clear sounds with sustain impressive.
it fell into the hands of a bluesman who found very interesting because of its versatility.

base I use a Soldano ross 50 and a boss metal zone and I never had to complain about it!
at home, I play either on a small bass amp with a Zoom Aria AB30 G2.1u, or headphones with the G2, or headphones with a Pocket Pod and like nothing wrong.

OVERALL OPINION

I possess 15 years now (hula already!?) and I do it again without hesitation that choice!
value for money unbeatable comfort, versatility ... not many flaws in my opinion ... I had a lot of guitars, but I always come back to it, even if one day I can afford a Gibson it will never stay away ...

is a very good guitar to start, and to continue if we are not too many ways, and nothing prevents the microphones to change ... to book prioritée the rhythm unless the fingers of fairies